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Holst: The Planets - IV. Jupiter, the Bringer of Jollity | Flute Orchestra
Holst: The Planets - IV. Jupiter, the Bringer of Jollity | Flute Orchestra
#
Classical
#
Gustav Holst
#
Michael Barrera
#
Holst: The Planets - IV. Jupit
#
Michael Barrera
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Piccolo - Level 5 - Digital Download SKU: A0.998574 Composed by Gustav Holst. Arranged by Michael Barrera. Romantic Period. ...
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Woodwind Ensemble Alto Flute,Piccolo - Level 5 - Digital Download SKU: A0.998574 Composed by Gustav Holst. Arranged by Michael Barrera. Romantic Period. 127 pages. Michael Barrera #6100059. Published by Michael Barrera (A0.998574). Https://www.michaelbarreraflute.com/shop/p/planets-jupiter-flute Program Notes Jupiter is the most massive of all the planets and rotates on its axis quicker than any other. This movement is energetic and captures feelings of enthusiasm, expansiveness, and honor. In mythology, Jupiter the god of sky and lightning is also known as Jove, which is where the term “jovial†is derived from. Instrumentation 2 Piccolos 6 Flutes 3 Alto Flutes 2 Bass Flutes 1 Contrabass Flute Parts may be doubled with more players as necessary. The contrabass flute part may be omitted if needed.
$39.99 ≈
35.92€
Holst: The Planets - I. Mars, the Bringer of War | Flute Orchestra
Holst: The Planets - I. Mars, the Bringer of War | Flute Orchestra
#
Classical
#
Gustav Holst
#
Michael Barrera
#
Holst: The Planets - I. Mars,
#
Michael Barrera
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Piccolo - Level 5 - Digital Download SKU: A0.998582 Composed by Gustav Holst. Arranged by Michael Barrera. Romantic Period. ...
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Woodwind Ensemble Alto Flute,Piccolo - Level 5 - Digital Download SKU: A0.998582 Composed by Gustav Holst. Arranged by Michael Barrera. Romantic Period. 107 pages. Michael Barrera #6345945. Published by Michael Barrera (A0.998582). Https://www.michaelbarreraflute.com/shop/p/planets-mars-flute Program Notes In ancient Roman mythology, Mars was the god of war and the most prominent military god. The planet itself is often referred to as the “Red Planet†due to the reddish hue of its surface. Its two moons Phobos and Deimos, meaning panic and terror respectively, are named after the sons of Mars who would accompany him into battle. The movement is unrelenting and fierce, flaunting the ravaging power of war. Instrumentation 2 Piccolos 6 Flutes 3 Alto Flutes 2 Bass Flutes 1 Contrabass Flute Parts may be doubled with more players as necessary. The contrabass flute part may be omitted if needed.
$39.99 ≈
35.92€
Bach 1739 BWV 1054 Concerto en ré majeur For Solo Unaccompanied Recorder or Alto Flute Key of D
Bach 1739 BWV 1054 Concerto en ré majeur For Solo Unaccompanied Recorder or Alto Flute Key of D
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Classical
#
Rainer's Rainbow
#
R G Roth
#
Bach 1739 BWV 1054 Concerto en
#
Rainer's Rainbow
#
SheetMusicPlus
Small Ensemble Alto Recorder,Recorder Solo - Level 5 - Digital Download SKU: A0.902109 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Rot...
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Small Ensemble Alto Recorder,Recorder Solo - Level 5 - Digital Download SKU: A0.902109 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical. Individual part. 8 pages. Rainer's Rainbow #6349003. Published by Rainer's Rainbow (A0.902109). Bach, in 1739, wrote the BWV 1054 Concerto in D major. Here it is written as a solo for Alto Flute in the original concert Key of D BWV 1054. It can also be used as a solo for the unusual recorder in G made by Mollenhauer. This chart is based on Bach's keyboard concerto which he wrote for violin in the key of E (BWV 1042). He also arranged it himself in the key of D for keyboard (BWV 1054). Here it is presented for either a solo Alto Flute or Recorder in G, which can also be used as concerto parts with the original BWV 1054 orchestra parts. The orchestra parts are not provided.
$1.99 ≈
1.79€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.53€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.53€
PIED PIPER, RATCATCHER (RATTENFÄNGER) Flute, Viola, Cello.
PIED PIPER, RATCATCHER (RATTENFÄNGER) Flute, Viola, Cello.
#
Alan Edgar
#
PIED PIPER, RATCATCHER
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Small Ensemble Cello,Flute,Viola - Level 5 - Digital Download SKU: A0.903779 Composed by Alan Edgar (music) and Ann Liles (lyricist). 20th Century,Childr...
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Small Ensemble Cello,Flute,Viola - Level 5 - Digital Download SKU: A0.903779 Composed by Alan Edgar (music) and Ann Liles (lyricist). 20th Century,Children,Contemporary. Score and parts. 24 pages. Alan Edgar Ted Moon #6563889. Published by Alan Edgar Ted Moon (A0.903779). In 2001 flute magazine Pan had an appeal from Richard Stagg for more octotonic music, and at the same time I felt there was a dearth of good story-telling music for children. My Pied Piper of Hamelin was composed for Hessle Sinfonia, who performed it twice with their principal flute, Michael Taylor as soloist and the lyricist Ann Liles narrating, under my baton. Richard Sleight was soloist in the Isle of Axholme Symphony Orchestra's later performance: two excellent players who showed off the versatility and beauty of the flute.There are characteristic themes for the children, the river, the mountain, the pied piper and the rats, variously combined.This is a shorter and simpler version for flute, viola and cello: one or two players should speak the verses, preferably one for the story and one for the Pied Piper's words.Duration: 9 minutes.
$7.00 ≈
6.29€
Concierto a Macchu Picchu for flute and string orchestra (Piano reduction)
Concierto a Macchu Picchu for flute and string orchestra (Piano reduction)
#
Alejandro Nuñez Allauca
#
Manuel Carranza Cueto
#
Concierto a Macchu Picchu for
#
Manuel Carranza Cueto
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1014471 Composed by Alejandro Nuñez Allauca. Arrange...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1014471 Composed by Alejandro Nuñez Allauca. Arranged by Manuel Carranza Cueto. 20th Century,Standards. Score and parts. 49 pages. Manuel Carranza Cueto #6513469. Published by Manuel Carranza Cueto (A0.1014471). This is own piano reduction and part soloist.
$30.00 ≈
26.95€
"Or sai chi l’onore" - "Don Giovanni" (Mozart) - arr. for Flute, Violin, Cello, Piano and vocals (
"Or sai chi l’onore" - "Don Giovanni" (Mozart) - arr. for Flute, Violin, Cello, Piano and vocals (
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Or sai chi l’onore" - "Don
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.988202 Composed by Wolfgang Amadeus Mozart. Arrange...
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Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.988202 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 19 pages. Wolfgang Voelkl #6341535. Published by Wolfgang Voelkl (A0.988202). Nr. 10a, Aria, from Mozart’s opera Don Giovanni, unabridged (without the rezitativo). The vocal part (Donna Anna (Soprano)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may be substituted with a second violin.
$10.99 ≈
9.87€
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Centu...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00 ≈
18.86€
Yes! We Have No Bananas for Flute or Oboe or Violin & Cello or Bassoon Duet - Music for Two
Yes! We Have No Bananas for Flute or Oboe or Violin & Cello or Bassoon Duet - Music for Two
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Broadway
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Silver & Cohn
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Daniel Kelley
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Yes! We Have No Bananas for Fl
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530794 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Cen...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530794 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071795. Published by Last Resort Music Publishing (A0.530794). YES! WE HAVE NO BANANAS - This fabulous hit song by Silver & Cohn from 1923 has been re-recorded by Benny Goodman and His Orchestra, Spike Jones & His City Slickers, Kidsongs, and many more. Playable by Violin & Cello, Flute & Cello, Oboe & CelloViolin & Bassoon, Flute & Bassoon, Oboe & BassoonEach duet book is published in score form (both parts on the same page) so that the players can play from the same part.Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com
$5.95 ≈
5.34€
Wagner WESENDONCK LIEDER Chamber Orchestra FULL SCORE
Wagner WESENDONCK LIEDER Chamber Orchestra FULL SCORE
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Classical
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Classical
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Richard Wagner
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Matthew Toogood
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Wagner WESENDONCK LIEDER Chamb
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Matthew Toogood
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.1011697 Composed by Richard Wag...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.1011697 Composed by Richard Wagner. Arranged by Matthew Toogood. 20th Century,Opera,Romantic Period. Score and parts. 72 pages. Matthew Toogood #6674879. Published by Matthew Toogood (A0.1011697). Richard Wagner'sWESENDONCK LIEDER Five Poems for Female VoiceWWV 91Arranged for chamber ensemble by Matthew Toogood after Felix Mottl & Richard Wagner(2021 for the Swiss Richard Wagner Society)PARTITUR / FULL SCORE1. Der Engel2. Stehe Still!3. Im Treibhaus4. Schmerzen5. TräumeInstrumental Parts available separatelyArranged for:Solo Voice, Flute, Oboe, Clarinet in Bb, Basson, Horn in F, Violin I, Violin II, Viola, Cello, Double Bass
$30.00 ≈
26.95€
Yes! We Have No Bananas for Flute or Oboe or Violin & Viola Duet - Music for Two
Yes! We Have No Bananas for Flute or Oboe or Violin & Viola Duet - Music for Two
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Broadway
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Silver & Cohn
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Daniel Kelley
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Yes! We Have No Bananas for Fl
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Viola,Violin - Level 5 - Digital Download SKU: A0.530795 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Cen...
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Small Ensemble,Strings Flute,Oboe,Viola,Violin - Level 5 - Digital Download SKU: A0.530795 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071797. Published by Last Resort Music Publishing (A0.530795). YES! WE HAVE NO BANANAS - This fabulous hit song by Silver & Cohn from 1923 has been re-recorded by Benny Goodman and His Orchestra, Spike Jones & His City Slickers, Kidsongs, and many more. Playable by Violin & Viola, Flute & Viola, Oboe & ViolaEach duet book is published in score form (both parts on the same page) so that the players can play from the same part.Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95 ≈
5.34€
Hallelujah Chorus from Messiah (for SATB Choir & Orchestra)
Hallelujah Chorus from Messiah (for SATB Choir & Orchestra)
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Classical
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George Frideric Handel
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Kenneth Abeling
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Hallelujah Chorus from Messiah
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.515230 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christian,Chri...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.515230 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christian,Christmas,Easter,Sacred. Octavo. 103 pages. LINCOLN MUSIC PUBLICATIONS #5995075. Published by LINCOLN MUSIC PUBLICATIONS (A0.515230). Hallelujah Chorus from Messiah (for SATB Choir & Orchestra) by George Frideric Handel arranged by Kenneth Abeling. This arrangement includes a full brass section and Flute, Oboe Clarinet, Bassoon and four percussion parts but is faithful to the composer’s original work. The download consists of both tabloid and letter size scores both with covers, all instrumental parts and the choir book with individual SATB lines with cover. Unlimited prints of the choir book are authorized. Unfortunately, the audio reference, for the time being, is without actual voices but with synthesized voices. Current concerns over the COVID-19 virus made getting a vocal ensemble together to record too difficult and dangerous. I hope to replace the audio in the near future. Playing time 3:50.
$60.00 ≈
53.89€
Concerto for Vibraphone and Chamber Orchestra
Concerto for Vibraphone and Chamber Orchestra
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purchasing the music you have
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Daniel Castillo Mendoza
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Concerto for Vibraphone and Ch
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Daniel C. M.
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SheetMusicPlus
Large Ensemble Vibraphone - Level 5 - Digital Download SKU: A0.810362 Composed by Daniel Castillo Mendoza. 20th Century,Contemporary,Standards. Score and...
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Large Ensemble Vibraphone - Level 5 - Digital Download SKU: A0.810362 Composed by Daniel Castillo Mendoza. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Daniel C. M. #6716675. Published by Daniel C. M. (A0.810362). Concerto for vibraphone and chamber orchestra. The PDF includes score and parts. The instrumentation is flute, oboe, Bb clarinet, basoon, french horn, timpani, strings, vibraphone (soloist). By purchasing the music you have full permission to perform in public. If you are going to record it, I'd be pleased you could share it with me. You can contact me on danieldcm01@gmail.com.
$129.99 ≈
116.76€
Witch Hunt ("Vânătoarea de vrăjitoare") -- miniature arranged for strings orchestra, piano and pi
Witch Hunt ("Vânătoarea de vrăjitoare") -- miniature - strings orchestra, piano and pi
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Andrei Lucian Dragoi
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Witch Hunt
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Andrei-Lucian Dragoi
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SheetMusicPlus
Cello,Double Bass,Flute,Piano Accompaniment,Viola,Violin - Level 5 - Digital Download SKU: A0.913153 Composed by Andrei Lucian Dragoi. Contemporary,Stand...
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Cello,Double Bass,Flute,Piano Accompaniment,Viola,Violin - Level 5 - Digital Download SKU: A0.913153 Composed by Andrei Lucian Dragoi. Contemporary,Standards. 65 pages. Andrei-Lucian Dragoi #6704759. Published by Andrei-Lucian Dragoi (A0.913153). - miniature arranged for strings orchestra, piano and piccolo -Music (27.10.2001 - 26.01.2008) initially published as quartet on 3.02.2022 (and published as orchestral arr. on 6.02.2022): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)
$6.00 ≈
5.39€
Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute
Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute
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Classical
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Helene Schulthess
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Helene Schulthess
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Fanny Hünerwadel – Sonntags
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Helene Schulthess
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 5 - Digital Download SKU: A0.1073271 By Helene Schulthess. By Fanny Hünerwadel (1826 – 1854). Arranged...
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Small Ensemble Flute,Piano,Voice - Level 5 - Digital Download SKU: A0.1073271 By Helene Schulthess. By Fanny Hünerwadel (1826 – 1854). Arranged by Helene Schulthess. Classical,Romantic Period. Score and parts. 24 pages. Helene Schulthess #677536. Published by Helene Schulthess (A0.1073271). The composer Fanny Hünerwadel (1826 in Lenzburg - 1854 in Rome) came from a long-established family of the town of Lenzburg. She was the eldest child of the doctor Johann Friedrich Hünerwadel and Regula Speerli, who were both enthusiastic music lovers. After first being taught by her mother, Hünerwadel learned to play the piano in Lenzburg with Philipp Tietz, Joseph Breitenbach, and Ludwig Kurz and belonged to the local singing society. From 1846 she studied piano, singing, music theory and composition with Hans Nägeli and with Wagner's friend Alexander Müller in Zurich. During her time in Zurich she made the acquaintance of Johann W. Kalliwoda, Richard Wagner, Ferdinand Huber, Franz Liszt, Franz Abt, Wilhelm Baumgartner and Henri Vieuxtemps. In 1852, she played Johann Nepomuk Hummel's Rondo brillant in a subscription concert of the Zurich General Music Society, which became the current Zurich Tonhalle Orchestra. For further studies, she traveled to Florence and Rome in 1853. In Florence she took singing lessons with Romani. In Rome in 1853 she was the guest of the artistic families Corrodi and Imhof and took lessons with the singing teacher Parisotti. Hünerwadel died of typhoid fever in Rome on April 27, 1854, and was buried there on April 30. Six of Hünerwadels seven preserved piano songs were published posthumously (in 1854). Her great-nephew was the composer, painter, and publicist Peter Mieg (1906-1990) Source: Wikipedia.
$20.00 ≈
17.96€
Yes! We Have No Bananas for Flute or Oboe or Violin & Clarinet Duet - Music for Two
Yes! We Have No Bananas for Flute or Oboe or Violin & Clarinet Duet - Music for Two
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Broadway
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Silver & Cohn
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Daniel Kelley
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Yes! We Have No Bananas for Fl
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.530796 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Sh...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.530796 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. 4 pages. Last Resort Music Publishing #6071799. Published by Last Resort Music Publishing (A0.530796). YES! WE HAVE NO BANANAS - This fabulous hit song by Silver & Cohn from 1923 has been re-recorded by Benny Goodman and His Orchestra, Spike Jones & His City Slickers, Kidsongs, and many more. Playable by Flute & Clarinet Duet, Oboe & Clarinet Duet, Violin & Clarinet Duet
$5.95 ≈
5.34€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music...
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
58.34€
Suite for Violin and Chamber Orchestra Movement 1
Suite for Violin and Chamber Orchestra Movement 1
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Contemporary
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Nick Lacanski
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Suite for Violin and Chamber O
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theupperstaff
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.646784 Composed by Nick La...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.646784 Composed by Nick Lacanski. 20th Century. Score and parts. 46 pages. Theupperstaff #2023949. Published by theupperstaff (A0.646784). A work dedicated and premiered by my teacher, Vartan Manoogian.
$19.95 ≈
17.92€
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