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169 sheet music found The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bbm
The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bbm # Vocal duet, Piano # EASY # Dennis McCorkle, Adele Paxton # The Window - Original Song Set # DF McCorkle Music and eBook Publications # SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.784920 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. 8...(+)
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.784920 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. 8 pages. DF McCorkle Music and eBook Publications #6110747. Published by DF McCorkle Music and eBook Publications (A0.784920). Key: Bbm, Range: F3 to Db5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com. Christmas for Two
Christmas for Two # Vocal duet, Piano # Sacred music # Solo Small Ensembles # Christmas for Two # SheetMusicPlus
8 Duets on Traditional Carols
and Folk Songs. Edited by Jean
Anne Shafferman. Duet or Duo;
Solo Small Ensembles; Vocal
Collection. For Two Series.
Adv...(+)
8 Duets on Traditional Carols
and Folk Songs. Edited by Jean
Anne Shafferman. Duet or Duo;
Solo Small Ensembles; Vocal
Collection. For Two Series.
Advent; Christmas; Epiphany;
Folk; Sacred; Winter. Book. 74
pages. Jubilate Music Group -
Digital #00-21517. Published
by Jubilate Music Group -
Digital English.
Christmas for Two continues the tradition of flexible, easily prepared vocal duets established by Carols for Two, Spirituals for Two, and Folk Songs for Two. This collection features eight beloved carols, folk songs, and folk hymns, arranged for two equal voices. With lyrics for Advent, Christmas, and Epiphany, these duets are perfect for performance throughout the season, for both concerts and worship. Reproducible instrumental parts are included right in the book! An accompaniment CD recording and a book/CD kit are also available. Titles: Ding Dong! Merrily on High / He Is Born! (Page) * What Child Shall Come? (Liebergen) * The Virgin Mary Had a Baby Boy (Price, Besig) * Minuet Noel (Shafferman) * Come to Set Us Free (Shafferman, Larson) * English Advent Carol (Liebergen) * Hidden as a Baby (Williams, Martin) * Joyful, Joyful to the World (Althouse). Hänsel und Gretel
Hänsel und Gretel # Vocal duet, Piano # INTERMEDIATE # the way, the ‘cock-a-doo # Engelbert Humperdinck # Hänsel und Gretel # Schott Music - Digital # SheetMusicPlus
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet...(+)
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890. Summertime
Summertime # Vocal duet, Piano # INTERMEDIATE/ADVANCED # Contemporary # Dorothy Heyward, Du Bose Heywa # Thomas J # Summertime # John P. Redmon Music # SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.975466 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin....(+)
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.975466 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Thomas J. Dawson, Jr. Contemporary. 10 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247659. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975466). I had no trouble (at all) making my choice for personal favorite of the ten great tunes John offers up… his rendition of Summertime is THE most mellow performance of that classic jazz tune I have ever heard… the vocals just SHIMMER, folks! (Dick Metcalf, Contemporary Fusion Reviews)Rising Star John Redmon, Hollywood Actress/Jazz Singer Linda Purl and Music Legend Thomas Dawson Jr. team up with an arrangement of Summertime that would make even the biggest jazz critic applaud. This piano/vocal arrangement by Dawson takes this delectable Gershwin tune and turns it into a gourmet feast in which you can’t get enough. The chords are delicious!This version of Summertime would be fitting as background music, jazz bars and night clubs, theatrical spaces, concerts, and jazz festivals.Summertime appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.The recorded version is just a little over 4 1/2 minutes.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook: https://m.facebook.com/johnredmonmusic/Instagram: https://www.instagram.com/johnredmonmusic/Twitter: https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/ I Sing to Bless My Savior's Name—Medium-Range Vocal Duet or Two-Part Choral
I Sing to Bless My Savior's Name—Medium-Range Vocal Duet or Two-Part Choral # Vocal duet, Piano # EASY # Sacred music # Daniel Carter # Daniel Carter # I Sing to Bless My Savior's Na # Daniel Carter # SheetMusicPlus
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1046622 By Daniel Carter. By Anonymous. Arranged by Daniel Car...(+)
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1046622 By Daniel Carter. By Anonymous. Arranged by Daniel Carter. Folk,Praise & Worship,Sacred. 5 pages. Daniel Carter #651131. Published by Daniel Carter (A0.1046622). An Appalachian folk hymn arranged for Medium-Range Female/Male Duet, or 2 Part Chorus and Piano. Suitable for youth chorus, worship, and other devotional settings. With an independent, dance-like accompaniment, this song is bright, joyous, and filled with praise and gratitude.