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You've selected:
Under The Sea
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Sheetmusic to print
22 sheet music found
<
1
Under The Sea
Under The Sea
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Walt Disney
#
Alan Menken
#
Bill Swick
#
Under The Sea
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Bill Swick
#
SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.810620 Composed by Alan Menken. Arranged by Bill Swick. Contemporary. Score and parts. 44 pages. Bill...
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Small Ensemble - Level 5 - Digital Download SKU: A0.810620 Composed by Alan Menken. Arranged by Bill Swick. Contemporary. Score and parts. 44 pages. Bill Swick #6549529. Published by Bill Swick (A0.810620). This unique arrangement is part of the Disney Movies series entitled Guitars and Strings. This arrangement of Under the Sea may be performed with four guitars only, as a large guitar ensemble with four parts, as a guitar quartet along with a string quartet, and/or a large guitar ensemble with a full string orchestra. The rhythms are advanced level. The range also puts this into the advanced level. This is ideal for Year 3, Quarter 3.
$40.00 ≈
37.43€
Vivaldi: The Four Seasons Complete for Oboe d'Amore & Piano
Vivaldi: The Four Seasons Complete for Oboe d'Amore & Piano
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Classical
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: The Four Seasons Comp
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 5 - Digital Download SKU: A0.551440 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroqu...
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Instrumental Solo,Oboe d'Amore,Piano - Level 5 - Digital Download SKU: A0.551440 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and individual part. 193 pages. Jmsgu3 #5204991. Published by jmsgu3 (A0.551440). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95 ≈
46.73€
Vivaldi: Spring from the Four Seasons for Alto Flute & Piano
Vivaldi: Spring from the Four Seasons for Alto Flute & Piano
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Classical
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four
#
jmsgu3
#
SheetMusicPlus
Level 5 - Digital Download SKU: A0.551343 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 43 p...
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Level 5 - Digital Download SKU: A0.551343 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 43 pages. Jmsgu3 #5026073. Published by jmsgu3 (A0.551343). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95 ≈
30.83€
Vivaldi: Spring from the Four Seasons for Viola & Piano Trio
Vivaldi: Spring from the Four Seasons for Viola & Piano Trio
#
Classical
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four
#
jmsgu3
#
SheetMusicPlus
Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.551455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,St...
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Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.551455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 61 pages. Jmsgu3 #5214365. Published by jmsgu3 (A0.551455). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$49.95 ≈
46.73€
Vivaldi: Spring from the Four Seasons for Oboe d'Amore & Piano
Vivaldi: Spring from the Four Seasons for Oboe d'Amore & Piano
#
Classical
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 5 - Digital Download SKU: A0.551346 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroqu...
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Instrumental Solo,Oboe d'Amore,Piano - Level 5 - Digital Download SKU: A0.551346 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and individual part. 43 pages. Jmsgu3 #5026127. Published by jmsgu3 (A0.551346). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95 ≈
30.83€
Vivaldi: Spring from the Four Seasons for Viola & Piano Quartet
Vivaldi: Spring from the Four Seasons for Viola & Piano Quartet
#
Classical
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 5 - Digital Download SKU: A0.551454 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standar...
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Piano Quartet - Level 5 - Digital Download SKU: A0.551454 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 67 pages. Jmsgu3 #5214309. Published by jmsgu3 (A0.551454). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$44.95 ≈
42.06€
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
#
Christian contemporary
#
Sacred music
#
Carson Cooman
#
Carson Cooman: The Revelations
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music P...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95 ≈
30.83€
Sharktooth Frenzy
Sharktooth Frenzy
#
Christine Southworth
#
Sharktooth Frenzy
#
Airplane Ears Music
#
SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00 ≈
4.68€
Wunderkammer(konzert)
Wunderkammer(konzert)
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Kenneth Hesketh
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Wunderkammer(konzert)
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Schott Music - Digital
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SheetMusicPlus
Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our ...
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Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q23834. Published by Schott Music - Digital (S9.Q23834). This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: ’in this labyrinthine landscape, I found a natural context to construct my own private collection of musical objects, ciphers, and quotations. The volatile and virtuosic textures of the work are created by demanding soloistic agility from each performer. Whilst being required to fit seamlessly together to form complex musical surfaces the musicians are also set belligerently strident and dramatic roles. The concerto form (kammerkonzert) proved a natural arena for such contradictory tensions that seek resolution through metamorphosis.’ (Kenneth Hesketh)1 with B foot(pic).1(ca).0.Acl(bcl).0-0.1.1(tri).0-3perc(crot, vib, mar, tub bells, tri, h.h, 4sus cym, Chinese cym, splash cym, mark tree, 3gong, 2tom-t, b.d, kick b.d, pic timp, 5timp, 2jam blocks, 4granite blocks, egg shaker, desk bell)-pno(cel)-str(1.0.1.1.1).
$47.99 ≈
44.90€
Adagio for Trombone and Strings
Adagio for Trombone and Strings
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Classical
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Tomaso Giovanni Albinoni
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Biehn, Sean F
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Adagio for Trombone and String
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Gordon Cherry
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SheetMusicPlus
Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792126 Composed by Tomaso Giovanni Albinoni. Arranged by Biehn, Sean F. Baroque. Score ...
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Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792126 Composed by Tomaso Giovanni Albinoni. Arranged by Biehn, Sean F. Baroque. Score and parts. 17 pages. Gordon Cherry #3664891. Published by Gordon Cherry (A0.792126). The Adagio in G minor for Trombone and String Quartet is a wonderful arrangement of the work attributed to Tomaso Albinoni (1671-1751). The work is about 7 minutes in length for advanced performers.Below is a short article about the Adagio by the arranger, Sean F. Biehn:There is much controversy as to who wrote the Adagio for Strings in G minor and whether it was a stolen idea or embellished from a piece of a manuscript. The piece is considered to be a fragment of Tomaso Albinoni's (1671-1751) original manuscript with a few measures of the melodic material and the basso continuo. During World War II, the bombings of Dresdon, which is where the Saxon State Library resided, was destroyed and Remo Giazotto (1910-1998) evacuated most of its documents, being that he was a musicologist-and an Albinoni biographer. Giazotto took the fragment of manuscript and completed what he thought would be the completed piece which in turn makes his completed piece an original composition. In 1958, Giazotto finalized the piece under the title of Adagio in G minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni. Remo Giazotto never shared the manuscript and after his death in 1998, there has never been a record of the missing manuscript fragment. To this day, the string ensemble with organ is popularly performed. There have been numerous and recent alterations in instrumentation for this piece due to the fact that other soloists wanted to perform the beautiful piece. This particular version of the piece contains a string quartet accompanying a trombone soloist.
$35.00 ≈
32.75€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music...
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
60.77€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bass Trombone
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bass Trombone
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part....
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056111. Published by Benjamin Sajo (A0.1018890). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.27€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Timpani
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Timpani
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages...
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056117. Published by Benjamin Sajo (A0.1018893). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.27€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Triangle, Cymbals, Bass Drum
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Triangle, Cymbals, Bass Drum
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Multi-Percussion,Percussion Solo - Level 5 - Digital Download SKU: A0.1018892 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part...
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Multi-Percussion,Percussion Solo - Level 5 - Digital Download SKU: A0.1018892 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056119. Published by Benjamin Sajo (A0.1018892). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.27€
A Moon, A Minute
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew...
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50 ≈
2.34€
Brass Sextet - Allegro Spiritoso
Brass Sextet - Allegro Spiritoso
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Contemporary
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Mike Lyons
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Brass Sextet - Allegro Spirito
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Ly...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00 ≈
23.39€
Double Concerto for Oboe and Bassoon with Piano and Percussion
Double Concerto for Oboe and Bassoon with Piano and Percussion
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Contemporary
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Jenni Brandon
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II
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Double Concerto for Oboe and B
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Jenni Brandon Music
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SheetMusicPlus
Large Ensemble Bassoon,Cymbals,Djembe,Glockenspiel,Gong,Multi-Percussion,Oboe,Piano Accompaniment,Snare Drum,Tambourine,Triangle - Level 5 - Digital Download
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Large Ensemble Bassoon,Cymbals,Djembe,Glockenspiel,Gong,Multi-Percussion,Oboe,Piano Accompaniment,Snare Drum,Tambourine,Triangle - Level 5 - Digital Download SKU: A0.918688 Composed by Jenni Brandon. Contemporary. Score and parts. 86 pages. Jenni Brandon Music #5720435. Published by Jenni Brandon Music (A0.918688). Double Concerto for Oboe and Bassoon with Wind Symphony (JB 136) by Jenni Brandon: This piece tells the story of our Galaxy, of the great unknown and what lies beyond, and where we belong within this vastness of space. Written for Scott Pool, Rogene Russell and the University of Texas at Arlington Wind Symphony under the direction of Douglas Stotter.This work was funded by a grant from the UT Arlington Research Enhancement Program. This is a great recital work to showcase excellent college or professional double reed performers. This work is also available as a Double Concerto for Oboe and Bassoon with Wind Symphony (JB 156) through Jenni Brandon Music - www.jennibrandon.comSingle movement with sections: I. The Spiral Galaxy; II. Travelling through the Milky Way; III. The Orion Spur: The Blue Planet Waltz; IV. Supermassive Black Hole: Falling into the abyss…; V. Dark Matter: …an elementary particle that pervades the universe.; VI. The Orion Nebula: We are made of star-stuff.; ...Flying through the Spiral GalaxyDuration 18:30. Instrumentation: oboe, bassoon, piano, percussion(suspended cymbal, glockenspiel, triangle, gong, snare drum, tambourine, sand block, Djembe)When printing - print two copies of the oboe/bassoon solo part as they are on the same part.Jenni Brandon Musicwww.jennibrandon.comASCAP
$35.00 ≈
32.75€
Echos of EiÌkosi - Score Only
Echos of EiÌkosi - Score Only
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Amos Elkana
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Echos of EiÌkosi - Score On
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Amos Elkana
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1322401 Composed by Amos Elkana. 21st Century,Contemporary. 14 pages. Amos Elkana #910699. Published by Amos Elkana (A...
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Level 5 - Digital Download SKU: A0.1322401 Composed by Amos Elkana. 21st Century,Contemporary. 14 pages. Amos Elkana #910699. Published by Amos Elkana (A0.1322401). Echos of EÃkosi, a dynamic and vibrant composition crafted for the Meitar Ensemble's 20th anniversary, is a testament to the fusion of traditional and contemporary musical elements. This piece, encapsulating both the essence of virtuosity and the avant-garde, is written for a sextet accompanied by intricate electronics. It is a relatively short composition, but it packs a substantial punch in its brief duration.The music of Echos of EÃkosi is characterized by its vigorous energy and its mercurial shifts in mood and dynamics, creating an auditory landscape that is as unpredictable as it is thrilling. These sudden changes demand not only technical proficiency from the musicians but also a deep emotional understanding of the piece's nuanced shifts. The electronics component adds an additional layer of complexity, blending with the acoustic instruments to create a rich tapestry of sound.The sextet, comprising highly skilled musicians, is guided by a conductor who plays a pivotal role in navigating the challenging score. The conductor's expertise is crucial in ensuring the seamless integration of the electronics with the live instruments, and in managing the quicksilver changes in tempo and intensity. The result is a performance that is both a showcase of the musicians' technical abilities and a deeply expressive interpretation of the composition's intricate emotional landscape.In summary, Echos of EÃkosi is not just a musical piece but an adventurous journey through a spectrum of sonic textures and emotions, making it a fitting tribute to the Meitar Ensemble's two decades of artistic exploration and achievement.
$20.00 ≈
18.71€
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Under The Sea
