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Tico Tico (tico Tico No Fuba)
Tico Tico (tico Tico No Fuba)
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Walt Disney
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloy...
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe
$12.99 ≈
12.12€
Tico Tico (tico Tico No Fuba)
Tico Tico (tico Tico No Fuba)
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Walt Disney
#
The Andrews Sisters
#
Keith Terrett
#
Tico Tico
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Keith Terrett
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged ...
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869409. Published by Keith Terrett (A0.747005). Arranged for Brass Quartet, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99 ≈
12.12€
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 p...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00 ≈
9.33€
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Symphony No. 4 ... War and Pea
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99 ≈
9.32€
The Piano Preludes (Gershwin) - Brass Band
The Piano Preludes (Gershwin) - Brass Band
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George Gershwin
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Rob Bushnell
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The Piano Preludes
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1156327 Composed by George Gershwin. Arranged by Rob Bushnell. 20th Century,Blues,Classical,Jazz. Brass Band. 137 pages. RBMusic #756642. Published by RBMusic (A0.1156327). First performed by the composer at the Roosevelt Hotel in New York in 1926, the Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote 7, performed only 6 publically and was further reduced to 3 when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baião and minor-seventh chords throughout. The second prelude, which Gershwin said was a sort of blues lullaby consists of two sections: the first a lazy melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called Spanish by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=soEUH4H7gog.
$44.99 ≈
41.97€
Serenade No. 11
Serenade No. 11
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Classical
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classic...
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String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00 ≈
13.99€
Seven Days Without Prayer
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105114 By David Kai. By David Kai. Arranged by David ...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99 ≈
1.86€
Carrickfergus (SSAB or SSSB Flute Quartet version)
Carrickfergus (SSAB or SSSB Flute Quartet version)
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish Folk Song
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James Pybus
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Carrickfergus
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James Pybus
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SheetMusicPlus
Small Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.764701 Composed by Traditional Irish Folk Song. Arranged by James Pybus. Celtic...
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Small Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.764701 Composed by Traditional Irish Folk Song. Arranged by James Pybus. Celtic,Folk,Irish,Traditional. Score and parts. 17 pages. James Pybus #4992099. Published by James Pybus (A0.764701). Carrickfergus is an Irish folk song, named after the town of Carrickfergus in County Antrim, Northern Ireland. Most of the story seems to occur in and around Kilkenny; indeed the Ballygran referred to in the song may be the local Ballingarry coal mines. Marble...black as ink is also mined locally. It was first recorded, under the name The Kerry Boatman, by Dominic Behan on an LP called The Irish Rover, released in 1965. This arrangement of this hauntingly beautiful song for either SSAB or SSSB Flute Quartet will give any group a chance to demonstrate its expressive capabilities. It is suitable for many performance situations. The duration is 3:17. Please contact me at james.pybus56@gmail.com.
$20.00 ≈
18.66€
Carrickfergus (SSAB or SSSB Clarinet Quartet version)
Carrickfergus (SSAB or SSSB Clarinet Quartet version)
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish Folk Song
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James Pybus
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Carrickfergus
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764702 Composed by Traditional Irish Folk Song. Arr...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764702 Composed by Traditional Irish Folk Song. Arranged by James Pybus. Celtic,Folk,Irish,Traditional. 17 pages. James Pybus #4991655. Published by James Pybus (A0.764702). Carrickfergus is an Irish folk song, named after the town of Carrickfergus in County Antrim, Northern Ireland. Most of the story seems to occur in and around Kilkenny; indeed the Ballygran referred to in the song may be the local Ballingarry coal mines. Marble...black as ink is also mined locally. It was first recorded, under the name The Kerry Boatman, by Dominic Behan on an LP called The Irish Rover, released in 1965. This arrangement of this hauntingly beautiful song for either SSAB or SSSB Clarinet Quartet will give any group a chance to demonstrate its expressive capabilities. It is suitable for many performance situations. The duration is 3:17. Please contact me at james.pybus56@gmail.com.
$20.00 ≈
18.66€
Ave Maria - low voice and cello
Ave Maria - low voice and cello
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Phil Beaman
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Ave Maria - low voice and cell
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Phil Beaman
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SheetMusicPlus
Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil...
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Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil Beaman #747924. Published by Phil Beaman (A0.1147705). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility. The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F. The accompaniment is a circling minimalist 2 chord ostinato for the entire piece. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages, 3:45 minutes attached is a live recording of the High voice version with piano accompaniment; cello plays exactly the same part as the minimalist piano but the cello will give it a warmer sound than the piano.
$4.99 ≈
4.66€
O Worship the King
O Worship the King
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Christian contemporary
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Sacred music
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Joseph Martin Kraus
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Wesley D
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O Worship the King
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Asbury Publishing
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SheetMusicPlus
Instrumental Duet Flute,Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.764033 Composed by Joseph Martin Kraus (attributed to Michael Haydn)....
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Instrumental Duet Flute,Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.764033 Composed by Joseph Martin Kraus (attributed to Michael Haydn). Arranged by Wesley D. Peters. Christian,Contemporary,Easter,Sacred. Score and parts. 4 pages. Asbury Publishing #2335389. Published by Asbury Publishing (A0.764033). This unaccompanied duet provides interesting listening from beginning to end. The first and last verse incorporate traditional counterpoint while the middle verse provides a straightforward rendition of O Worship the King. Terrific for anytime your accompanist is out of town. Works great as a call to worship or an offertory. Includes a score and parts for Flute and Horn in F.
$5.99 ≈
5.59€
SONATINA for Drum and Bugle Corps
SONATINA for Drum and Bugle Corps
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Contemporary
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David Wang
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SONATINA for Drum and Bugle Co
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David Wang NecroDavid
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SheetMusicPlus
Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.10...
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Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1030356 Composed by David Wang. Classical,Contemporary. Score and parts. 92 pages. David Wang NecroDavid #6247063. Published by David Wang NecroDavid (A0.1030356). Description The original composition SONATINA explores the transformation of one main idea into different genres through the usage of repetition and variation in order to create contrast. The beginning features a piano intro with front ensemble in accompaniment, followed by the first form of the main theme on solo trumpet which presents a classical idea. Furthermore, the secondary melody comes in a minor tonality, which then mixes with the modified main theme thus creates dissonance. There is then a transition section that features the drumline and the front ensemble in a consistent ostinato pattern to create a smooth key change, which leads into the bright triplet section that has a strong hint of swung feeling. It then transitions into a calm and relaxing ballad section, where it moves beyond the simple triad classical chord progression into sophisticated usage of 7th, 9th and 11th chords to create tension-release cycles. After a short euphonium solo, the climax comes with main theme hidden out-of-phase in the counter-melody line. The closer section comes after the ballad, which explores the feeling of a waltz while having call and answer structures of euphonium and flugelhorn solos. The solos still consists of the modified main theme melody. Finally, it builds up into a climax and finishes with a long hold.Note to Drum Major/ConductorSONATINA for Drum & Bugle Corps is designed to be played in a non-competitive drum and bugle corp. It is suitable for being played in both indoor and outdoor ensembles. Each solo does not have to be played by the same soloist, and every soloist will be equipped with wireless microphones to amplify the sound. The front ensemble will be equipped with microphones but set to be at a lower level than soloists. The drumline will be equipped with sound projector scoops under the drums.
$49.99 ≈
46.64€
The Butterfly
The Butterfly
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Contemporary
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published...
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Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
11.20€
Pack-a-Punch'd Bullfrog
Pack-a-Punch'd Bullfrog
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Mudiwa Williams
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Pack-a-Punch'd Bullfrog
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Mudiwa Music
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SheetMusicPlus
Marimba,Multi-Percussion,Timpani - Level 4 - Digital Download SKU: A0.1167742 Composed by Mudiwa Williams. Chamber,Contemporary. 13 pages. Mudiwa Music #...
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Marimba,Multi-Percussion,Timpani - Level 4 - Digital Download SKU: A0.1167742 Composed by Mudiwa Williams. Chamber,Contemporary. 13 pages. Mudiwa Music #768107. Published by Mudiwa Music (A0.1167742). FOR PARTS EMAIL ME: mudiwamusic@gmail.comThis was my first real attempt at a more challenging percussion ensemble piece. I am very passionate about writing music for all instruments, and the world of percussion is hungry for new repertoire. Writing this piece taught me so much about composing for percussion in a way that makes sense to the performers. I’ve always been intimidated by percussion music, and forcing myself to write a piece I’m proud of for percussion has been a journey worth taking. The name comes from the zombies mode in Call of Duty: Cold War. When you “pack-a-punch†the Bullfrog (making it deal more damage) the name changes to “High Anxiety,†which this piece gives me. The harmonies in the marimba are based on an A fully diminished 7th chord, which is a chord with a lot of tension and no resolution.
$12.00 ≈
11.20€
Double Reed Quintet - Courtly Dances
Double Reed Quintet - Courtly Dances
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Mike Lyons
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Double Reed Quintet - Courtly
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.767472 Composed by Mike Lyons. Baroque,Concert. 37 page...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.767472 Composed by Mike Lyons. Baroque,Concert. 37 pages. Lyons Music Services #4613665. Published by Lyons Music Services (A0.767472). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for Double Reed quintet 2 oboes, CA, Bassoon, ContrabassoonThe style of the first one is marcato, with a touch of irony! The contra leads with an Alberti pattern followed by the first melodic idea stated on the Bassoon. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the Oboe 1 with an obbligato on oboe 2 before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabassoon and Bassoon. The middle section has a mournful Contra melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.
$10.99 ≈
10.25€
Suite Francaise Moderne
Suite Francaise Moderne
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Sy Brandon
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Suite Francaise Moderne
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.754934 Composed by Sy Brandon. 20th Century,Baroque,Contemporary. Score and parts. 83 ...
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.754934 Composed by Sy Brandon. 20th Century,Baroque,Contemporary. Score and parts. 83 pages. Sy Brandon #3223495. Published by Sy Brandon (A0.754934). This composition uses movements that are typically found in the Baroque French Suite but are cast in a 21st century style. The first movement is in the style of a French Overture with a moderate first section with dotted rhythm figures and a contrapuntal second half in a faster tempo. The second movement is a Rigaudon with its lively 2/2 tempo. It provides a nice contrast to the stately first movement with its lightness and more chromatic melodic material. The third movement is a Loure in 3/4 for the most part. The characteristic dotted quarter, eighth, quarter rhythm is present though it is often disguised. This is a very lyrical movement with lush harmony. The last movement is a Gigue with its 6/8 meter, wide intervals and contrapuntal writing.
$14.99 ≈
13.98€
Brass Band - March - O. H. B.
Brass Band - March - O. H. B.
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Contemporary
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Mike Lyons
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Brass Band - March - O. H. B.
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767284 Composed by Mike Lyons. Contemporary. Brass Band. 82 pages. Lyons Music Services #3227757. Published by Lyons Music Services (A0.767284). I wrote this march and dedicated it to my current band, Old Hall Brass, when I was first playing with them in 2003. Now that I'm back with them after a 9 year hiatus, I felt it only appropriate to publish it here.The opening 10 bars are a bit of a muck-around and are entirely optional. OHB's current conductor, John North, likes to entertain, so it's basically a tuning up section, like you would find in an orchestral concert but with some laughs thrown in!The march starts for real at the Segno. There's a fanfare-like opening which leads into the first main melody for the euphonium and solo horn. This is repeated with extra fanfare interjections from the trombones. The bass solo is a fairly traditional part of a march and this is no exception, except that it is not repeated. Another fanfare-like section leads into a reprise of the euphonium/horn melody with interjections from trombones and cornets. The final section is similar to the opening fanfare before the DS. Repeats should not be played on the DS.
$25.00 ≈
23.32€
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