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You've selected:
Slightly Out Of Tune
Sheetmusic to print
51 sheet music found
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51
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
#
Antonio Carlos Jobim
#
Paris Rutherford
#
Desafinado
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Accompaniment Only - Digital Download SKU: HX.1220219 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin Am...
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Choral Accompaniment Only - Digital Download SKU: HX.1220219 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin American,Love,Pop,Standards. Octavo. Duration 231. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.1220219).
$26.99 ≈
24.84€
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
#
Antonio Carlos Jobim
#
Paris Rutherford
#
Desafinado
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral - Digital Download SKU: HX.1220218 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin American,Love,Pop,Sta...
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Choral - Digital Download SKU: HX.1220218 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin American,Love,Pop,Standards. Octavo. Duration 231. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.1220218).
$1.99 ≈
1.83€
Antonio Carlos Jobim: Slightly Out Of Tune (Desafinado) (Low Voice) - voice & other instruments (low voice)
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Jazz
#
Antonio Carlos Jobim
#
Virtualsheetmusic
Instantly printable sheet music by Antonio Carlos Jobim for voice & other instruments (low voice) of MEDIUM skill level. / jazz,latin
Instantly printable sheet music by Antonio Carlos Jobim for voice & other instruments (low voice) of MEDIUM skill level. / jazz,latin
$3.97 ≈
3.65€
Turkey In The Straw (Traditional) - Lead sheet in original key of G (instrumental and vocal)
Turkey In The Straw (Traditional) - Lead sheet in original key of G (instrumental and vocal)
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Traditional
#
Stephen Bulat
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Turkey In The Straw
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Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859297 Composed by Traditional. Arranged by Stephen Bulat. Children,Country,Folk,Traditional. Score and parts. 5 pages. Stephen Bulat Publishing #6701323. Published by Stephen Bulat Publishing (A0.859297). This old time fiddle, traditional tune is also known as Do Your Ears Hang Low?This arrangement contains two versions of the song; one for instrumental and a slightly modified version when performing with vocals.An old time fiddle songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, vocals)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Children's Music Fake Book as well as the Celtic & Old Time Fiddle Fake Book.Celtic & Old Time Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.21€
Arkansas Traveler (Old Time Fiddle Song) - Lead sheet in original key of D (instrumental and vocal)
Arkansas Traveler (Old Time Fiddle Song) - Lead sheet in original key of D (instrumental and vocal)
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Traditional
#
Stephen Bulat
#
Arkansas Traveler
#
Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859290 Composed by Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 5 pages. Stephen Bulat Publishing #6698051. Published by Stephen Bulat Publishing (A0.859290). This old time fiddle, traditional tune is also known as Arkansas Traveller and I’m Bringing Home A Baby BumblebeeThis arrangement contains two versions of the song; one for instrumental and a slightly modified version when performing with vocals.It has been recorded and performed by many recording artists including Celtica, Harmony Glen, The Oxford Fiddle Group, Graham Townsend, Kitchen Jam Band, The Huckleberries, Aly Bain, Cordoba Celtica and The Chieftains.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, vocals)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.21€
All Creatures Of Our God And King
All Creatures Of Our God And King
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Sacred music
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Geistliche Kirchengesang
#
Kevin Frecker
#
All Creatures Of Our God And K
#
Kevin Frecker
#
SheetMusicPlus
Flute,Piano,Violin - Level 3 - Interactive Download SKU: A0.1399546 Composed by Geistliche Kirchengesang. Arranged by Kevin Frecker. This edition: Intera...
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Flute,Piano,Violin - Level 3 - Interactive Download SKU: A0.1399546 Composed by Geistliche Kirchengesang. Arranged by Kevin Frecker. This edition: Interactive Download. Christian,Praise & Worship. 10 pages. Duration 84. Kevin Frecker #HGgWp30N6hgNtUaRvAO3c. Published by Kevin Frecker (A0.1399546). Key: D major.This is an arrangement of the hymn tune Lasst Uns Erfreuen, often associated with the hymn text All Creatures of Our God and King. It is arranged for flute, violin, and piano duet and was originally intended for a small ensemble of youth musicians. Ideal for performers at the later beginning to early intermediate level. Full score and individual parts are included. The flute part carries the melody, while the violin part is slightly more difficult with a countermelody and dotted rhythms. The individual Piano 1 part has suggested fingerings for the pianist, while the Piano 2 part is designed for a more experienced pianist - a teacher or a more advanced young musician. Suitable for church services or concert performance.
$8.00 ≈
7.36€
Easier Pachelbel Canon
Easier Pachelbel Canon
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Classical
#
Johann Pachelbel
#
Mark Lansom
#
Easier Pachelbel Canon
#
Mark Lansom
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1102450 Composed by Johann Pachelbel. Arranged by Mark Lansom. Baroqu...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1102450 Composed by Johann Pachelbel. Arranged by Mark Lansom. Baroque,Children,Classical,Film/TV,Instructional. Score and parts. 24 pages. Mark Lansom #705862. Published by Mark Lansom (A0.1102450). This arrangement was written for a school ensemble with violins at three distinct levels of ability. The first violin part is almost identical to the original, with occasional easing. The second violin part maintains as much of the original as possible too, but without having to leave first position. The third violin part was designed for players towards the end of their first year of lessons, and remains in first hand shape of tone-tone-semitone from each string. The cello part was adapted to avoid the slightly awkward F sharp stretch on the C string, which often leads young cellists out of tune. However, there is a second supplementary score and parts which use the original cello notes. Other supplementary parts include a fourth violin part which is all open strings, a viola part which doubles mostly second violin but sometimes first or third violin to stop the line leaving first position, and a double bass part. Minimum forces for a performance are the first three violin parts with at least one bass clef part (which could also of course be played on a keyboard). Inevitably, the piece loses its purity of being an actual canon of parts, but gains playability. It is almost as long as the original, but some cuts have been made, so it is inadvisable to add parts from other sources. Finally, the piece has been made much easier to read by being written in double time.
$35.99 ≈
33.12€
Desafinado
Desafinado
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Jazz
#
Antonio Carlos Jobim and Newto
#
Rubinho
#
Desafinado
#
Rubinho
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Double Bass,Flugelhorn,Flute,Piano Accompaniment,Tenor Trombone - Digital Download SKU: A0.502935 Composed by Antonio Carl...
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Small Ensemble B-Flat Clarinet,Double Bass,Flugelhorn,Flute,Piano Accompaniment,Tenor Trombone - Digital Download SKU: A0.502935 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Rubinho. Jazz,Standards. Score and parts. 40 pages. Published by Rubinho (A0.502935). Desafinado is a bossa nova song composed by Antônio Carlos Jobim (Tom Jobim) and Newton Mendonça and recorded by João Gilberto on November 10, 1958, at Estúdios Odeon , in Rio de Janeiro . The song would be released in February 1959 as a single by the EMI-Odeon record label and included on their debut album, Chega de Saudade , released in the second week of March of that year. It is considered one of the seminal songs in the musical style and one that best defines the genre. The song is a response to criticism at the time, which considered bossa nova as music for out-of-tune singers. The song was later recorded by several artists, including Antônio Carlos Jobim , Herb Alpert , Nara Leão , Ella Fitzgerald and Stan Getz who, in 1963, won the Grammy for Best Jazz Performance by a Soloist or Small Group for the song. Two English-language adaptations of the song were performed: Slightly Out of Tune by Jon Hendricks and Off Key by Gene Lees. This arrangment is for 01 Flute, 01 Bb Clarinet, 01 Flugelhorn, 01 Trombone, Accompaniment Chords and Acoustic Bass.
$14.00 ≈
12.89€
The Phoenix Waltz - Piano Trio - Score plus individual parts
The Phoenix Waltz - Piano Trio - Score plus individual parts
#
Jonathan Wilson
#
The Phoenix Waltz - Piano Trio
#
Fresh Air
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.1023021 Composed by Jonathan Wilson. Concert,Folk,Holiday,Jazz,Wedding. Score and parts. ...
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.1023021 Composed by Jonathan Wilson. Concert,Folk,Holiday,Jazz,Wedding. Score and parts. 26 pages. Fresh Air #4360871. Published by Fresh Air (A0.1023021). This is the piano trio arrangement of the Phoenix Waltz which was originally written to celebrate all of the musicians who played in the legendary Auchterby Band and the numerous musical line-ups born out of the ashes of that band. The Auchterby Band was a ceilidh band based in Aberdeen, Scotland which usually played fast and furious folky music for Scottish dancing at weddings, parties and various drunken events. The Phoenix Waltz is not actually particularly folky or Scottish in style (more like Jazz) but, nevertheless, works well as a last waltz of the evening. I arranged it for Piano, Violin and Cello for a fundraising concert to raise money for a new piano for our village hall and managed to rope in a couple of fantastic young musicians, through my piano teacher, to compensate for my mediocre piano playing. The piano, at that point, was borrowed and very out of tune, but the concert itself was totally unique and very special. I have included a recording from the concert which I hope you like. On listening to it I feel it is slightly rushed (I was nervous) so relax, take it easy and let it breathe!
$19.50 ≈
17.95€
Danube Waves - guitar trio/large ensemble
Danube Waves - guitar trio/large ensemble
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Classical
#
Josef Ivanovici
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Derek Hasted
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Danube Waves - guitar trio/lar
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797741 Composed by Josef Ivanovici. Arranged by Derek Hasted. Romantic Period. Score and part...
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797741 Composed by Josef Ivanovici. Arranged by Derek Hasted. Romantic Period. Score and parts. 21 pages. Derek Hasted #4363453. Published by Derek Hasted (A0.797741). THE DANUBE WAVES - for THREE GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This isn’t just one little Waltz - the original work was, in fact, 4 Waltzes played end to end. The first one is perhaps the most famous, but the others are charming too. Here we have all four plus an introduction too.My guitar trio arrangement is based on a facsimile of an original piano reduction with extra countermelodies to thicken the texture.This composition has been arranged by many people to be played on piano or by full orchestra, and quite often one or more of the waltzes is omitted, or they are played in a different order or a different number of times. It’s fair to say there are probably a dozen variants! More than that, each arranger seems to take it upon themselves to write an introduction. In keeping with that tradition, I have penned an introduction too... it’s a mysterious, slightly slow, statement of the first theme, which, as the first Waltz starts, comes alive at tempo.In this particular arrangement, I’ve made sure everyone has the tune at some point - with about five minutes of music here, it’s not right that some parts are in the limelight and others aren’t - music is for sharing! At phrase boundaries, the roles of tune, countermelody and accompaniment all move round.In concert, one might consider omitting one of the Waltzes if time is at a premium.
$4.99 ≈
4.59€
Still Still Still - Christmas song - 7 Parts - Clarinet Ensemble
Still Still Still - Christmas song - 7 Parts - Clarinet Ensemble
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Christmas
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Traditional
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.568866 Composed by Traditional. Arranged by Thomas Graf. Christmas. 38 pages. Thomas...
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.568866 Composed by Traditional. Arranged by Thomas Graf. Christmas. 38 pages. Thomas Graf - the-hit-factory.com #3381735. Published by Thomas Graf - the-hit-factory.com (A0.568866). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Part I (Clar. in Bb/Eb), Part II/III/IV (Clar. in Bb), Part V/VI (Clar. in Bb, Alto Eb, Basset Horn), Part VII (Bass Clar.)      Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...           Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic       Video: https://www.youtu.be/DrY2dZaoolw  .
$19.99 ≈
18.40€
Still Still Still - Christmas song - Wind Trio - Arrangement: Thomas H. Graf
Still Still Still - Christmas song - Wind Trio - Arrangement: Thomas H. Graf
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Christmas
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Traditional
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Flute - Level 3 - Digital Download SKU: A0.569108 Composed by Traditional. Arranged by Thomas Graf. ...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Flute - Level 3 - Digital Download SKU: A0.569108 Composed by Traditional. Arranged by Thomas Graf. Christmas. 12 pages. Thomas Graf - the-hit-factory.com #3627671. Published by Thomas Graf - the-hit-factory.com (A0.569108). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.  Instrumentation: Flute - Cor Anglais - Bassoon       Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!        Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...            Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic        Video: https://www.youtu.be/FA9VY9_XBFA
$9.99 ≈
9.19€
Still Still Still - Christmas song - Flute Quintet
Still Still Still - Christmas song - Flute Quintet
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Christmas
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Trad
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Flute - Level 3 - Digital Download SKU: A0.568258 Composed by Trad. Arranged by Thomas Graf. Christmas. 22 pages. Thomas Graf - th...
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Woodwind Ensemble Bass Flute - Level 3 - Digital Download SKU: A0.568258 Composed by Trad. Arranged by Thomas Graf. Christmas. 22 pages. Thomas Graf - the-hit-factory.com #2893739. Published by Thomas Graf - the-hit-factory.com (A0.568258). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.  Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute            Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                     Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              Video: https://www.youtu.be/QVxrKWOt91I  .
$14.99 ≈
13.80€
Four Canadian Sketches (Brass Band)
Four Canadian Sketches (Brass Band)
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00 ≈
36.82€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.04€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.04€
Jingle Bells Hip-Hop Rap (accompaniment)
Jingle Bells Hip-Hop Rap (accompaniment)
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James Lord Pierpont
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Tito Abeleda
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Jingle Bells Hip-Hop Rap
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Visionary Quest Records
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SheetMusicPlus
Choir,Drum Set,Drums,Multi-Percussion,Voice - Digital Download SKU: A0.1070243 Composed by James Lord Pierpont (1857). Arranged by Tito Abeleda. Christma...
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Choir,Drum Set,Drums,Multi-Percussion,Voice - Digital Download SKU: A0.1070243 Composed by James Lord Pierpont (1857). Arranged by Tito Abeleda. Christmas,Hip-Hop. Accompaniment. Duration 100. Visionary Quest Records #4764769. Published by Visionary Quest Records (A0.1070243). Solo rap vocalist, SATB optional, TBB optional, Beatbox percussion option, Studio drum set, sleigh bells, conga drums, tom-toms. Original composer James Lord Pierpont (1822-1893). Hip-Hop Arrangement by Tito Abeleda (1964- ) Score plus parts, 20 pages. Published by Visionary Quest Records. Accompaniment also available on MP3. The MP3 audio accompaniment is a HD CD Quality accompaniment track recorded at 320 kbps. It contains 2 tracks on the 1 track. The longer version provides enough music for repeat of the song and additional measures for vamp to adapt your needs. The shorter version is a seamless loop, again provided to your needs.Jingle Bells originally composed by James Lord Pierpont in 1857 was published as One Horse Open Sleigh intended for Thanksgiving holiday. This arrangement modifies this public domain piece with instrumentation and genre. It has been arranged as a hip-hop rap solo with clean slightly modified original lyrics to give an authentic hip-hop urban feel. This is an easy and should provide some refreshing fun for intermediate students. The instrumentation is purely percussion. If a teachers has a particularly cool musical student with some swag and performance quality, this would be an excellent feature. But choral groups of all sizes and levels can enjoy this pieced. The percussion includes conga drums, tom-toms, sleigh bells, and studio drum set or comparable. Beatboxing the percussion would add a nice challenge and flavor for your choral groups. Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$2.99 ≈
2.75€
Patapan - Carol for easy guitar quartet
Patapan - Carol for easy guitar quartet
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Bernard de la Monnoye
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Derek Hasted
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Patapan - Carol for easy guita
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score ...
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-luâ€) and the drum (“Pata-pata-panâ€).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB†style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan†to bring the piece to a surprise conclusion...I hope you enjoy this piece!
$2.99 ≈
2.75€
Boogie Woogie Bugle Boy
Boogie Woogie Bugle Boy
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Contemporary
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Bette Midler
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Peet du Toit
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Costello
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Boogie Woogie Bugle Boy
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Peet du Toit
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SheetMusicPlus
Small Ensemble Alto Saxophone,Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802617 By Bette Midler. By Don Raye and Hughie Prince...
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Small Ensemble Alto Saxophone,Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802617 By Bette Midler. By Don Raye and Hughie Prince. Arranged by Peet du Toit. Contemporary. Score and parts. 44 pages. Peet du Toit #6016933. Published by Peet du Toit (A0.802617). Boogie Woogie Bugle Boy is a song which became a major hit for The Andrews Sisters and an iconic World War II tune that first appeared in the Abbott & Costello comedy film, Buck Privates. It reached number six on the U.S. pop singles chart in early 1941. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.Boogie Woogie Bugle Boy was nominated for the Academy Award for Best Original Song but lost out to The Last Time I Saw Paris.The song is closely based on an earlier Raye-Prince hit, Beat Me Daddy, Eight to the Bar, which is about a virtuoso boogie-woogie piano player.This arrangement is for a slightly smaller ensemble, consisting of an alto sax, 4 trumpets, a french horn, 3 trombones, a tuba and percussion.
$24.00 ≈
22.09€
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Dark December:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contempo...
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95 ≈
22.96€
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