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101
Exsultate, jubilate, K.165 Piano Vocal Score (Letter Size) feat. Mozart Alleluja
Exsultate, jubilate, K.165 Piano Vocal Score (Letter Size) feat. Mozart Alleluja
#
Classical
#
Wolfgang Amadeus Mozart
#
Sandstone Music
#
Exsultate, jubilate, K.165 Pia
#
Sandstone Music
#
SheetMusicPlus
Small Ensemble High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.978445 Composed by Wolfgang Amadeus Mozart. Arranged by S...
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Small Ensemble High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.978445 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Concert,Sacred. Score and parts. 28 pages. Sandstone Music #6062363. Published by Sandstone Music (A0.978445). This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this piano vocal score with a new conductor score and set of orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities. This score is for voice and piano, with the piano part adjusted to more closely resemble the orchestral parts.
$13.99 ≈
12.89€
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Mendelssohn: Wedding March for Oboe d'Amore & Piano
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, A...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95 ≈
22.98€
Mendelssohn: Wedding March for Viola & Piano
Mendelssohn: Wedding March for Viola & Piano
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romanti...
(+)
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95 ≈
30.35€
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Gu...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.35€
Rondo Presto (from String Quartet K. 157): Piano Accompaniment
Rondo Presto (from String Quartet K. 157): Piano Accompaniment
Cello|Viola|Piano Accompaniment|Violin
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Classical
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Wolfgang Amadeus Mozart
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Andrew H
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Rondo Presto
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Andrew H. Dabczynski. For String Orchestra. Classical. Part. 4 pages. Published by Alfred Music - Digital Sh...
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By Wolfgang Amadeus Mozart (1756-1791). Arranged by Andrew H. Dabczynski. For String Orchestra. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$5.99 ≈
5.52€
HiJinx! for Bb Clarinet and Orchestra (10')
HiJinx! for Bb Clarinet and Orchestra (10')
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Contemporary
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Judith Cloud
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HiJinx! for Bb Clarinet and Or
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Judith Cloud
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SheetMusicPlus
Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pa...
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Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pages. Judith Cloud #6710237. Published by Judith Cloud (A0.981232). Composer NotesHiJinx! was commissioned by clarinetist Peter Wright in the spring of 2013. It is a mostly humorous piece aimed at entertaining the audience and the members of the orchestra. I also intended it to be a suitable companion to the Rossini Introduction, Theme and Variations, also featured on the Jacksonville Symphony's 2014-15 season opener. Keenly aware of Peter's fine soloistic abilities I approached organization of the work around quotations from well known clarinet solos. The work was composed between December and March with Peter's mischievous personality constantly in mind, thus the inclusion of random quotations from opera, chamber music and popular song.HiJCloud: HiJinx!List of themes as occurring in the score: 1. Crusell Concerto for Clarinet #3, Allegro Risoluto2. After Debussy Première Rhapsodie3. Prokofiev Peter and the Wolf4. Honegger Pacific 2315. Hummel Sonata for piano, op. 81, Finale6. Bartok The Miraculous Mandarin7. Martin & Blane Clang, clang, clang went the trolley8. Bartok The Miraculous Mandarin 9. Brown & Freed Singin' in the Rain10. Strauss Till Eulenspiegels lustige Streiche11. Rameau Chansons de nos plaisirs from Acanthe et Céphise12. Hugo Friedhofer: Dudley's theme from the film The Bishop's Wife13. Mozart Voi che sapete from Le Nozze di Figaro14. Thomas Je suis Titania from Mignon15. Paganini Rossini MOSE-Fantasia16. Humperdinck Hansel und Gretel 17. Warren & Dubin The Gold Diggers' Song (We're in the Money) 18. Bernard Herrmann Psycho slasher music 19. Warren & Dubin The Gold Diggers' Song (We're in the Money)20. (Next rhythmic and harmonic reference is from Prince: Kiss)21. After Debussy Première Rhapsodie22. Nielson Concerto for Clarinet and Orchestra23. Warren & Dubin The Gold Diggers' Song (We're in the Money)
$15.00 ≈
13.82€
W. A. MOZART Un dente guasto e gelato KV 209a Bass or baritone voice and piano (reduction and fragme
W. A. MOZART Un dente guasto e gelato KV 209a Bass or baritone voice and piano (reduction and fragme
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Classical
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Wolfgang Amadeus Mozart
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Helios D'Andrea
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W. A. MOZART Un dente guasto e
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D'Andrea Helios
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.981550 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical. 7 pages. D...
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.981550 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical. 7 pages. D'Andrea Helios #6587429. Published by D'Andrea Helios (A0.981550). Original song for bass and orchestra is unfinished. Reduction for piano and completion of the composition with the addition of some final measures.
$5.00 ≈
4.61€
Dies Irae from Requiem in D minor by Mozart (String Orchestra Version)
Dies Irae from Requiem in D minor by Mozart (String Orchestra Version)
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Wolfgang Amadeus Mozart
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Yat Fung Lam
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Dies Irae from Requiem in D mi
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Music Ad Lib
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1401568 Composed by Wolfgang Amadeus Mozart. Arranged by Yat Fung Lam. Broadway,Classical,Film/TV,M...
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String Orchestra - Level 4 - Digital Download SKU: A0.1401568 Composed by Wolfgang Amadeus Mozart. Arranged by Yat Fung Lam. Broadway,Classical,Film/TV,Musical/Show,Religious,Sacred. 37 pages. Music Ad Lib #984751. Published by Music Ad Lib (A0.1401568). Dies Irae from Requiem in D minor by Mozart in String Orchestra Version, suited to string orchestras,string ensembles in schools and professional settings . This masterpiece by Mozart is rearranged to strings orchestra version with striking effectiveness, exploding the full potential of string instruments. Comes with full score and parts. Piano and Percussion part is a bonus.
$24.99 ≈
23.02€
W.A. Mozart "Dies Bildniss" Aria from the opera "The Magic Flute"
W.A. Mozart "Dies Bildniss" Aria from the opera "The Magic Flute"
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Opera
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Classical
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Wolfgang Amadeus Mozart
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James Scott
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}
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W.A. Mozart "Dies Bildniss" Ar
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Mesa Music Publishing
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.892488 Composed by Wolfgang Amadeus Mozart. Arranged by James ...
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.892488 Composed by Wolfgang Amadeus Mozart. Arranged by James Scott. Classical,Opera. Score and parts. 10 pages. Mesa Music Publishing #4885433. Published by Mesa Music Publishing (A0.892488). Mozart, Dies Bildniss Tenor aria from The Magic Flute. Some of Mozart’s most profound music is to be found in his arias for tenor voice. This transcription gives the solo bassist a chance to really sing. Piano parts for both solo A-E-B-F# and orchestra G-D-A-E tuning are included along with the solo bass part written in tenor clef. p { margin-bottom: 0.08in; }
$12.50 ≈
11.51€
"Notte e giorno faticar" - "Don Giovanni", W. A. Mozart - arr. for Flute, Violin, Cello, Piano and v
"Notte e giorno faticar" - "Don Giovanni", W. A. Mozart - arr. for Flute, Violin, Cello, Piano and v
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Opera
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Notte e giorno faticar" - "Do
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Wolfgang Voelkl
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SheetMusicPlus
Large Ensemble Cello,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988197 Composed by Wolfgang ...
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Large Ensemble Cello,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988197 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 27 pages. Wolfgang Voelkl #6326073. Published by Wolfgang Voelkl (A0.988197). Nr. 1 from Mozart’s opera Don Giovanni, unabridged. The vocal parts (Leporello, Donna Anna, Don Giovanni, Il Commendatore) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may e substituted with a second violin.
$15.99 ≈
14.73€
"Fuggi, crudele" - "Don Giovanni", Mozart - arr. for Flute, Violin, Cello, Piano and Vocals (Soprano
"Fuggi, crudele" - "Don Giovanni", Mozart - arr. for Flute, Violin, Cello, Piano and Vocals (Soprano
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Opera
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Fuggi, crudele" - "Don Giovan
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988200 Composed by Wolfgang Amadeus Mozart. Arrange...
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Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988200 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 23 pages. Wolfgang Voelkl #6328539. Published by Wolfgang Voelkl (A0.988200). Nr. 2 from Mozart’s opera Don Giovanni, without the recitativo (Ma qual Mai s’offre, o Dei, spettacolo), beginning directly with the duet (Fuggi, crudele). The vocal parts (Donna Anna (Soprano), Don Ottavio (Tenor)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may e substituted with a second violin.
$15.99 ≈
14.73€
"Là ci darem la mano" - "Don Giovanni", Mozart - arr. for flute, violin, cello, piano and vocals (s
"Là ci darem la mano" - "Don Giovanni", Mozart - arr. for flute, violin, cello, piano and vocals (s
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Opera
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Là ci darem la mano" - "Don
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Low Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988201 Composed by Wolfgang Amadeus Mozar...
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Small Ensemble Cello,Flute,High Voice,Low Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988201 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 11 pages. Wolfgang Voelkl #6330413. Published by Wolfgang Voelkl (A0.988201). Nr. 7, Duet, from Mozart’s opera Don Giovanni, unabridged. The vocal parts (Zerlina (soprano), Don Giovanni (bass)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may be substituted with a second violin.
$9.99 ≈
9.20€
"Or sai chi l’onore" - "Don Giovanni" (Mozart) - arr. for Flute, Violin, Cello, Piano and vocals (
"Or sai chi l’onore" - "Don Giovanni" (Mozart) - arr. for Flute, Violin, Cello, Piano and vocals (
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Opera
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Or sai chi l’onore" - "Don
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.988202 Composed by Wolfgang Amadeus Mozart. Arrange...
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Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.988202 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 19 pages. Wolfgang Voelkl #6341535. Published by Wolfgang Voelkl (A0.988202). Nr. 10a, Aria, from Mozart’s opera Don Giovanni, unabridged (without the rezitativo). The vocal part (Donna Anna (Soprano)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may be substituted with a second violin.
$10.99 ≈
10.12€
"Dalla sua pace" - "Don Giovanni" (Mozart) - arr. for flute, violin, cello, piano and vocals (Tenor)
"Dalla sua pace" - "Don Giovanni" (Mozart) - arr. for flute, violin, cello, piano and vocals (Tenor)
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Opera
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Dalla sua pace" - "Don Giovan
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988203 Composed by Wolfgang Amadeus Mozart. Arrange...
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Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988203 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 13 pages. Wolfgang Voelkl #6480701. Published by Wolfgang Voelkl (A0.988203). Nr. 10b, Aria, from Mozart’s opera Don Giovanni, unabridged (without the rezitativo). The vocal part (Don Ottavio (Tenor)) is unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may be substituted with a second violin.
$9.99 ≈
9.20€
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