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The Call [High Voice]
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You've selected:
The Call [High Voice]
Sheetmusic to print
105 sheet music found
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With A Shout (1 Thessalonians 4.16-18 WEB)
With A Shout (1 Thessalonians 4.16-18 WEB)
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Sacred music
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score ...
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99 ≈
2.68€
O My Father—High-Range Vocal Solo and Piano
O My Father—High-Range Vocal Solo and Piano
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Sacred music
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Daniel Carter
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Daniel Carter
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O My Father—High-Range Vocal
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Daniel Carter
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,...
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Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99 ≈
4.47€
A Treatise on the Astrolabe
A Treatise on the Astrolabe
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Contemporary
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Kyle Rowan
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A Treatise on the Astrolabe
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Penguinman Music
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SheetMusicPlus
Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages...
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Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Music #6097405. Published by Penguinman Music (A0.1023054). The only one of Chaucer’s works that is scientific, not literary, in nature, A Treatise on the Astrolabe represents the oldest known English-language scientific manual and is a personal manual for his son on how to use an astrolabe, an ancient astronomical instrument. The that this work was created for a practical rather than artistic purpose was particularly appealing – it called to mind Walter Miller’s A Canticle for Leibowitz, when Brother Francis creates an illumination of a relic of St. Leibowitz, unaware that the relic was in fact a simple, and quite ordinary, circuit diagram.Presented here are seven songs divided among four parts. The first part, Prelude, contains one song, a setting of Chaucer’s personal introduction to his son, Lewis. The second, Here Begynneth the descripcioun of thin Astrolabie, contains three songs describing various components of the astrolabe. The worken the verrey pracktik of the forseide conclusions follows with two songs explaining the use of the astrolabe to calculate the position of the sun and the time of dawn and dusk; here, the words are spoken rather than sung. Postlude concludes the work in a style reminiscent of the opening, unmeasured material, using for its text the humble conclusion to Chaucer’s introduction.I am very grateful to soprano Tiffany DuMouchelle and percussionist Steve Solook, who I first approached in 2011 about a potential Chaucer cycle, as well as bassist Scott Worthington, who came to the project later but no less enthusiastically; without their support this piece would not have been possible.With the purchase, you are authorized to print a copy of the score for each member of the ensemble for the purposes of rehearsal and performance. For best results print on 11x17 tabloid size paper, landscape orientation.
$45.00 ≈
40.30€
Nine Swann Songs for High Voice, Violin, Cello and Piano - Opus 18
Nine Swann Songs for High Voice, Violin, Cello and Piano - Opus 18
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Daniel Carr
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Nine Swann Songs for High Voic
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Daniel Carr
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1040455 Composed by Daniel Carr. Broadway,Classical,Contemporary,Film/T...
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Small Ensemble Cello,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1040455 Composed by Daniel Carr. Broadway,Classical,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 265 pages. Daniel Carr #645246. Published by Daniel Carr (A0.1040455). Full recording here - https://danielcarr1.bandcamp.com/album/daniel-carr-volume-3-high-voice-and-piano-trio In an unusual twist, Carr composed the musical component of Nine Bethany Swann Songs prior to the texts having been written. The poet, Bethany Swann, listened to his music and through that experience was able to create the lyrics that so perfectly flow in the songs – an impressive achievement. The nine-movement song cycle begins with In Memoriam, the most “pop music†sounding of the songs, with a simple lyrical line. Roses Through Barbed Wire follows – it is more aggressive and percussive with an active accompaniment to the voice. The third piece of the cycle, The Somnambulist, is in two parts: the first with long melodic lines over a minimalist accompaniment; the second, more chordal and lyrically active. The Struggle shows influences of “Americana†and has a purely instrumental middle section. The midway point of the cycle, Stained Glass, makes use of glowing chords in various modes. The sixth song is A Return, which contains thick textures and chordal accompaniment in support of the vocal part. Song of Returns introduces a slower pace and is imagined as an “impressionistic cowboy song†– if such a thing were to exist! The penultimate movement, Light Sources is a multi-part song having an ethereal middle section and an explosive instrumental ending. The cycle concludes with Northern Boundaries, which includes a hymn-inspired section at the end.
$9.99 ≈
8.95€
The Wings of a Dove (Downloadable)
The Wings of a Dove (Downloadable)
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Gwyneth W
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The Wings of a Dove
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.9246-E Composed by Gwyneth W. Walker. All Saints/All Souls, Funeral. 36 pages. E. C. Schirmer Mu...
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High voice and piano - Medium - Digital Download SKU: MQ.9246-E Composed by Gwyneth W. Walker. All Saints/All Souls, Funeral. 36 pages. E. C. Schirmer Music Company - Digital #9246-E. Published by E. C. Schirmer Music Company - Digital (MQ.9246-E). English.A collection of four songs for high voice and piano.These Wing songs are inspired by the many characters of birds portrayed in poetry and folksongs. The “Tiny Swallow” is a mournful bird, weeping in sorrow, while the “Lone, Wild Bird” is a symbol of the Great Spirit called to earth. The turtle dove finds her peace in Heaven above, rejoicing “On Wings of Song.” And the falcon, so beautifully described in the Gerard Manley Hopkins poem “The Windhover,” is a majestic bird, striding, riding and gliding in his ecstasy.The piano accompaniment is the expression of the bird, with fluttering wings and quiet, chirping calls. Often dwelling in the highest ranges of the keyboard (or, the aerie nest), the bird flies off at the end.Contents:1. Tiny Swallow2. The Lone, Wild Bird3. On Wings of Song4. The Windhover.
$18.25 ≈
16.34€
Call Me Maybe
Call Me Maybe
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Carly Rae Jepsen
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Amphibia Cultural Legacy
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Call Me Maybe
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percuss...
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Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,High Instrument,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Recorder,Steel Guitar,String Synthesizer,Suspended Cymbal,Treble Clef Instrument,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1204562 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Amphibia Cultural Legacy. Broadway,Disco,Musical/Show,New Age,Pop,Rock. Score and parts. 9 pages. Amphibia Cultural Legacy #803024. Published by Amphibia Cultural Legacy (A0.1204562). Call Me Maybe is a fun and catchy song that has played at countless parties since its debut in 2011. But have you ever heard it with additional instruments added? Amphibia Cultural Legacy took the original Carly Rae Jepsen hit and remixed it, adding drums, guitar riffs, and other elements to create an even more upbeat version that is perfect for celebrating.The new version of Call Me Maybe by Amphibia Cultural Legacy features a faster tempo than the original, making it ideal for dancing and getting your guests up. The added instruments give the song a fuller sound that will energize your partygoers from start to finish. This remix will surely be a crowd-pleaser that will keep everyone entertained throughout the night.As the end of the year approaches, many people are already looking forward to their New Year's celebrations. One key element of any successful party is the music, and Call Me Maybe by Amphibia Cultural Legacy is a perfect choice. Carly Rae Jepsen initially wrote this cover remix with additional instruments, but Amphibia's unique sound has given it new life.The song starts with a catchy beat that immediately gets people moving on the dance floor. Adding various instruments, such as trumpets and drums, adds depth to the track and makes it even more exciting. The lyrics also testify to the joyous spirit of New Year's celebrations - Before you came into my life, I missed you so bad - reminding us that we should cherish those we love during this time.
$80.00 ≈
71.65€
Ave Maria - low voice and cello
Ave Maria - low voice and cello
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Phil Beaman
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Ave Maria - low voice and cell
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Phil Beaman
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SheetMusicPlus
Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil...
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Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil Beaman #747924. Published by Phil Beaman (A0.1147705). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility. The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F. The accompaniment is a circling minimalist 2 chord ostinato for the entire piece. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages, 3:45 minutes attached is a live recording of the High voice version with piano accompaniment; cello plays exactly the same part as the minimalist piano but the cello will give it a warmer sound than the piano.
$4.99 ≈
4.47€
"Spring Calls" - for Soprano, Flute, Viola, Cello and Harp [Study Score]
"Spring Calls" - for Soprano, Flute, Viola, Cello and Harp [Study Score]
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Klezmer
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Lior Navok
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"Spring Calls" - for Soprano,
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp,High Voice,Viola - Level 5 - Digital Download SKU: A0.976036 Composed by Lior Navok. 20th Century,Contemporary,Jewish,Wor...
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Small Ensemble Cello,Flute,Harp,High Voice,Viola - Level 5 - Digital Download SKU: A0.976036 Composed by Lior Navok. 20th Century,Contemporary,Jewish,World. Score and parts. 44 pages. Lior Navok Music #4719303. Published by Lior Navok Music (A0.976036). SPRING CALLS - for Soprano, Flute, Viola, Cello and Harp (2006) DURATION: 10:30 Minutes TEXT: Canticles 2; 1-13 (also known as The Songs of Songs or Shir Hashirim LANGUAGE: Hebrew TEXT CHARACTERS: Latin PROGRAM NOTES: The composer writes about his work: Spring Calls for soprano, flute, viola, cello and harp is a setting of texts from the second chapter of Canticles (Shir Hashirim) book, known also as The Song of Songs. It is one of the five Megilot - sacred scrolls that are part of the Hebrew Bible. Canticles is mainly being read in Passover, the holiday of spring. Its theme is love and rebirth of love, symbolized by the spring. Usually, only one or two lines of Canticles texts are being set to music. However, I had an interest to create a sort of journey as well as a psychological journey of a woman who searches, awaits and discovers her love. The text parallels the awakening of love with the awakening of spring in a most vivid and colorful way. While choosing instrumentation and musical language to with work, the modal, archaic sound mixed with the new was in my vision. Therefore, one can hear colors of certain exotic and primeval instruments such as the sistrum - an ancient Egyptian percussion instrument, dated from 2500 B.C. used mostly for religious ceremonies. Spring Calls was written for Close Encounters With Music, Yehuda Hanani - artistic director. It was generously commissioned by Lola and Edwin Jaffe with deep appreciation to their support. INFO:Item: Full Study Score Edition: 2nd Edition Copyright: Lior NavokPublisher: Lior Navok Music Pages: 44 BindingInk: Black & White Paper Size: DIN A4 / Letter.
$12.00 ≈
10.75€
Angels Came Singing - an original hymn for SATB voices
Angels Came Singing - an original hymn for SATB voices
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Sacred music
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Kevin G
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Angels Came Singing - an origi
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sa...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3135415. Published by Kevin G. Pace (A0.701496). An original hymn. Could be used as a Christmas or an Easter hymn. Text by Krista Pace below.YouTube video: https://youtu.be/s21oDdYj2HcGreat are the words of prophets of old Who spoke of a King to come as foretold; A Savior, Redeemer, to rule and to reign; Taking our sorrow, grief, loss, and pain. Angels came singing, sent from above Revealing as promised, our Father’s love; Teaching the world of His plan for all men That through God’s own Son, we’d come home again. Chosen of God, a virgin so fair Was blessed from on high, a Son she would bear, And call His name Jesus, for He was the One; His life to offer, Thy will be done. Angels came singing, sent from above Declaring glad tidings, our Father’s love; Shepherds and wise men would reverently bend For Jesus was born, the Savior of men. Women did come, their spices prepared; Still grieving the loss of life thus not spared. Then, finding the tomb with the stone rolled away Void of His body, cried in dismay. Angles came singing, sent from above Why seek ye the living? Our Father’s Love Rising, thus breaking the death bands to give A promise of life to all who would live. Seeking for truth, he knelt down to pray; Disturbed by the strife of men in his day. A pillar of light shone around this young boy; Christ and His Father answered in joy. Angels came singing, sent from above; Proclaiming the good news, our Father’s love; Full restoration of truth to the Earth; That all may rejoice, His gift of great worth. This Christmas (Easter) day, I ponder anew His birth, life, and death; my covenants true, And His resurrection that leads to my own; Prophets still leading, guiding me home. Angels are singing, sent from our home Protecting our children, loved ones who roam. One day we'll join them to sing in His light. He’s coming again in glory and might.
$1.99 ≈
1.78€
The Meeting of the Waters for voice and classical guitar
The Meeting of the Waters for voice and classical guitar
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Thomas Moore
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John Pinno
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The Meeting of the Waters for
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John Pinno
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SheetMusicPlus
Small Ensemble Guitar,High Voice,Low Voice - Level 4 - Digital Download SKU: A0.775408 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Clas...
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Small Ensemble Guitar,High Voice,Low Voice - Level 4 - Digital Download SKU: A0.775408 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Classical,Concert,Holiday. Score and parts. 5 pages. John Pinno #2609175. Published by John Pinno (A0.775408). An arrangement for solo voice and classical guitar of the song The Meeting of the Waters, by Thomas Moore (1779-1852), and inspired by a visit of he and some friends to the beautiful spot in Ireland called the Vale of Avoca, where the rivers Avonmore and Avonberg flow together and create one river called the Avoca.This song can be sung by soprano, alto or tenor voices, and should the pitch for any be too low, the guitarist can use a capo to raise the pitch.For any concerns or questions email John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$9.00 ≈
8.06€
The Butterfly
The Butterfly
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Contemporary
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published...
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Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
10.75€
Nothing Compares (Anthem) - Orchestration
Nothing Compares (Anthem) - Orchestration
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Sacred music
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Gospel/Spiritual
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and pa...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99 ≈
44.77€
Call for Action
Call for Action
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Classical
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Masha Aleskovski
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Call for Action
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Masha Aleskovski at MashaMuse
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SheetMusicPlus
Small Ensemble Guitar,High Voice,Low Voice - Level 3 - Digital Download SKU: A0.1003505 Composed by Masha Aleskovski. Classical. Score and parts. 5 pages...
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Small Ensemble Guitar,High Voice,Low Voice - Level 3 - Digital Download SKU: A0.1003505 Composed by Masha Aleskovski. Classical. Score and parts. 5 pages. Masha Aleskovski at MashaMuse #3385317. Published by Masha Aleskovski at MashaMuse (A0.1003505). This piece brings into action the importance of keeping our planet healthy and safe.
$3.00 ≈
2.69€
Mediterraneo - Score Only
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Mult...
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00 ≈
8.06€
A City Called Heaven
A City Called Heaven
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Gospel/Spiritual
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Sacred music
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African-American Spiritual
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Brandon Haynes
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A City Called Heaven
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Brandon Haynes
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 2 - Digital Download SKU: A0.905702 Composed by African-American Spiritual. Arranged by Brandon Haynes. Concert,...
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Small Ensemble Cello,Piano,Voice - Level 2 - Digital Download SKU: A0.905702 Composed by African-American Spiritual. Arranged by Brandon Haynes. Concert,Sacred,Spiritual. Score and parts. 7 pages. Brandon Haynes #4602661. Published by Brandon Haynes (A0.905702). A City Called Heaven is a African-American spiritual with a text that speaks of longing for a heavenly home apart from the hardships born out of slavery and oppression. This arrangement is for high-voice, piano accompaniment, and cello obbligato. It also quotes other spirituals in the cello line as well as in the vocals including Sometimes I Feel Like A Motherless Child and Soon-ah will Be Done With the Troubles of the World.
$6.50 ≈
5.82€
Twelve Serious Songs from the Pali for Mezzo-soprano, Viola and Cello (1997-2013)
Twelve Serious Songs from the Pali for Mezzo-soprano, Viola and Cello (1997-2013)
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Richard St
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Twelve Serious Songs from the
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Richard St. Clair
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SheetMusicPlus
Small Ensemble Cello,High Voice,Viola - Level 4 - Digital Download SKU: A0.939742 Composed by Richard St. Clair. 20th Century,Sacred. Score and parts. 33...
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Small Ensemble Cello,High Voice,Viola - Level 4 - Digital Download SKU: A0.939742 Composed by Richard St. Clair. 20th Century,Sacred. Score and parts. 33 pages. Richard St. Clair #3140783. Published by Richard St. Clair (A0.939742). These songs are to be sung in the original language of early Buddhism called Pali. The style of these songs was inspired by and (without slavish imitation) emulates the master composers of the Ars Nova period (14th century CE) such as Machaut, Landini and Ciconia. The text is Buddhist, from the Pali Canon or the collection of teachings of early Buddhism. The words are mainly from the Buddha Shakyamuni (or Gotama), who lived ca. 563-483 BCE. A full translation of the lyrics appears at the end of the score. The music is chiefly modal/tonal throughout.
$20.00 ≈
17.91€
Sun Rises from the Japanese Ocean
Sun Rises from the Japanese Ocean
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Johnson K
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e-Pllination Inc
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Sun Rises from the Japanese Oc
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Johnson Gao
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SheetMusicPlus
Small Ensemble Clarinet,Flute,High Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1006993 Composed by Johnson K. Gao. Arranged by e-Pllin...
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Small Ensemble Clarinet,Flute,High Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1006993 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary,World. Score and parts. 18 pages. Johnson Gao #3377343. Published by Johnson Gao (A0.1006993). Sun Rises from the Japanese Ocean was composed by Johnson K. Gao electronically with 13 instruments, such that clarinet, flute, Honky-Tonk piano, electric guitar, and imitated human voices in 18 full pages. An MP3 track, after mastering, is attached in sound sample. It is of intermediate or advanced level.
$1.99 ≈
1.78€
The broom, the shovel, the poker and the tongs
The broom, the shovel, the poker and the tongs
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Contemporary
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Laurence Panter
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The broom, the shovel, the pok
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Laurence Panter
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SheetMusicPlus
Small Ensemble High Voice,Piano Accompaniment,Trombone - Level 5 - Digital Download SKU: A0.1026397 Composed by Laurence Panter. Contemporary. Score and ...
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Small Ensemble High Voice,Piano Accompaniment,Trombone - Level 5 - Digital Download SKU: A0.1026397 Composed by Laurence Panter. Contemporary. Score and parts. 10 pages. Laurence Panter #6131437. Published by Laurence Panter (A0.1026397). A setting of Edward Lear's nonsense verse, for high voice, piano and trombone. Tongue-in-cheek both textually and musically!
$4.99 ≈
4.47€
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