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You've selected:
Oriental
ORCHESTRA - BAND
Sheetmusic to print
36 sheet music found
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1
26
PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra (Full score + set of parts)
PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra (Full score + set of parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: "Oriental Dance" f
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 58 pages. Really Good Music, LLC. #4836055. Published by Really Good Music, LLC. (A0.868919). The full score of Oriental Dance by Lev PULVER (1883 – 1970) has been realized from the autograph manuscript and edited by Sergei PICHUGIN. This music, portraying the scene in the palace of an oriental sovereign, most likely is a ballet episode from the first production of the Moscow State Yiddish Theater (GOSET) The Sorceress (1922). Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Oriental Dance.
$70.00 ≈
¥493.85
Oriental Adventure (String Orchestra)
Oriental Adventure (String Orchestra)
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Andrew Will
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Oriental Adventure
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Willscore Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Percussion,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1002926 Composed by Andrew Will. Contemporary,Instruc...
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Large Ensemble Cello,Double Bass,Percussion,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1002926 Composed by Andrew Will. Contemporary,Instructional,World. Score and parts. 15 pages. Willscore Publishing #6689869. Published by Willscore Publishing (A0.1002926). Oriental Adventure is an Elementary Level piece for String Orchestra. It would make a great addition to your string orchestra repertoire. Your students will love to play this piece. Your audience will love it. Enjoy!
$30.00 ≈
¥211.65
Oriental Dance - Concert Band Score and Parts PDF
Oriental Dance - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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Brendan Elliget MAGA 537
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Oriental Dance - Concert Band
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750961 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 72 pages. BJE Music #535851...
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Concert Band - Level 3 - Digital Download SKU: A0.750961 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 72 pages. BJE Music #5358511. Published by BJE Music (A0.750961). This is an original composition for Concert Band was written in 2007 - then expanded and revised in 2020. It has an Oriental flavor with rhythmic percussion, Staccato woodwind parts and often a sustained bassline…Elements of a pentatonic scale. There is also a version for Orchestra.The MP3 was recorded with NotePerformer 3Grade = 4 Duration = 3:30 mins.
$25.00 ≈
¥176.37
Oriental Festmarch From Aladdin
Oriental Festmarch From Aladdin
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Concert band
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INTERMEDIATE
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Contemporary
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Carl August Nielsen
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Yves Bouillot
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Oriental Festmarch From Aladdi
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Yves Bouillot
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1221727 Composed by Carl August Nielsen. Arranged by Yves Bouillot. 20th Century. Score and Parts. 59 p...
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Concert Band - Level 3 - Digital Download SKU: A0.1221727 Composed by Carl August Nielsen. Arranged by Yves Bouillot. 20th Century. Score and Parts. 59 pages. Yves Bouillot #818035. Published by Yves Bouillot (A0.1221727). Aladdin, opus 34 by Carl Nielsen, is incidental music created to accompany a revival of Aladdin by Danish playwright Adam Oehlenschläger at the Royal Danish Theater in February 1919. Oriental Festmarch is the best known and most accessible piece of this incidental music.
$45.00 ≈
¥317.47
Oriental Adventure (Orchestra)
Oriental Adventure (Orchestra)
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Orchestra
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BEGINNER
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Andrew Will
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Oriental Adventure
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Willscore Publishing
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SheetMusicPlus
Full Orchestra - Level 1 - Digital Download SKU: A0.1002946 Composed by Andrew Will. Contemporary,Instructional,Standards. Score and parts. 34 pages. Wil...
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Full Orchestra - Level 1 - Digital Download SKU: A0.1002946 Composed by Andrew Will. Contemporary,Instructional,Standards. Score and parts. 34 pages. Willscore Publishing #6696367. Published by Willscore Publishing (A0.1002946). Listed pricing includes Score and all Parts. Oriental Adventure is an Elementary level Orchestral piece for developing bands. It would make a great addition to your Orchestral repertoire. A fun piece to play for your junior musicians. You can combine your wind program with your string program. Your audience will love this piece. Enjoy!
$30.00 ≈
¥211.65
ORIENTALE, César Cui, String Orchestra, Intermediate Level for 2 violins, viola, cello and string ba
ORIENTALE, César Cui, String Orchestra, Intermediate Level for 2 violins, viola, cello and string ba
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String Orchestra
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INTERMEDIATE
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Cesar Antonovich Cui
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Sherry Lewis
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ORIENTALE, César Cui, String
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.521439 Composed by Cesar Antonovich Cui. Arranged by Sherry Lewis. Concert,Holiday,Romantic Period,...
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String Orchestra - Level 3 - Digital Download SKU: A0.521439 Composed by Cesar Antonovich Cui. Arranged by Sherry Lewis. Concert,Holiday,Romantic Period,Wedding,World. Score and parts. 18 pages. Sherry Lewis Publishing #6075125. Published by Sherry Lewis Publishing (A0.521439). ORIENTALE String Orchestra of 1st and 2nd violins, viola, cello, string bass
$6.50 ≈
¥45.86
12 Danzas españolas: Oriental
12 Danzas españolas: Oriental
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Enrique Granados
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Joshua Choe
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12 Danzas españolas: Oriental
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JMJ Arrangements
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1250786 Composed by Enrique Granados. Arranged by Joshua Choe. 19th Century,Classical,Folk,Romantic...
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String Orchestra - Level 4 - Digital Download SKU: A0.1250786 Composed by Enrique Granados. Arranged by Joshua Choe. 19th Century,Classical,Folk,Romantic Period. Score and Parts. 25 pages. JMJ Arrangements #845051. Published by JMJ Arrangements (A0.1250786).
$19.99 ≈
¥141.03
Oriental Strings
Oriental Strings
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String Orchestra
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BEGINNER
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Cesar Aviles
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Oriental Strings
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Cesar Aviles
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.885556 Composed by Cesar Aviles. Contemporary,Instructional,World. Score and parts. 21 pages. Cesar...
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String Orchestra - Level 1 - Digital Download SKU: A0.885556 Composed by Cesar Aviles. Contemporary,Instructional,World. Score and parts. 21 pages. Cesar Aviles #2072147. Published by Cesar Aviles (A0.885556). What better than a pentatonic earworm to hook the orchestra right away? The piece is based on a 16 measure melody that is orchestrated differently with each repetition. It is perfect to teach the difference between staccato and tenuto, learn legato bowing, and experiment with dynamic contrast. It is a fun piece to perform while giving students an interesting approach to some of the basic string techniques. I would love to hear your version of it--rehearsal or concert--please send me a link, I would like to compare interpretations.
$7.93 ≈
¥55.95
Mare Orientale: Score
Mare Orientale: Score
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String Orchestra
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Mare Orientale: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0007125 Instructional. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0007125. Published by...
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String Orchestra - Digital Download SKU: AX.00-PR-0007125 Instructional. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0007125. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0007125). UPC: 038081570648.
$9.00 ≈
¥63.49
Mare Orientale: String Bass
Mare Orientale: String Bass
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String Orchestra
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Mare Orientale: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0018869_SB Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018869_SB. Published by A...
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String Orchestra - Digital Download SKU: AX.00-PC-0018869_SB Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018869_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018869_SB). UPC: 038081570648.
$5.99 ≈
¥42.26
Korean Simple Suite No.1 (For String Orchestra)
Korean Simple Suite No.1 (For String Orchestra)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.511716 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,Worl...
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String Orchestra - Level 4 - Digital Download SKU: A0.511716 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 64 pages. Han-Ki Kim #4641469. Published by Han-Ki Kim (A0.511716). This Korean Simple Suite is consist of 5 movements. All piece's main theme is generally based on Oriental pentatonic tone, and adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. And for some movement, there is especially natural harmonics is used for special tone effect to express oriental flute sound. Especially Finale is written rondo form, with Korean Traditional Children's song adapted.1. Prologue - Greeting 2. Oriental Flute 3. Cheerfulness 4. Sorrow 5. Finale - Festival
$32.00 ≈
¥225.76
Korean Simple Suite No.1 (For Orchestra)
Korean Simple Suite No.1 (For Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.511791 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Standards,World. Score and parts....
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Full Orchestra - Level 4 - Digital Download SKU: A0.511791 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Standards,World. Score and parts. 162 pages. Han-Ki Kim #6223697. Published by Han-Ki Kim (A0.511791). This Korean Simple Suite is consist of 5 movements. All piece's main theme is generally based on Korean(Oriental) pentatonic tone, and adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. And for some movement, there is especially natural harmonics is used for special tone effect to express oriental flute sound. Especially Finale is written rondo form, with Korean Traditional Children's song adapted. Attached music file is 1st movement only, Just for a reference.1. Prologue - Greeting2. Oriental Flute3. Cheerfulness4. Sorrow5. Finale - Festival
$39.90 ≈
¥281.49
You Only Live Twice
You Only Live Twice
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Concert band
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INTERMEDIATE
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John Barry and Leslie Bricusse
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Keith Terrett
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You Only Live Twice
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standar...
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Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127). An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.
$49.99 ≈
¥352.68
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥176.37
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
¥176.37
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥176.37
Poetic Waltz Grand Competition Plus
Poetic Waltz Grand Competition Plus
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Johnson Gao
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Johnson Gao
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Poetic Waltz Grand Competition
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Johnson Gao
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1455106 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century,Chamber,Classical,Mu...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1455106 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century,Chamber,Classical,Multicultural,Wedding,World. 170 pages. Johnson Gao #1034182. Published by Johnson Gao (A0.1455106). This song contains 12 chapters. It plays 12 minutes based on 170 pages of music sheet. The melodies have an oriental flavor, because some of the songs were originally composed for ancient famous Chinese poems written by Tao Yuan-ming (Assay of Peach Land Spring), Bai Ju-yi (Pipa Marching Song), Liu Bang (Great Wind Song) and anonymous (Chi Le Song).這首歌共有12章。它根據 170 頁的樂譜播放 12 分鐘。旋律具有東方風味，因為有些歌曲最初是根據陶淵明（《桃花源記》）、白居易（《琵琶行曲》）、劉邦（《大風歌》）匿名的中國古代名詩《敕勒歌》）創作的。 )。.
$4.99 ≈
¥35.20
Dreams - Score Only
Dreams - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99 ≈
¥1128.73
In A Minor Mood - Orchestra v2 Score and Parts PDF
In A Minor Mood - Orchestra v2 Score and Parts PDF
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Orchestra
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INTERMEDIATE
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Contemporary
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Brendan Elliget MAGA 537
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In A Minor Mood - Orchestra v2
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.750955 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5223...
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Full Orchestra - Level 3 - Digital Download SKU: A0.750955 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5223193. Published by BJE Music (A0.750955). This is an original composition for orchestra in D minor with a slightly oriental flavor. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set. There is a Violin 3 part which is a sub for Viola.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 3:03 mins.
$20.00 ≈
¥141.10
Takihuaira - Para flauta y orquesta de cuerdas
Takihuaira - Para flauta y orquesta de cuerdas
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Chamber Orchestra
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Freddy Colina Santos
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Takihuaira - Para flauta y orq
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Freddy Colina
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1029740 Composed by Freddy Colina Santos. World. Score and parts. 35 pages. Freddy Colina #5360409. Publishe...
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Chamber Orchestra - Digital Download SKU: A0.1029740 Composed by Freddy Colina Santos. World. Score and parts. 35 pages. Freddy Colina #5360409. Published by Freddy Colina (A0.1029740). Takihuaira (Para Flauta y Orquesta de Cuerdas) Takihuaira o canto de libertad, es una obra compuesta en homenaje a un gran amigo, Jesús Córdoba. Un amigo que en la vida siempre gustó de la música y querÃa hacer de ella su gran profesión. Un amigo que me enseñó que siempre tendrÃamos que luchar por mis sueños y que si la música era uno de ellos el siempre estarÃa ahà para apoyarme. Lastimosamente Dios lo llamo a ser parte de su coro de ángeles y ahora sé que desde allà no estarÃa más orgulloso que viéndome cumplir mi sueño. Ésta pequeña y sencilla es también un homenaje a esa música que nace de los simples sonidos, sonidos que convertidos en melodÃa y amalgamados con un ritmo cadencioso y una sutil armonÃa crean la más bella de las músicas. Un homenaje a la música andina. Takihuaira es el mestizaje musical de la cultura oriental con la hermosura andina suramericana.
$80.00 ≈
¥564.40
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Oriental
