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3,046 sheet music found Romance for Trombone Solo and Orchestra
Romance for Trombone Solo and Orchestra # Trombone and Orchestra # Contemporary # Elizabeth Raum
# Romance for Trombone Solo and # Cherry
Classics Music # SheetMusicPlus
Trombone Solo with Orchestra
- Digital Download
Composed by Elizabeth Raum
(1945-). 20th Century. Score,
Set of Parts, Solo Part. 62
pages. Published b...(+)
Trombone Solo with Orchestra
- Digital Download
Composed by Elizabeth Raum
(1945-). 20th Century. Score,
Set of Parts, Solo Part. 62
pages. Published by Cherry
Classics Music Romance for Solo Trombone and Orchestra by Elizabeth Raum was originally commissioned by the Canadian Music Competition as a test piece.The work is lush and with rich harmonies of about 5 1/2 minutes in length and can be performed by moderately advanced performers.Kurt Kellan, past Principal Hornist with the Calgary Philharmonic, had often asked Elizabeth Raum to orchestrate this piece, so when the occasion arose for a new piece for the 2001 Prairie Festival of New Music, she decided to adapt the piece for solo Trombone and Orchestra.Instrumentation is for:Solo Trombone, Flute, Oboe, Clarinet in B-flat, Bassoon and Strings. Lament for Trombone and String Orchestra
Lament for Trombone and String Orchestra # Trombone and Orchestra # INTERMEDIATE/ADVANCED # Contemporary # Jeremy Niles
Kempton # Lament for Trombone and String # Cherry Classics Music # SheetMusicPlus
Trombone, String Orchestra -
Advanced Intermediate -
Digital Download
Composed by Jeremy Niles
Kempton. 21st Century, 20th
Century, Romantic Period,
...(+)
Trombone, String Orchestra -
Advanced Intermediate -
Digital Download
Composed by Jeremy Niles
Kempton. 21st Century, 20th
Century, Romantic Period,
Contemporary Classical, Neo-
Classical. Score, Set of
Parts. 14 pages. Published by
Cherry Classics Music Lament for Trombone and String Orchestra by composer Jeremy Niles Kempton is a serious and lyrical work of about 6 minutes in length for advanced performers.
The work was composed and performed within a 2 week period at a memorial concert given for Helen Manheim, a violist in Mr. Kempton's Island Chamber Symphony on Long Island, NY. Ms. Manheim died rather suddenly and her passing left the composer with a deep feeling of regret at having taken her and so many other ICS musicians for granted.
The composition consists of 3 lengthy phrases. The first epitomizes the grief at her passing. The 2nd presents her life and consists of 3 phrases, all starting the same but each striving higher. The final section is her legacy, what she leaves behind.
The live performance features Mr. Kempton as soloist with the Island Chamber Symphony. Pathétique (for String Orchestra with Violin Solo)
Pathétique (for String Orchestra with Violin Solo) # String Orchestra # INTERMEDIATE # Contemporary # Tito Abeleda # Pathétique # Visionary Quest Records # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.984565 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 30 pages. Visionary Qu...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.984565 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 30 pages. Visionary Quest Records #6100945. Published by Visionary Quest Records (A0.984565). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra. Influenced by Samuel Barber, Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release. Digital Download = 30 Pages Level = Intermediate Duration = 15:38 minutes Music Score Tutorial Video - http://bit.ly/Pathetique_StringOrchestra_YouTube Special Thanks to photographer Rene Asmussen for Sheet Music photo.Email Tito Abeleda: tito@visionaryquestrecords.comPRO: BMI.com Follow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes Rondo in A minor for Viola and Orchestra
Rondo in A minor for Viola and Orchestra # Orchestra # ADVANCED # Contemporary # Joel Jacklich # Joel Jacklich (ASCAP) # Rondo in A minor for Viola and # Joel Jacklich # SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C. Rondo in A minor for Cello and Orchestra
Rondo in A minor for Cello and Orchestra # Chamber Orchestra # ADVANCED # Contemporary # Joel Jacklich # Joel Jacklich (ASCAP) # Rondo in A minor for Cello and # Joel Jacklich # SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C. Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score # Chamber Orchestra # ADVANCED # Contemporary # Thierry Pélicant # Thierry Pélicant: Concerto fo # Musik Fabrik Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..