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765 sheet music found Canticum Canticorum for Krzysztof Penderecki
Canticum Canticorum for Krzysztof Penderecki # Chamber Orchestra # ADVANCED # MohammadHadi Ayanbod # Canticum Canticorum for Krzysz # Rimorarte Edition # SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki. Ouverture (Overture) - Marc Garetto - 2016 Chamber Music Contest Entry
Ouverture (Overture) - Marc Garetto - 2016 Chamber Music Contest Entry # Chamber Orchestra # Contemporary # Marc GARETTO # Marc GARETTO # Ouverture # Marc GARETTO - Harmonie Editions # SheetMusicPlus
Composed by Marc GARETTO. Arranged by Marc GARETTO. 21st Century, Movies, TV, Pop, Anniversary. Score, Set of Parts. 12 pages. Published by Marc GARETTO - Harmo...(+)
Composed by Marc GARETTO. Arranged by Marc GARETTO. 21st Century, Movies, TV, Pop, Anniversary. Score, Set of Parts. 12 pages. Published by Marc GARETTO - Harmonie Editions (S0.111849). - Score,Set of Parts - 21st Century,Movies,TV,Pop,Anniversary - Marc GARETTO - Harmonie Editions Dust On The Apron
Dust On The Apron # Chamber Orchestra # Andy Fielman # Dust On The Apron # Gisela August Publishing # SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publis...(+)
Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. Published by Gisela August Publishing (A0.1022718). Inspired by a trip to the local pizzeria, this easily could have been called Flour On The Apron. The word Dust, though, makes it suitable for not only aficionados of fine dining, but the tenders of home, hearth, garden, and workshop as well. Ah, heck, it’s suitable for anyone and everyone. Dust On The Apron is a picturesque and fun little piece written in a 20th Century style. It clocks in at 3:25. Andy Fielman is a member of ASCAP Asphixivision (Score & Parts)
Asphixivision (Score & Parts) # Chamber Orchestra # INTERMEDIATE/ADVANCED # Sabrina Pena Young # Asphixivision # Sabrina Peña Young # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrin...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music. Downward Spiral
Downward Spiral # Chamber Orchestra # INTERMEDIATE # Sabrina Pena Young # Downward Spiral # Sabrina Peña Young # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music. Pr'os lados do Piaui, entre a Turquia e a Alemanha
Pr'os lados do Piaui, entre a Turquia e a Alemanha # Chamber Orchestra # Sergio Roberto de Oliveira # Pr'os lados do Piaui, entre a # Sergio Roberto de Oliveira # SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. ...(+)
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017. Le Violette (For chamber orchestra, voices and harpsichord)
Le Violette (For chamber orchestra, voices and harpsichord) # Chamber Orchestra # INTERMEDIATE # Alessandro Scarlatti # Kestutis Planciunas # Le Violette # Kestutis Planciunas # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.972717 Composed by Alessandro Scarlatti. Arranged by Kestutis Planciunas. Baroque,Christian,Christ...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.972717 Composed by Alessandro Scarlatti. Arranged by Kestutis Planciunas. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 32 pages. Kestutis Planciunas #3228713. Published by Kestutis Planciunas (A0.972717). Full score with instrumental parts(Bassoon, Harpsichord, Vocal, Violin I/II, Viola, Violoncello, Double bass) Scarlatti's music forms an important link between the early Baroque Italian vocal styles of the 17th century, with their centers in Florence, Venice and Rome, and the classical school of the 18th century. God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra # Chamber Orchestra # INTERMEDIATE/ADVANCED # Thomas Oboe Lee # God's Grandeur # Thomas Oboe Lee # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. T...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.