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5 sheet music found
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1
The Impossible Dream
The Impossible Dream
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Mitch Leigh
#
Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Lou...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Louke Publishing #3489035. Published by Louke Publishing (A0.736270). 2018 Chamber Music Contest EntryThe Impossible Dream from Man of La ManchaProgram Notes Low Flute Ensemble The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream, To fight the unbeatable foe, To bear with unbearable sorrow, To run where the brave dare not go. To right the unrightable wrong, To love pure and chaste from afar, To try when your arms are too weary, To reach the unreachable star. This is my quest, To follow that star No matter how hopeless, No matter how far. To fight for the right Without question or pause, To be willing to march Into hell for a heavenly cause. And I know if I'll only be true To this glorious quest That my heart will be peaceful and calm When I'm laid to my rest. And the world will be better for this, That one man scorned and covered with scars Still strove with his last ounce of courage. To fight the unbeatable foe. To reach the unreachable star. BroadwayMoviesPopularBalladMusicals Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/ Â
$14.00 ≈
¥101.57
The Impossible Dream (the Quest)
The Impossible Dream (the Quest)
#
Man Of La Mancha
#
Phyllis Avidan Louke
#
The Impossible Dream
#
Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyl...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Standards. 12 pages. Louke Publishing #715479. Published by Louke Publishing (A0.1113567). Low Flute Ensemble The Impossible Dream from Man of La Mancha Program Notes The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream To fight the unbeatable foe To bear with unbearable sorrow And to run where the brave dare not go To right the unrightable wrong And to love pure and chaste from afar To try when your arms are too weary To reach the unreachable star This is my quest To follow that star No matter how hopeless No matter how far To fight for the right Without question or pause To be willing to march, march into Hell For that Heavenly cause And I know if I'll only be true To this glorious quest That my heart will lie peaceful and calm When I'm laid to my rest And the world will be better for this That one man, scorned and covered with scars Still strove with his last ounce of courage To reach the unreachable star This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. Broadway Movies Popular Ballad Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com. A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/.
$14.50 ≈
¥105.20
Carson Cooman: Pooh’s Serenade (2002) for bassoon, cello, and piano
Carson Cooman: Pooh’s Serenade (2002) for bassoon, cello, and piano
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Carson Cooman
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Carson Cooman: Pooh’s Serena
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533705 Composed by Carson Cooman. Children,Contemporar...
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Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533705 Composed by Carson Cooman. Children,Contemporary. Score and parts. 16 pages. Musik Fabrik Music Publishing #3039007. Published by Musik Fabrik Music Publishing (A0.533705). I. Cloud SongII. Bear SongPooh’s Serenade (2002) for bassoon, cello, and piano was commissioned by hrCMEfor Arts First 2002. The work is dedicated to Lembit Beecher, in appreciation forwhat he has done for the ensemble. The “Pooh†of the title is, of course, Winnie-the-Pooh, the lovable bear from A. A. Milne’s books of stories, Winnie-the-Pooh (1926)and The House at Pooh Corner (1928).The work is cast in two short movements. The basic musical material is sharedbetween the movements. Each is inspired by a different one of Pooh’s “songs.†Thefirst movement, Cloud Song, was inspired by Pooh’s song as he pretends to be acloud, floating through the air tied to a balloon – attempting to fool some bees as hesteals their honey. The second movement, Bear Song, is inspired by one of Pooh’shappiness songs: “Sing Ho! for the life of a Bear!“This work may be performed in one of two ways: (1) The movements may be playedtogether as a chamber piece. The notes above should be printed in the program – andpossibly the texts as well. (2) A narrator could be used to read the poems before theplaying of each movement – and perhaps read also some extracts (to provide contextfor the poems) from the Milne stories.
$12.95 ≈
¥93.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
#
Contemporary
#
Carson Cooman
#
Carson Cooman Enchanted Tracin
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
¥565.54
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Enchanted Traci
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
¥217.29
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