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You've selected:
Don't Play Around
Piano, Voice
Sheetmusic to print
4 sheet music found
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1
Don't Turn Around
Don't Turn Around
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Ace of Base
#
Daryl McKenzie
#
Don't Turn Around
#
Daryl McKenzie
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1496082 By Ace of Base. By Albert Hammond and Diane Warren. Arranged by Daryl McKenzie. Broadway,M...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1496082 By Ace of Base. By Albert Hammond and Diane Warren. Arranged by Daryl McKenzie. Broadway,Musical/Show,Pop,Soul. Score. 10 pages. Daryl McKenzie #1072613. Published by Daryl McKenzie (A0.1496082). Arranged in the style of Tina Turner for Vocal with Piano. Key of EArrangements for Pops Orchestra or Big Band available:
$19.99 ≈
¥141.02
Of His Holiness
Of His Holiness
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Piano, Voice
#
BEGINNER
#
Sacred music
#
Haydon Harvey
#
namely Psalm 96 KJV
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Of His Holiness
#
Haydon Harvey
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1012006 Composed by Haydon Harvey. Christian,Sacred. Score. 2 pages. Haydon Harvey #3533713. Publi...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1012006 Composed by Haydon Harvey. Christian,Sacred. Score. 2 pages. Haydon Harvey #3533713. Published by Haydon Harvey (A0.1012006). 'Of His Holiness' would be best played with solo piano and maybe a synthesizer in the background. Obviously one good have drums, bass and other instrumentation but I think the feel of the song would best come across with solo piano. The lyric are directly taken from scripture; namely Psalm 96 KJV. The lyrics don't follow the order of the psalm verses and is effectively jumps around the psalm. There's no specific reason for this other than to maintain melodic flow but even with the jumping around the song still communicates the general idea of the psalm.Follow me also on YouTube to stay up-to-date with my latest compositions:https://youtube.com/channel/UCDH5k8WC2fjcY_5i6fmyHfg
$1.99 ≈
¥14.04
Imogen Heap - Hide and Seek
Imogen Heap - Hide and Seek
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Rock
#
Imogen Heap
#
Mario Stallbaumer
#
Imogen Heap - Hide and Seek
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Imogen Heap. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallba...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Imogen Heap. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
This is an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic. The whole melody is included in the piano part, so it sounds great as an instrumental solo version.
However, this sheet music also comes with a system for the singer, and the full lyrics are included, so you can also use these sheets to accompany a singer, or sing along yourself!
With this piano sheet music, you can play "Hide and Seek" in a beautiful piano version.
If you like this arrangement, please consider leaving a review - it would mean a lot to me!
"Hide and Seek" was released in 2005 as the first single from Imogen Heap's second album "Speak for Yourself", and became one of her most famous songs.
The song consists of a solo voice recording, accompanied by keyboard synth chords with a vocoder effect, creating a wonderful, unique electronic a cappella sound.
Here are the full lyrics to "Hide and Seek" by Imogen Heap:
Where are we?
What the hell is going on?
The dust has only just begun to form
Crop circles in the carpet
Sinking, feeling
Spin me around again
And rub my eyes
This can't be happening
When busy streets
A mess with people
Would stop to hold
Their heads heavy
Hide and seek
Trains and sewing machines
All those years
They were here first
Oily marks appear on walls
Where pleasure moments hung
Before the takeover
The sweeping insensitivity
Of this still life
Hide and seek
Trains and sewing machines
(You won't catch me around here)
Blood and tears
They were here first
Mmm, what'd you say?
Mmm, that you only meant well?
Well, of course you did
Mmm, what'd you say?
Mmm, that it's all for the best?
Of course it is
Hmm, what'd you say?
Hmm, that it's just what we need
You decided this
What'd you say?
Hmm, what did she say?
Ransom notes keep falling out your mouth
Mid-sweet talk, newspaper word cut-outs
(Paper word cut-outs)
Speak no feeling, no I don't believe you
(I don? t believe you)
You don't care a bit, you don't care a bit
Ransom notes keep falling out your mouth
Mid-sweet talk, newspaper word cut-outs
(Hide and seek)
Speak no feeling, no I don't believe you
You don't care a bit, you don't care
You don't care a bit
Oh no, you don't care a bit
Oh no, you don't care a bit
(Hide and seek)
Oh no, you don't care a bit
You don't care a bit
You don't care a bit
$4.99 ≈
¥35.20
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Pasquale Cafaro
#
Nicole Elyse DiPaolo
#
Belle luci, che accendete from
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
¥63.14
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