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Sixth Thought
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2 sheet music found
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1
The Counter of The Point
The Counter of The Point
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directly contradicting the rul
#
Jonah Koppitz
#
The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and par...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99 ≈
1.86€
Test Drive
Test Drive
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John Powell
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Rob Bushnell
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Test Drive
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1196739 By John Powell. By John Powell. Arranged by Rob Bushnell. 20th Century,Celtic,Film/TV,Folk,Irish. Brass Band. 79 pages. RBMusic #795900. Published by RBMusic (A0.1196739). Test Drive is from the soundtrack to the 2010 computer-animated action fantasy film How to Train Your Dragon, based on the book by Cressida Cowell. It follows the story of Hiccup and Toothless as they form an unlikely friendship, against the backdrop of the Viking village of Berk, where the other villagers attempt to kill dragons when they attack.The music is composed by John Powell. Whilst this was his sixth collaboration with DreamWorks Animation, it was the first where he was the sole composer (having worked with other composers such as Harry Gregson-Williams and Hans Zimmer prior to this). In an interview with The Wasp, Powell said that the directors wanted “size and depth and emotionâ€, wanting “a feeling of the Nordic musical past.†This led him to the music of Nielsen, Grieg and, in particular, Sibelius. “Sibelius was the key. I studied a lot of Sibelius as a kid, and I've always adored his music.†He continues, “we looked at all the folk music from the Nordic areas. And I'm part Scottish and grew up with a lot of Scottish folk music, so that came into it a lot. And Celtic music was something that Jeffrey [Katzenberg] felt had this very attractive quality to it, and a sweetness, that he thought would be wonderful for the film.Test Drive appears in the film when Hiccup first takes flight on Toothless. It perfectly brings together “Hiccup's Theme†and “Toothless' Themeâ€. The two themes take over from each other, representing the development of their onscreen relationship during this flight scene as Hiccup starts to trust Toothless, and vice versa. The soundtrack was nominated for the Academy Award for Best Original Score and the BAFTA Award for Best Film Music.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=IpPIK4T068s.Other searchable terms: Jay Baruchel, America Ferrera, Astrid Hofferson, Gerard Butler, Stoick the Vast, Craig Ferguson, Gobber the Belch, blacksmith, Christopher Mintz-Plasse, Fishlegs Ingerman, Jonah Hill, Snotlout Jorgenson, T.J. Miller, Kristen Wiig, Tuffnut and Ruffnut Thorston, David Tennant, Spitelout, Robin Atkin Downes, Ack, Philip McGrade, Starkard, Kieron Elliott, Hoark the Haggard, Ashley Jensen, Phlegma the Fierce, Randy Thom, Night Fury.
$44.99 ≈
42.10€
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1
Sixth Thought
