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4 sheet music found 21stCenturyNsanity
21stCenturyNsanity # C Instruments # ADVANCED # Julian Hartwell Project # Julian Hartwell Horner # 21stCenturyNsanity # Julian Hartwell Music # SheetMusicPlus
C Instrument - Level 5 - Digital Download SKU: A0.1133235 By Julian Hartwell Project. By Julian Hartwell Horner. Arranged by Julian Hartwell Horner. Clas...(+)
C Instrument - Level 5 - Digital Download SKU: A0.1133235 By Julian Hartwell Project. By Julian Hartwell Horner. Arranged by Julian Hartwell Horner. Classical,Contemporary,Jazz,New Age. Lead Sheet / Fake Book. 8 pages. Julian Hartwell Music #733393. Published by Julian Hartwell Music (A0.1133235). Another epic, long-form composition from the pen of pianist and composer Julian Hartwell. Modern jazz meets forward-thinking harmony, with plenty of room for creative improvisation over several different vamp sections and bass figures. Probably one of the more ambitious tunes from the JHP repertoire, this tune has yet to be formally recorded. The type of chart that requires two music stands, easy. Great for advanced jazz ensembles of any size, even trio alone will get plenty of mileage out of this composition. Good luck and God-speed to the brave musical souls who take this on...it will be very satisfying by the time the last note of the F section is sounded! In the vein of modern jazz composers like: Aaron Parks, Kurt Rosenwinkel, Brian Blade. Adagio BWV 974, Conc. in D Min after Marcello, leed sheet (unornamented melody)
Adagio BWV 974, Conc. in D Min after Marcello, leed sheet (unornamented melody) # C Instruments # INTERMEDIATE/ADVANCED # Classical # Bach-Marcello # Klas Krantz # Adagio BWV 974, Conc. in D Min # Amadeus Music # SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1310966 By Bach-Marcello. By Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Film/TV,...(+)
C Instrument - Level 4 - Digital Download SKU: A0.1310966 By Bach-Marcello. By Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Lead Sheet / Fake Book. 1 pages. Amadeus Music #899940. Published by Amadeus Music (A0.1310966). Baroque, whit it's intricate counterpoint and polyphony, isn't ideally suited for modern guitar chords notation. This is my best academic guess of how Bach himself would have added chords, if this notation had been around in the 18th century. Please feel free to change my chords and contact me if you have a better suggestion on how to add chords to this piece and baroque music!Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey. Adagio BWV 974 from Concerto in D Minor after Marcello, lead sheet with guitar chords
Adagio BWV 974 from Concerto in D Minor after Marcello, lead sheet with guitar chords # C Instruments # INTERMEDIATE/ADVANCED # Bach-Marcello # Klas Krantz # Adagio BWV 974 from Concerto i # Amadeus Music # SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1310963 By Bach-Marcello. By Bach - Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Weddin...(+)
C Instrument - Level 4 - Digital Download SKU: A0.1310963 By Bach-Marcello. By Bach - Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Lead Sheet / Fake Book. 1 pages. Amadeus Music #899936. Published by Amadeus Music (A0.1310963). Baroque, whit it's intricate counterpoint and polyphony, isn't ideally suited for modern guitar chords notation. This is my best academic guess of how Bach himself would have added chords, if this notation had been around in the 18th century. Please feel free to change my chords and contact me if you have a better suggestion on how to add chords to this piece and baroque music!Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey. Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces # C Instruments # EASY # Renaissance # Various # Chording to the Dance Masters # Wold Meridian # SheetMusicPlus
C Instrument - Level 2 -
Digital Download
By Various. By Anonymous,
Claudin de Sermisy, Henry
VIII, Pierre Phalese, Thoinot
Arbeau, John Dowland (1563-...(+)
C Instrument - Level 2 -
Digital Download
By Various. By Anonymous,
Claudin de Sermisy, Henry
VIII, Pierre Phalese, Thoinot
Arbeau, John Dowland (1563-
1626), Michael Praetorius
(1571-1621), Pierre Attaignant
(1494-1553), Pierre Certon
(1510-1572), William Cornysh
(1470-1523), Juan Del Encina
(1468-1530), Claude Gervaise
(1540-1560), Giorgio Mainerio
(1535-1582), Erasmus Widmann
(1572-1634), and Tielman
Susato (1500-1561). Arranged
by Alastair Lodge. 151, 153,
162, Folk, Renaissance. Lead
Sheet / Fake Book. 38 pages.
Wold Meridian #727149.
Published by Wold Meridian Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.