Romantic Not classified 10,981
Piano & keyboardsPiano, Voice 25,157Piano solo 12,125Easy Piano 4,069Piano, Vocal and Guitar 4821 Piano, 4 hands 408Piano Trio: piano, violin, cello 310C Instruments 2552 Pianos, 4 hands 192Piano Accompaniment 149Piano Quartet: piano, violin, viola, cello 139Piano Quintet: piano, 2 violins, viola, cello 126Piano Quartet: piano, 2 violins, cello 64Big Note Piano 261 Piano, 6 hands 21Keyboard 13Organ, Piano (duet) 92 Pianos, 8 hands 6
WoodwindFlute and Piano 2,245Clarinet and Piano 1,355Oboe, Piano (duet) 973Alto Saxophone and Piano 857Tenor Saxophone and Piano 493Soprano Saxophone and Piano 439Baritone Saxophone, Piano 170Bass Clarinet, Piano 99Flute, Violin, Piano 48Flute, Cello, Piano (trio) 45Saxophone and Piano 372 Flutes, Piano 322 Clarinets, Piano 32Recorder, Piano 24Clarinet, Cello, Piano (trio) 20Clarinet, Bassoon, Piano (trio) 19Piccolo, Piano 12Harmonica, Piano 72 Recorders, Piano 4Flute, Guitar, Piano 2
Others
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Digital sheet music, access after purchasing
1 sheet music found 8. Sinfonie 8. Sinfonie #Soli, Mixted choir and accompaniment #Krzysztof Penderecki #8. Sinfonie #Schott Music - Digital #SheetMusicPlus
Soloists, Choir and Orchestra - Digital Download SKU: S9.Q49181 Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra(+)
Soloists, Choir and Orchestra - Digital Download SKU: S9.Q49181 Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q49181. Published by Schott Music - Digital (S9.Q49181). German.The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees.3 (1. auch Bambusfl. ad lib., 2. auch Altfl., 3. auch Picc.) · 2 · Engl. Hr. · 3 (1. und 2. auch in A, 3. auch in Es und Bassklar.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (Glsp. · Xyl. · Marimba · Röhrengl. · Kirchengl. · Trgl.-baum · Schellenbaum · Crot. · Beckenpaar · 4 hg. Beck. · 2 Tamt. · Schellentr. · Mil. Tr. · gr. Tr. m. Beck.) (4 Spieler) - Hfe. · Cel. - Str. - Im Saal: Basstrp.
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