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13 sheet music found Nocturne No.20 in C-Sharp minor - Soprano Sax and Piano (Full Score and Parts)
Nocturne No.20 in C-Sharp minor - Soprano Sax and Piano (Full Score and Parts) # Soprano Saxophone and Piano # INTERMEDIATE # Classical # Frederic Chopin # César Madeira # Nocturne No.20 in C-Sharp mino # Sheet Music To Play Editions # SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1319733 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Le...(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1319733 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 13 pages. Sheet Music To Play Editions #908290. Published by Sheet Music To Play Editions (A0.1319733). Nocturne No.20 in C-Sharp minor, Op. posth. B.49. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano # Soprano Saxophone and Piano # INTERMEDIATE # Alexander Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. Noturno Opus 9 N°2 - Solo Soprano Sax/Clarinet (Bb)
Noturno Opus 9 N°2 - Solo Soprano Sax/Clarinet (Bb) # Soprano Saxophone and Piano # INTERMEDIATE # Classical # Frederic Chopin # Paulo Henrique # Noturno Opus 9 N°2 - Solo Sop # Paulo Henrique # SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.540640 By Frederic Chopin. By Frederic Chopin. Arranged by Paulo Henrique. Classical,Multicu...(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.540640 By Frederic Chopin. By Frederic Chopin. Arranged by Paulo Henrique. Classical,Multicultural,Romantic Period,Standards,Wedding,World. Score and part. 5 pages. Paulo Henrique #150793. Published by Paulo Henrique (A0.540640). Noturno Opus 9 N°2, Chopin, Solo Soprano Sax (Bb) , Solo Clarinet (Bb) , Piano/ Guitar Accompaniment Sheet (C), Lounge Music. Nocturne Op. 9, No. 2 for Soprano Saxophone and Piano
Nocturne Op. 9, No. 2 for Soprano Saxophone and Piano # Soprano Saxophone and Piano # INTERMEDIATE # Classical # Frederic Chopin # Diego Marani # Nocturne Op. 9, No. 2 for Sopr # Diego Marani # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528409 Composed by Frederic Chopin...(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528409 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 5 pages. Diego Marani #5983279. Published by Diego Marani (A0.528409). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Soprano Sax with Piano Accompaniment reflects faithfully the original. Nocturne Op. 9, No. 1 for Soprano Saxophone and Piano
Nocturne Op. 9, No. 1 for Soprano Saxophone and Piano # Soprano Saxophone and Piano # INTERMEDIATE # Classical # Frederic Chopin # Diego Marani # Nocturne Op. 9, No. 1 for Sopr # Diego Marani # SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1281229 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Roman...(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1281229 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872573. Published by Diego Marani (A0.1281229). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for soprano sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.