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1
Bach: Eight Little Preludes & Fugues, BWV 553-560, for Saxophone Choir - Score Only
Bach: Eight Little Preludes & Fugues, BWV 553-560, for Saxophone Choir - Score Only
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Classical
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Johann Sebastian Bach
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James M
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Bach: Eight Little Preludes &
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1402994 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,F...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1402994 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 64 pages. Jmsgu3 #986193. Published by jmsgu3 (A0.1402994). J. S. Bach's Eight Little Preludes & Fugues, BWV 553-560, are organ pieces composed between 1720 and 1723. They are written in the Baroque style and show Bach's mastery of the form. The pieces consist of a prelude followed by a fugue and are short and compact. The preludes are mainly in a two-part contrapuntal style, with occasional triplets and dotted rhythms adding variety and interest. The fugues are more complex and show Bach's ability to write complex counterpoint and intricate contrapuntal textures. These pieces are great for teaching and performing and provide an excellent introduction to Bach's music.
$49.95 ≈
45.83€
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.21€
Going Home (Largo – Theme from New World Symphony) for four part cello ensemble or mixed level cel
Going Home (Largo – Theme from New World Symphony) for four part cello ensemble or mixed level cel
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Classical
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Antonin Dvorak
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Yellow Cello Music
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Transcribed to C major
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Going Home
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Sheryl Smith
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SheetMusicPlus
String Ensemble Cello - Level 3 - Digital Download SKU: A0.812917 Composed by Antonin Dvorak. Arranged by Yellow Cello Music. Contemporary,Romantic Perio...
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.812917 Composed by Antonin Dvorak. Arranged by Yellow Cello Music. Contemporary,Romantic Period,Sacred. Score and parts. 6 pages. Sheryl Smith #6599853. Published by Sheryl Smith (A0.812917). Largo from the New World Symphony by Dvorak. For quartet or ensemble of mixed level players. Transcribed to C major.Part 1 - all positions, mostly in treble clefPart 2 - bass clef only, some shifting up to fourth position. Tricky harmonies.Part 3 - bass clef, can be played in first position (better shifted up). Tricky harmonies, one tricky triplet passage.Part 4 - bass clef, first position only with extensions. Simple rhythms, simple bowings.
$3.99 ≈
3.66€
Under The Sea
Under The Sea
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Walt Disney
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Alan Menken and Howard Ashman
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Susie Winkworth winkmusic
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Under The Sea
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winkmusic.co.uk
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1113467 Composed by Alan Menken and Howard Ashman. Arranged by Susie Winkworth winkmusic.co.uk. Broa...
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String Ensemble - Level 2 - Digital Download SKU: A0.1113467 Composed by Alan Menken and Howard Ashman. Arranged by Susie Winkworth winkmusic.co.uk. Broadway,Children,Film/TV,Instructional,Musical/Show,Pop. Score and parts. 45 pages. Winkmusic.co.uk #715403. Published by winkmusic.co.uk (A0.1113467). Under The Sea from Disney's The Little Mermaid - a really fun, upbeat track arranged for mixed level easy/intermediate string ensemble that will put everyone in a great mood! This has all the funky rhythms of the original in a way that's readable, with parts for all levels so that everyone can join in. #Violin 1 - Intermediate. Contains some arpeggio practice, plus off-beat rhythms. Some triplets. #Violin 2 - Early Intermediate. Some arpeggio practice, and supported off-beat rhythms. 1st position only. Includes low 2nd finger. #Violin 3/Viola - Easy. 1st position only, mostly open strings and 1st fingers. No low 2nd fingers. Pizz. and arco. Fairly simple rhythms. #Cello 1 - Intermediate. 1st and 4th positions. Some off-beat rhythms, moving parts and melody. Some triplets. #Cello 2 - Easy. Straightforward rhythms. 1st position only. Pizz. and arco. #Bass - Early Intermediate. Some off-beat rhythms. #Opt. Violin 4 - Open strings only. Simple rhythmic patterns. #Opt. Cello 3 - Open strings only. Simple rhythmic patterns. #Teacher Piano Guide - covers all the key parts just in case you need them! Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$22.00 ≈
20.19€
Despacito
Despacito
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Latin/World Music
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Var...
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Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$4.99 ≈
4.58€
Erlkönig (Arranged for Euphonium Quartet)
Erlkönig (Arranged for Euphonium Quartet)
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Classical
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Franz Schubert
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Danny Chapa
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Erlkönig
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Kayla Roth
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SheetMusicPlus
Brass Ensemble Euphonium - Level 4 - Digital Download SKU: A0.927033 Composed by Franz Schubert. Arranged by Danny Chapa. Romantic Period. Score and part...
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Brass Ensemble Euphonium - Level 4 - Digital Download SKU: A0.927033 Composed by Franz Schubert. Arranged by Danny Chapa. Romantic Period. Score and parts. 35 pages. Kayla Roth #3444757. Published by Kayla Roth (A0.927033). One of Franz Schubert's most famous works (and indeed, one of the most well-known lieder), Erlkönig, based on poetry by Johann Wolfgang von Goethe, tells the story of a father, his sick child, and a malevolent elf-spirit called Erlkönig (elf king or alder king). The child, delirious with fever, insists to his father that the Erlkönig means to harm him; as his father reassures the child that he is only imagining things, the Erlkönig torments him, sweet words turning into threats. The father races through the forest on his galloping horse with his son in his arms, arriving back home only to find that the child has succumbed to his fever.In Schubert's original composition, the galloping of the horse is depicted in incessant triplets played by the pianist, while the vocalist must portray four different characters - the narrator, the father, the son, and the Erlkönig. Danny Chapa's arrangement for four euphoniums preserves these aspects, dividing the vocal roles amongst the four performers: part one is the narrator, part two is the son, part three is the father, and part four is the Erlkönig. The fifth character of the horse is disbursed throughout all parts.Dr. Chapa holds degrees from Louisiana State University and from the University of North Texas and has held faculty positions at Stephen F. Austin State University and at Brookhaven College. He is an active performer and lecturer at concerts and conferences around the United States.For more great euphonium literature, be sure to check out other selections from Atticus Sounds Publications here on Sheet Music Plus!
$20.00 ≈
18.35€
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