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How Great Thou Art, for Piano, Flute and Clarinet
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You've selected:
How Great Thou Art, for Piano, Flute and Clarinet
Sheetmusic to print
21 sheet music found
<
1
Then Sings My Soul (How Great Thou Art)
Then Sings My Soul (How Great Thou Art)
#
Sacred music
#
Stuart Hine
#
Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral, Handbell, Vocal, Solo - Digital Download SKU: H1.C5701DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Or...
(+)
Choral, Handbell, Vocal, Solo - Digital Download SKU: H1.C5701DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Ring & Sing, Orchestra, Vocal Solo/Duet. Hymntune, Ring & Sing, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5701DP. Published by Hope Publishing - Digital (H1.C5701DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25 ≈
2.99€
Then Sings My Soul (How Great Thou Art)
Then Sings My Soul (How Great Thou Art)
#
Sacred music
#
Stuart Hine
#
Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Solo Solo instrument - Digital Download SKU: H1.C5701ODP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra....
(+)
Solo Solo instrument - Digital Download SKU: H1.C5701ODP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Set of Instrumental Parts. 60 pages. Hope Publishing - Digital #C5701ODP. Published by Hope Publishing - Digital (H1.C5701ODP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$89.95 ≈
82.89€
Then Sings My Soul (How Great Thou Art)
Then Sings My Soul (How Great Thou Art)
#
Sacred music
#
Stuart Hine
#
Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral, Solo - Digital Download SKU: H1.C5993DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestr...
(+)
Choral, Solo - Digital Download SKU: H1.C5993DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5993DP. Published by Hope Publishing - Digital (H1.C5993DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25 ≈
2.99€
Then Sings My Soul (How Great Thou Art)
Then Sings My Soul (How Great Thou Art)
#
Sacred music
#
Stuart Hine
#
Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral, Solo - Digital Download SKU: H1.C5720DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestr...
(+)
Choral, Solo - Digital Download SKU: H1.C5720DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5720DP. Published by Hope Publishing - Digital (H1.C5720DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25 ≈
2.99€
Then Sings My Soul (How Great Thou Art)
Then Sings My Soul (How Great Thou Art)
#
Sacred music
#
Stuart Hine
#
Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Vocal ensemble Solo (Med. Voice-Key A-flat)-Digital - Digital Download SKU: H1.8552DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompani...
(+)
Vocal ensemble Solo (Med. Voice-Key A-flat)-Digital - Digital Download SKU: H1.8552DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Hymntune, General Worship, Worship. Score. 8 pages. Hope Publishing - Digital #8552DP. Published by Hope Publishing - Digital (H1.8552DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$7.95 ≈
7.33€
Then Sings My Soul (How Great Thou Art)
Then Sings My Soul (How Great Thou Art)
#
Sacred music
#
Stuart Hine
#
Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral, Solo - Digital Download SKU: H1.C5724DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestr...
(+)
Choral, Solo - Digital Download SKU: H1.C5724DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5724DP. Published by Hope Publishing - Digital (H1.C5724DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25 ≈
2.99€
How Great Thou Art
How Great Thou Art
#
Sacred music
#
Martina McBride
#
Ian Wei
#
How Great Thou Art
#
Ian Wei
#
SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1081850 By Martina McBride. By Stuart K. Hine ...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1081850 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Ian Wei. Sacred. Score and parts. 11 pages. Ian Wei #685978. Published by Ian Wei (A0.1081850). A traditional hymn arranged for flute, Bb clarinet and piano performance.
$12.99 ≈
11.97€
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
#
Mark S
#
Professor M & M's Jive Detecto
#
Geofonica Artistworks
#
SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Sco...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99 ≈
3.68€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.21€
How Great Thou Art, Flute, Clarinet and Piano
How Great Thou Art, Flute, Clarinet and Piano
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Swedish Folk Melody
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Cindy Blevins
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How Great Thou Art, Flute, Cla
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Cindy Blevins
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.518736 Composed by Swedish Folk Melody. Arrang...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.518736 Composed by Swedish Folk Melody. Arranged by Cindy Blevins. Praise & Worship. Score and parts. 9 pages. Cindy Blevins #129447. Published by Cindy Blevins (A0.518736). This is a beautiful, playable arrangement for flute, clarinet and piano. You receive the score and the individual parts.
$5.99 ≈
5.52€
How Great Thou Art!
How Great Thou Art!
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Sacred music
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Gospel/Spiritual
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Swedish Folk Melody
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Gideon Gee-Bum Kim
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How Great Thou Art!
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Gee-Bum Kim
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.937474 Composed by Swedish Folk Melody. Arranged by Gideon Gee-Bum ...
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Small Ensemble Cello,Clarinet,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.937474 Composed by Swedish Folk Melody. Arranged by Gideon Gee-Bum Kim. Christian,Gospel,Spiritual. Score and parts. 11 pages. Gee-Bum Kim #6414701. Published by Gee-Bum Kim (A0.937474). All parts for the work for chorus, piano, flute, clarinet, violin, viola, and cello.
$2.99 ≈
2.76€
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
9.21€
Then Sings My Soul
Then Sings My Soul
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Sacred music
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Stuart Hine
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Mary McDonald
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Then Sings My Soul
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo vocal duet (high & low voice-key of A-flat) - Digital Download SKU: H1.8681DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accom...
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Vocal, Solo vocal duet (high & low voice-key of A-flat) - Digital Download SKU: H1.8681DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Hymntune, General Worship, Worship. Vocal score. 8 pages. Hope Publishing - Digital #8681DP. Published by Hope Publishing - Digital (H1.8681DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$7.95 ≈
7.33€
Then Sings My Soul
Then Sings My Soul
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Sacred music
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Stuart Hine
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Mary McDonald
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Then Sings My Soul
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Solo - Digital Download SKU: H1.C6102DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestr...
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Choral, Solo - Digital Download SKU: H1.C6102DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C6102DP. Published by Hope Publishing - Digital (H1.C6102DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel:9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Revelation 4:4 - Reve.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25 ≈
2.99€
Then Sings My Soul
Then Sings My Soul
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Stuart K
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Mary McDonald
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Then Sings My Soul
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Hope Publishing - Digital
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SheetMusicPlus
Vocal Trio for Treble Voices - Digital Download SKU: H1.9140DP Composed by Stuart K. Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional O...
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Vocal Trio for Treble Voices - Digital Download SKU: H1.9140DP Composed by Stuart K. Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing - Digital #9140DP. Published by Hope Publishing - Digital (H1.9140DP). Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$7.95 ≈
7.33€
Que Garota Linda (Bb leadsheet)
Que Garota Linda (Bb leadsheet)
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pa...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99 ≈
3.68€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.21€
12 Solo Quadrilles for Treble/Alto Recorder
12 Solo Quadrilles for Treble/Alto Recorder
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Various
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B
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12 Solo Quadrilles for Treble/
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bl_music
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Downl...
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Large Ensemble Alto Recorder,Alto Saxophone,Baritone Recorder,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842531 Composed by Various (Collection). Arranged by B. Brennan. Baroque,Classical,Instructional,Standards. Score and parts. 32 pages. Bl_music #5289965. Published by bl_music (A0.842531). 12 Solo Quadrilles for Treble/Alto RecorderOriginally written for small orchestras or piano, our arrangements for solo Treble/Alto recorder work so well that it is hard to believe that the pieces weren’t written for the recorder in the first place.This edition of stunning, not too difficult, but fun solos is the ideal companion or addition to the 25 Progressive Studies for Treble/Alto Recorder and a great album of show-stoppers for professionals and students alike.Quadrilles were fashionable dances of the late 18th to19th Centuries, performed by four couples in a rectangular formation. They consist of four to six movements (or contredanses, courtly versions of English country dances that had been taken up at the court of Louis XIV and spread across Europe.) and became a craze during the 19th century.Though hundreds of quadrille sets were composed in the 19th , the names of the five parts (or figures) remained the same, as did the steps and the figures themselves:Le Pantalon , L’été , La Poule , (Trénis ), La Pastourelle , Finale This collection includes:· The Rats· Learning to Dance· Wide Awake· Melbourne· Polly· Osborne· Lancers’ Quadrille· Chevalresque· Fireman· Les Girards· Palermo· Caledonian
$15.99 ≈
14.73€
A Proud College Boy
A Proud College Boy
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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A Proud College Boy
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,H...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Oboe,Piano and Keyboard,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1238228 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Film/TV,New Age,Soul,Spiritual. 8 pages. Amphibia Cultural Legacy #833702. Published by Amphibia Cultural Legacy (A0.1238228). A Proud College Boy is a cover song from Amphibia Legacy sung by Sprig Plantar (Justin Felbinger), based on the original composition, Evening Wind Blows In My Heart, by Ali Yue.The song features a catchy melody and is accompanied by an upbeat melody. The arrangement is simple yet effective, and the song evokes energy and emotion. The song is upbeat and joyful. Its lyrics are uplifting and inspiring, encouraging listeners to strive for their goals and be proud of their accomplishments. The additional instruments give the song a fuller, more dynamic sound.The song is about a 12-year-old frog Sprig Plantar, full of pride and joy, who is proud of achieving and rewarding with a Master of Music college degree, although he reflects on the hard work he has put in and how it has paid off. He expresses his gratitude for the people who have supported him and encouraged him to reach his goals, as he is proud of himself and the person he has become. He's excited to start a musical adventure of his life and looks forward to the future. The song is full of optimism and hope and is a great reminder to celebrate the small successes in life.A Proud College Boy is a great example of how music can be used to capture the emotions of a time and place, and it is sure to bring back fond memories for many fans. It's an uplifting and inspiring song that will leave listeners feeling proud and inspired.Overall, A Proud College Boy is an inspiring cover song celebrating hard work and perseverance. It's a great reminder that we should all take pride in our achievements and be thankful for the support of everyone.
$70.00 ≈
64.50€
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How Great Thou Art, for Piano, Flute and Clarinet
