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4,391 sheet music found Schumann: Abendlied for French Horn & Piano
Schumann: Abendlied for French Horn & Piano # French Horn and Piano # EASY # Classical # Robert Schumann # James M # Schumann: Abendlied for French # jmsgu3 # SheetMusicPlus
French Horn in F & Piano -
Early Intermediate - Digital
Download
Composed by Robert Schumann.
Arranged by James M. Guthrie,
ASCAP. Romantic Period,...(+)
French Horn in F & Piano -
Early Intermediate - Digital
Download
Composed by Robert Schumann.
Arranged by James M. Guthrie,
ASCAP. Romantic Period,
General Worship, Repertoire,
Anniversary, Recital. Score,
Set of Parts. 6 pages.
Published by jmsgu3 Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
Schumann Background
Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.
The Beginning of the End
In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.
Last Period
Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.
Abendlied
Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken. Fanfare and Scherzo for Horn solo with Piano reduction
Fanfare and Scherzo for Horn solo with Piano reduction # French Horn and Piano # ADVANCED # Contemporary # Fred Stride # Fanfare and Scherzo for Horn s # Cherry Classics Music # SheetMusicPlus
Piano Accompaniment, Horn in
F - Advanced - Digital
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Composed by Fred Stride. 20th
Century, Classical Period,
Modern. Piano Reduction, Solo
P...(+)
Piano Accompaniment, Horn in
F - Advanced - Digital
Download
Composed by Fred Stride. 20th
Century, Classical Period,
Modern. Piano Reduction, Solo
Part. 29 pages. Published by
Cherry Classics Music Fred Stride composed his dynamic work Fanfare and Scherzo for solo Horn, Strings and Timpani in the 1980's for horn virtuoso Martin Hackleman. It was first performed with the CBC Radio Orchestra of Vancouver.
The work has many dimensions, from the angular Fanfare, flashy scales, dance-like syncopations and calm bridge sections of the Scherzo.
This edition is the reduction of the chamber string version, is about 9 minutes in length, is appropriate for advanced performers and is available for Horn with Piano reduction accompaniment. The Wedding Album, for Solo Horn in F and Piano
The Wedding Album, for Solo Horn in F and Piano # French Horn and Piano # Wedding/Ballad # Wedding/Ballad # Various # The Wedding Album, for Solo Ho # David McKeown # SheetMusicPlus
Piano Accompaniment, Horn in
F, French Horn - Digital
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Composed by Various. Arranged
by David McKeown. Romantic
Period, Baroque Period,
Reper...(+)
Piano Accompaniment, Horn in
F, French Horn - Digital
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Composed by Various. Arranged
by David McKeown. Romantic
Period, Baroque Period,
Repertoire, Wedding, Recital.
Score, Solo Part. 24 pages.
Published by David McKeown The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.
Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.
The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.
The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.
Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since. CHRISTMAS HORN (6 Christmas songs for Horn in F & Piano with Score/Parts)
CHRISTMAS HORN (6 Christmas songs for Horn in F & Piano with Score/Parts) # French Horn and Piano # INTERMEDIATE # Christmas # Various # CHRISTMAS HORN # The Lanier Company # SheetMusicPlus
Piano Accompaniment, Horn in
F - Intermediate - Digital
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Composed by Various. Arranged
by Gary Lanier. Christian,
Contemporary Christian,
Sac...(+)
Piano Accompaniment, Horn in
F - Intermediate - Digital
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Composed by Various. Arranged
by Gary Lanier. Christian,
Contemporary Christian,
Sacred, General Worship,
Christmas. Individual Part,
Score. 54 pages. Published by
The Lanier Company CHRISTMAS HORN is a compilation of 6 Christmas songs arranged by Gary Lanier for Horn in F and Piano. The titles are (1) Silent Night, (2) Hark! The Herald Angels Sing, (3) Go Tell It on the Mountain, (4) O Holy Night, (5) O Little Town of Bethlehem, & (6) Good Christian Men Rejoice. Perfect for any Christmas event (54 pages).
A Mp3 piano accompaniment track is available containing all six songs listed as:
CHRISTMAS HORN (Piano Accompaniment for Horn in F) Tango Pour Claude for Horn and Piano
Tango Pour Claude for Horn and Piano # French Horn and Piano # INTERMEDIATE # Tango # Richard Galliano # Tango Pour Claude for Horn and # Diego
Marani # SheetMusicPlus
Piano Accompaniment, Horn in
F - Intermediate - Digital
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By Richard Galliano. Arranged
by Diego Marani. Individual
Part, Score, Solo Part. 14
...(+)
Piano Accompaniment, Horn in
F - Intermediate - Digital
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By Richard Galliano. Arranged
by Diego Marani. Individual
Part, Score, Solo Part. 14
pages. Published by Diego
Marani Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for F or Eb Horn with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital. Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano # French Horn and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Fre # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contes...(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.