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Afternoon on a Hill
Not classified 10

Piano & keyboards
Piano solo 5
C Instruments 3
Piano, Voice 2
Piano Accompaniment 1

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Guitar 18
Guitar notes and tablatures 10

Voice
Choral 3-part 4
Choral SATB 4
Choral 2-part 2
Choral Unison 1

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Flute and Piano 1
Clarinet 1

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Trumpet 1

Strings
String Quartet: 2 violins, viola, cello 2
Violin (band part) 1
Viola 1
Viola (band part) 1

Percussion & orchestra
String Orchestra 6
Orchestra 2

Brass ensemble 1

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Afternoon on a Hill

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Symphony No. 7 ... Roman Holidays (2008, rev. 2013)

Symphony No. 7 ... Roman Holidays (2008, rev. 2013) #Orchestra #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Symphony No. 7 ... Roman Holid #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples â€¦ six dreams by Richard Kenney; String Quartet No 5 â€¦ Four Birthdays; and ChÃ´rinhos â€¦ opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then weâ€™d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 â€¦ Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto â€¦ Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 â€¦ Roman Holidays, my give back to the city of Rome â€“ a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Berniniâ€™s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Berniniâ€™s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54

$9.99 ≈ 9.35€

Song of the Moorland

Song of the Moorland #Orchestra #EASY #W #Song of the Moorland #W. Luke Kelly #SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and part...(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze.Â Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence.Â Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.

$30.00 ≈ 28.07€