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Modern classical Piano solo
CHORAL - VOCAL - CHOIR
Sheetmusic to print
23 sheet music found
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1
ATON part 13-Denken und Bedenken - 2 tenor voices, 1 bass voice, flute, classical guitar
ATON part 13-Denken und Bedenken - 2 tenor voices, 1 bass voice, flute, classical guitar
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Vocal duet
#
INTERMEDIATE
#
David Warin Solomons
#
ATON part 13-Denken und Bedenk
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David Warin Solomons
#
SheetMusicPlus
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576191 Composed by David Warin Solomons. Contemporary,Opera,World. 7 pages. David Warin Solomons #4...
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576191 Composed by David Warin Solomons. Contemporary,Opera,World. 7 pages. David Warin Solomons #4581. Published by David Warin Solomons (A0.576191). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.49€
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
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Choral SATB
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INTERMEDIATE
#
David Warin Solomons
#
ATON part 2-Kinder kinder! - c
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555. Published by David Warin Solomons (A0.576180). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.49€
Te Quiero - Vocal solo with piano and violin
Te Quiero - Vocal solo with piano and violin
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High voice
#
INTERMEDIATE/ADVANCED
#
John Oliva, Michael Gandolfi,
#
Daniel Solberg
#
Te Quiero - Vocal solo with pi
#
Daniel Solberg
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.793057 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel Solberg....
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.793057 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel Solberg. Classical,Latin. 10 pages. Daniel Solberg #5710879. Published by Daniel Solberg (A0.793057). This sensual Spanish piece serves as a modern art song for voice piano and optional violin!The vocal range is suitable for many voice types. Vocal duet version available as well.Rubato with a subtle tormenting rhythm underneath, the piano part includes an exact transcription of Daniel Solberg's accompaniment, and also chord symbols for those who want to build on the improvisatory nature of this piece's style.
$9.99 ≈
8.97€
Te Quiero - Vocal duet with piano and violin
Te Quiero - Vocal duet with piano and violin
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Vocal duet, Piano
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INTERMEDIATE/ADVANCED
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John Oliva, Michael Gandolfi,
#
Daniel Solberg
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Te Quiero - Vocal duet with pi
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Daniel Solberg
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.793058 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel S...
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.793058 Composed by John Oliva, Michael Gandolfi, and Ron Antinori. Arranged by Daniel Solberg. Classical,Latin. 10 pages. Daniel Solberg #5710885. Published by Daniel Solberg (A0.793058). This sensual Spanish piece serves as a modern art song for voice piano and optional violin!The vocal range is suitable for many voice types. Vocal solo version available as well.Rubato with a subtle tormenting rhythm underneath, the piano part includes an exact transcription of Daniel Solberg's accompaniment, and also chord symbols for those who want to build on the improvisatory nature of this piece's style.
$9.99 ≈
8.97€
Noël, Alleluia (Voice and Piano)
Noël, Alleluia (Voice and Piano)
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Piano, Voice
#
INTERMEDIATE
#
Christmas
#
Casey Jones Costello
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Noël, Alleluia
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Casey Jones Costello
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.941557 Composed by Casey Jones Costello. Christian,Christmas,Classical,Renaissance,Sacred. Score. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.941557 Composed by Casey Jones Costello. Christian,Christmas,Classical,Renaissance,Sacred. Score. 5 pages. Casey Jones Costello #5008265. Published by Casey Jones Costello (A0.941557). Noël, Alleluia is a modern Christmas carol written in the style of a European carol from the Mediaeval or Renaissance Era, in the key of D minor, with words and music by Casey Jones Costello; it is in the style of such traditional Christmas carols as Noël Nouvelet (Sing We Now of Christmas), The Coventry Carol, and O Come, O Come Emmanuel, and is appropriate for church service performances or any Christmas-themed musical programs. The song is arranged as a vocal solo with piano accompaniment in the key of D minor. The lyrics are included in the score, as well as on the title page.
$4.99 ≈
4.48€
Total Eclipse - unison choir and piano
Total Eclipse - unison choir and piano
#
Choral Unison
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EASY
#
Classical
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Phil Beaman
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Total Eclipse - unison choir a
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Phil Beaman
#
SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1361424 Composed by Phil Beaman. Classical,Romantic Period. 2 pages. Phil Beaman #94588...
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Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1361424 Composed by Phil Beaman. Classical,Romantic Period. 2 pages. Phil Beaman #945886. Published by Phil Beaman (A0.1361424). Total Eclipse is an Art Song.  I have used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern.  The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light.  This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for recital or concert.  It could even be used as a sing-along for the celebration of an actual eclipse! (Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.)  2 pages, 1:50 minutesVocal Range - 1 octave, middle C to Calso an SATB choral version on this site; also as a vocal solo in several keystemporary recording using a soloist.
$2.50 ≈
2.25€
A Christmas Garland - Six Carols for Unison Voices and Piano
A Christmas Garland - Six Carols for Unison Voices and Piano
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Choral Unison
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EASY
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Christmas
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John Turner
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John Turner
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A Christmas Garland - Six Caro
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Forsyth Brothers Ltd
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1048848 Composed by John Turner. Arranged by John Turner. Christmas,Classical,Traditional. Oct...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1048848 Composed by John Turner. Arranged by John Turner. Christmas,Classical,Traditional. Octavo. 20 pages. Forsyth Brothers Ltd #653255. Published by Forsyth Brothers Ltd (A0.1048848). Six carols, to popular words by various authors, both ancient and modern, which are suitable either for unison choir or for solo singing. The piano accompaniment is well within the capacity of young performers. John Turner is a well known British recorder soloist and composer. I Sing of A Maiden Balulalow The Cradle Noel The Birds The World's Desire.
$6.99 ≈
6.28€
Total Eclipse - SATB choir and piano
Total Eclipse - SATB choir and piano
#
Choral SATB
#
INTERMEDIATE
#
Phil Beaman
#
Sop - middle C to C
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Total Eclipse - SATB choir and
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Phil Beaman
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Roman...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 pages. Phil Beaman #957783. Published by Phil Beaman (A0.1373417). I originally wrote Total Eclipse as an expressive Art Song for solo voice and piano. Â I used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern, with a touch of Pop. Â The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. Â When I adapted it for SATB I filled out the already rich harmony and added ethereal 'oo's under some of the melody. Â In a few brief measures, at different places, SAB each will have a divisi line where it splits to 2 parts. Â (The texture is never thicker than 5 parts at once.) Â This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for concert. Â And perfect for the upcoming April 8 total eclipse!(Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) Â 10 pages, 2:00 minutesVocal Ranges: Â all 1 octave; Sop - middle C to C; Alto - low G to G; Tenor - D to C; Bass - G to Gattached recording is of the original solo voice version which SATB is closely based on. Â Be the first choir to record this and send me a link which I will post. Â plbeaman@gmail.comalso available on this site as a vocal solo in several keys, and as a Unison Choral hymn
$3.50 ≈
3.14€
R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
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Choral SATB
#
INTERMEDIATE
#
R
#
Music for a While
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R. Nathaniel Dett - Listen to
#
Music for a While
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.914176 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.914176 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Christian,Romantic Period,Sacred,Spiritual. Octavo. 11 pages. Music for a While #6416607. Published by Music for a While (A0.914176). Robert Nathaniel Dett (1882-1943) was born in Canada before moving to the Unites States at the age of 11. He began studying piano at an early age and went on to be the first black American to graduate from Oberlin Conservatory of Music. Throughout his career he worked as a composer, organist, pianist, choral director and music professor; he received many awards for his music and writing and spent a period at the Fontainebleau School of Music south of Paris where he studied with Nadia Boulanger. Dett became well known for incorporating tunes and and elements of African American folk songs and spirituals into classical music.Listen to the Lambs is scored for mixed unaccompanied chorus with solo soprano part and was originally published by G. Schirmer in 1914. It became one of his most famous choral works and was featured in The Oxford Book of Spirituals and Choral Music: A Norton Historical Anthology. There are modern recordings of the anthem performed by chamber choirs but Dett himself conducted a 900-voice performance of the work at Hampton University, Virginia where he was the director of the music department between 1928 and 1932.
$1.99 ≈
1.79€
Skye Boat Song - Outlander Main Title Theme - for Choir SSATB and Piano Accompaniment
Skye Boat Song - Outlander Main Title Theme - for Choir SSATB and Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Scottish Folk Song
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Flavio Regis Cunha
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Skye Boat Song - Outlander Mai
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Flavio Regis Cunha
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regi...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regis Cunha. Contest,Early Music,Festival,Film/TV,Instructional,Wedding. 9 pages. Flavio Regis Cunha #1062384. Published by Flavio Regis Cunha (A0.1485320). Skye Boat Song - Outlander Main Title Theme - for SSATB and Piano AccompanimentArtist Traditional Scottish FolksongComposer Traditional Scottish FolksongArranger Flavio Regis CunhaDescriptionDo you want to bring a bit of Scotland to your choir? Look no further than our sheet music of Skye Boat Song - from Outlander Main Title Theme - for SSA and Piano Accompaniment. Perfect for churches, school choirs, and professional SSA ensembles, this traditional Scottish folksong is full of energy and history. With this sheet music, you can add a unique flavor to your performance and transport your choir to the highlands! Stop searching for the right song and get ready to take your choir on an unforgettable musical journey. Get your sheet music now and experience the rich culture of Scotland in no time.This arrangement, featuring a solo Soprano and SSA choir with Piano accompaniment, reharmonizes the traditional folk song with a contemporary twist. This arrangement would work well for any a cappella high school, college, or community choir looking for modern arrangements of traditional folk songs.Level: Intermediate.Format: OctavoSize: 9 pages.Engraved with Urtext Kappelmeister FontsDuration: 2:30 min.NotesSkye Boat Song is one of my favoryte folk songs from the British Isles. Skye refers to the Island of Skye, a large island off the northwest coast os Scotland. There are several texts to this song; all refer, more or less, to an uprising of Scottish dissidents against the English is 1745-46. After their defeat, they fled to the Island of Skye. The text used here by the poet Robert Louis Stevenson. Scholars attribute the first half of the melody to an old se chantey and suspect thea the second half may have benn written by Annie MacLeod. ARRANGEMENT DETAILSVoicing SSATB Choir and Piano AccompanimentDifficulty IntermediateGENRE DETAILS Genres A Cappella, Classical, Film/TV, Holiday, Wedding.
$2.99 ≈
2.69€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.04€
There Is No Rose (Song To Joseph), SATB/ Piano
There Is No Rose (Song To Joseph), SATB/ Piano
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Choral SATB
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INTERMEDIATE
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Birgitta Kenyon
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There Is No Rose
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KenyonCreations
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1129270 Composed by Birgitta Kenyon. 20th Century,Christmas,Classical,Pop,Sacred. Octavo. 7 page...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1129270 Composed by Birgitta Kenyon. 20th Century,Christmas,Classical,Pop,Sacred. Octavo. 7 pages. KenyonCreations #729786. Published by KenyonCreations (A0.1129270). An easy classical sound, with attractive melody and Alto Solo feature. A fresh take on the original text in modernised English, with the original Latin interjections used to colour the whole. Medium Difficulty: would suit small or large group.
$1.99 ≈
1.79€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.04€
A Boy is Born (from Songs of Hope and Creation)
A Boy is Born (from Songs of Hope and Creation)
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Vocal duet, Piano
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INTERMEDIATE/ADVANCED
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Amy Daldorph and Nicholas Yate
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A Boy is Born
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Andrew Daldorph
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SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1313866 By Amy Daldorph and Nicholas Yates. By Andrew Daldorph. Adv...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1313866 By Amy Daldorph and Nicholas Yates. By Andrew Daldorph. Advent,Christian,Christmas,Classical,Sacred. 4 pages. Andrew Daldorph #902588. Published by Andrew Daldorph (A0.1313866). Soprano and tenor soloists tell the story of Jesus' birth in a movement from modern oratorio Songs of Hope and Creation, accompanied by orchestra (optional piano-only).
$2.00 ≈
1.80€
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95 ≈
8.04€
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
ATON part 12-Was passiert - 2 tenor voices, 1 bass voice, bassoon, strings
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Vocal duet
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INTERMEDIATE
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David Warin Solomons
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ATON part 12-Was passiert - 2
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #...
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576190 Composed by David Warin Solomons. Contemporary,Opera,World. 14 pages. David Warin Solomons #4579. Published by David Warin Solomons (A0.576190). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.49€
Schubert Swansong (Schwanengesang) translated Jeremy Sams (medium voice)
Schubert Swansong (Schwanengesang) translated Jeremy Sams (medium voice)
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Medium voice, Piano
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Classical
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Franz Schubert
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Jeremy Sams
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Schubert Swansong
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Polyhymnia
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Digital Download SKU: A0.946427 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. P...
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Medium-Low Voice,Vocal Solo - Digital Download SKU: A0.946427 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhymnia #6342643. Published by Polyhymnia (A0.946427). A new modern English translation of Schubert's great song collection Schwanengesang (Swansong).
$20.00 ≈
17.96€
Schubert Swansong (Schwanengesang) translated Jeremy Sams (original keys)
Schubert Swansong (Schwanengesang) translated Jeremy Sams (original keys)
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High voice
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Classical
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Franz Schubert
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Jeremy Sams
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Schubert Swansong
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Polyhymnia
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.946426 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhym...
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High Voice,Vocal Solo - Digital Download SKU: A0.946426 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhymnia #6342639. Published by Polyhymnia (A0.946426). A new modern English translation of Schubert's great song collection Schwanengesang (Swansong).
$20.00 ≈
17.96€
Schubert Schwanengesang (Swan Song) translated J. Sams (low voice)
Schubert Schwanengesang (Swan Song) translated J. Sams (low voice)
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Low voice, Piano
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Classical
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Franz Schubert
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Jeremy Sams
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Schubert Schwanengesang
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Polyhymnia
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SheetMusicPlus
Low Voice,Vocal Solo - Digital Download SKU: A0.946428 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhymn...
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Low Voice,Vocal Solo - Digital Download SKU: A0.946428 Composed by Franz Schubert. Arranged by Jeremy Sams. Classical,Romantic Period. 54 pages. Polyhymnia #6342645. Published by Polyhymnia (A0.946428). A new modern English translation of Schubert's great song collection Schwanengesang (Swansong).
$20.00 ≈
17.96€
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Modern classical Piano solo
