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You've selected:
My First Bach
Sheetmusic to print
15 sheet music found
<
1
Variations on Bach's Bourrée (for Guitar)
Variations on Bach's Bourrée (for Guitar)
#
Classical
#
Johann Sebastian Bach
#
Emiliano Brunetti
#
Variations on Bach's Bourrée
#
Emiliano Brunetti
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1371168 Composed by Johann Sebastian Bach. Arranged by Emiliano Brunetti. Baroque,Chamber. Individual pa...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1371168 Composed by Johann Sebastian Bach. Arranged by Emiliano Brunetti. Baroque,Chamber. Individual part. 5 pages. Emiliano Brunetti #955419. Published by Emiliano Brunetti (A0.1371168). Variations on Bach’s Bourrée (5th movement) of BWV 996 reflects the importance of time and place in which we do and say things. How change, as little as it may be, can lead us to a completely different future. This piece was my first conscious decision to explore my Argentinian and Latin American heritage, and intersect it with Western Classical Music, through the modification of the rhythm and duration of the notes from the original score by Bach.
$2.00 ≈
1.87€
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baro...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.83€
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroq...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
30.83€
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP....
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
30.83€
Offenbach: Orphée aux enfers "Galop Infernal" (Can-Can) - symphonic wind ensemble
Offenbach: Orphée aux enfers "Galop Infernal" (Can-Can) - symphonic wind ensemble
#
Jacques Offenbach
#
Ray Thompson
#
Offenbach: Orphée aux enfers
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553868 Composed by Jacques Offenbach. Arranged by Ray Th...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553868 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period,Standards. Score and parts. 19 pages. RayThompsonMusic #5197807. Published by RayThompsonMusic (A0.553868). Orpheus in the Underworld ] and Orpheus in Hell] are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.My arrangement is the final part of the Overture which was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860.Arranged double wind quintet.Includes Clarinets in A and Bb.
$9.95 ≈
9.31€
La Folia in D Minor
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #8...
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00 ≈
4.68€
Aus Tiefer Not Schrei Ich zu Dir
Aus Tiefer Not Schrei Ich zu Dir
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Classical
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Mitch Boucher
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Aus Tiefer Not Schrei Ich zu D
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Mitch Boucher
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Horn,Trombone,Trumpet,Tuba,Violin - Interactive Download SKU: A0.480240 By Mitch Boucher. By Mitch Boucher. This e...
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Large Ensemble Cello,Double Bass,Flute,Horn,Trombone,Trumpet,Tuba,Violin - Interactive Download SKU: A0.480240 By Mitch Boucher. By Mitch Boucher. This edition: Interactive Download. Classical. Score and parts. 50 pages. Duration 560. Published by Mitch Boucher (A0.480240). This piece is my first attempt at a chorale partita. Not as advanced as Bach, but I hope you enjoy! The work has five parts: a chorale, a variation, a gigue, a fugue, and a final chorale. The inspiration of BWV 686 is quite prominent.
$15.00 ≈
14.03€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.78€
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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Leopold Mozart
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B
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Notenbuch für Wolfgang Amadeu
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bl_music
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SheetMusicPlus
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standar...
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99 ≈
12.15€
Variations on “Jesu der du meine Seele” for brass quintet
Variations on “Jesu der du meine Seele” for brass quintet
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Marsha Schweitzer
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Variations on “Jesu der du m
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Music For Winds
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1456615 Composed by Marsha Schweitzer. Chamber,Christian,Classical,Praise & Worship,Relig...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1456615 Composed by Marsha Schweitzer. Chamber,Christian,Classical,Praise & Worship,Religious. 19 pages. Music For Winds #1035689. Published by Music For Winds (A0.1456615). I have a new work for brass quintet based on the Bach cantata “Jesu der du meine Seele,” which celebrates its 300th anniversary this year. Bach wrote this cantata for the 14th Sunday after Trinity, which falls on September 1, 2024. The first performance of the work was on September 10, 1724. These Variations are perfect for preludes and postludes in church services, and for other performances of all kinds.I have many other works available for various woodwind, brass, and string ensemble combinations. Visit my website, www.musicforwinds.net, to see the complete catalog.
$15.00 ≈
14.03€
Komm, Jesu, Komm for Trombone or Low Brass Octet
Komm, Jesu, Komm for Trombone or Low Brass Octet
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Classical
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Eric Burger Music
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Komm, Jesu, Komm for Trombone
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and pa...
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Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. Eric Burger Music #3514925. Published by Eric Burger Music (A0.508209). Come, Jesus, Come - BWV 229, Liepzig (1731) It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale. The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices), containing no fugue. The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life. (From Wikipedia) View the score with playback at:https://youtu.be/iOjStrr-vO8 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$15.00 ≈
14.03€
Ich lasse dich nicht for Trombone or Low Brass Octet
Ich lasse dich nicht for Trombone or Low Brass Octet
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Classical
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Eric Burger Music
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Ich lasse dich nicht for Tromb
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Digital Download SKU: A0.508208 Arranged by Eric Burger Music. Baroque. Score and parts. 25 pa...
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Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Digital Download SKU: A0.508208 Arranged by Eric Burger Music. Baroque. Score and parts. 25 pages. Eric Burger Music #3514923. Published by Eric Burger Music (A0.508208). Previously attributed to Johann Christoph Bach, BWV Anh.159 (c.1713) The first part of this lovely work is a beautiful call and answer between two choirs. It then breaks into a shared fugue over a cantus firmus that will be exhilarating for your group and the audience. View the score with playback at:https://youtu.be/nEG-0BS_jwE This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$13.00 ≈
12.16€
Rondeau from Abdelazer for Antiphonal Brass Choir
Rondeau from Abdelazer for Antiphonal Brass Choir
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Henry Purcell
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Charles Decker
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Rondeau from Abdelazer for Ant
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet - Digital Download SKU: A0.1225513 Composed by Henry Purcell. Arranged by Charles Decker. Baroque,Cha...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet - Digital Download SKU: A0.1225513 Composed by Henry Purcell. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Film/TV. 28 pages. Charles Decker Music Press #821584. Published by Charles Decker Music Press (A0.1225513). Familiar to audiences worldwide as the theme for Benjamin Britten’s 1946 A Young Person’s Guide to the Orchestra, Purcell’s stately and majestic “Rondeau from Abdelazer†is from incidental music he composed for the 1678 play “The Moor’s Revenge.† The elegant Rondeau has been used as the theme for films and television programs. Scored for two antiphonal brass quartets of two B-flat trumpets and two trombones, alternate parts C trumpet and substitute F horn for trombone 1 of each quartet are provided. Increasingly ornamented first trumpet parts adds to musical excitement of antiphonal brass. Beyond brass programs or special events, consider featuring the trumpet and trombone sections on your next band or orchestra concert with this impressive work. The recording is of the entire arrangement.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95 ≈
13.05€
Velogeno and Fugue for Double Bass and Vibraphone
Velogeno and Fugue for Double Bass and Vibraphone
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Contemporary
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Jo Asker
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Velogeno and Fugue for Double
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Jo Asker Publishing
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1026116 Composed by Jo Asker. 20th Century,Contemporary. ...
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Instrumental Duet Double Bass,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1026116 Composed by Jo Asker. 20th Century,Contemporary. Score and parts. 14 pages. Jo Asker Publishing #5866955. Published by Jo Asker Publishing (A0.1026116). A take on my original ballad Velogeno with two subsequent fugue sections comprised of material from the main theme. Velogeno is an anagram for the words Love Gone and the character of the piece reflects this. Ethereal harmonies and floating melodic content comprise the main theme and last fugue. The first fugue is more rhythmic in nature, almost like if J.S. Bach were to write a tonally ambiguous invention.
$8.99 ≈
8.41€
The Marines' Hymn: Apotheosis
The Marines' Hymn: Apotheosis
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Sammy Nestico
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Adrian Horn
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The Marines' Hymn: Apotheosis
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1241960 Composed by Sammy Nestico. Arranged by Adrian Horn. 20th Century. Brass Band. 35 pages. AJH Brass #837317. Published by AJH Brass (A0.1241960). The Marines’ Hymn is the official hymn of the United States Marine Corps and the oldest official song in the US Armed Forces, authorised for use by the Commandant of the Marine Corps in 1929. The lyrics for the hymn were written by an anonymous author prior to this and includes lines referencing famous battles such as “To the shores of Tripoli†referring to the First Barbary War and “The Halls of Montezuma†referencing the Battle of Chapultepec. The music, however, originates from the “Gendarmes’ Duet†from Offenbach's 1859 opera Genevieve de Brabant. Sammy Nestico, whilst best known as a composer, arranger, and conductor for the Count Basie Orchestra and as a prolific composer of television themes including shows such as M*A*S*H*, and Charlie’s Angels, was also the director of the U.S. Marine Band under both John F. Kennedy and Lyndon B. Johnson. In 1968, Nestico took the original version of the hymn and revamped it in his own inimitable style giving us Apotheosis - Marines' Hymn. I give it my heart… a Marine's heart – Sammy Nestico. Instrumentation - British Brass Band,  Full Score,  Soprano Cornet, Solo Cornets, Repiano Cornet, 2nd Cornets, 3rd Cornets,  Flugel Horn, Solo Tenor Horn, 1st Tenor Horn, 2nd Tenor Horn,  1st Baritone, 2nd Baritone,  1st Trombone, 2nd Trombone, Bass Trombone,  Euphoniums,  Eb Basses, BBb Basses,  Timpani, Tubular Bells.
$24.99 ≈
23.38€
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My First Bach
