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32 sheet music found
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1
26
Self-instructor for the tuba in F, E flat (Helicon)
Self-instructor for the tuba in F, E flat (Helicon)
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Tuba
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Self-instructor for the tuba i
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Tuba in F, Eb (Helikon) - Digital Download SKU: S9.Q588416 Auch zum Selbstunterricht geeignet. Downloadable. Op. 84. Musikverlag Zimmermann - Digi...
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Tuba in F, Eb (Helikon) - Digital Download SKU: S9.Q588416 Auch zum Selbstunterricht geeignet. Downloadable. Op. 84. Musikverlag Zimmermann - Digital #Q588416. Published by Musikverlag Zimmermann - Digital (S9.Q588416). German � English � Russian.Die Tuba-Methode beschäftigt sich vorwiegend mit der mittleren und höheren Basslage. Die am häufigsten auftretende Es-Stimmung ist der Schule zugrunde gelegt. Für die jedoch hin und wieder anzutreffende F-Stimmung mit drei und vier Ventilen sind die Griffe ebenfalls angeführt. Den praktischen �bungen geht eine kurze allgemeine Musiklehre und Theorie über das Instrument und seine Handhabung voraus.
$11.99 ≈
11.19€
Air on the G String by Bach for Tuba
Air on the G String by Bach for Tuba
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Tuba and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tuba - Level 1 - Digital Download SKU: A0.1125923 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Sc...
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Piano,Tuba - Level 1 - Digital Download SKU: A0.1125923 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726672. Published by Woods Only, Arrangements (A0.1125923). This easy arrangement for tuba and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99 ≈
1.86€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.60€
66 Etudes in all Major and Minor Keys for Tuba or Bass Trombone
66 Etudes in all Major and Minor Keys for Tuba or Bass Trombone
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Tuba
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INTERMEDIATE
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Anton Slama
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Ralph Sauer
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66 Etudes in all Major and Min
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.792613 Composed by Anton Slama. Arranged by Ralph Sauer. 20th Century,Instructional,Romantic Period. Indiv...
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Tuba Solo - Level 3 - Digital Download SKU: A0.792613 Composed by Anton Slama. Arranged by Ralph Sauer. 20th Century,Instructional,Romantic Period. Individual part. 48 pages. Gordon Cherry #5040935. Published by Gordon Cherry (A0.792613). The Slama 66 Etudes have been used for over 90 years as a tried and true method for learning all of the major and minor keys on bass clef instruments. It is an excellent book for honing the basics of technique and gaining knowledge of all the scales. This new improved edition has been carefully edited by Ralph Sauer, eliminating many misprints and articulation conflicts. In the transposing of Professor Slama’s music into the appropriate range for Tuba and Bass Trombone, Mr. Sauer has placed the etudes in a different order from the original Trombone method. However the book starts in C major and methodically proceeds through all of the keys in order to give the performer all of the tools necessary for a thorough technique on his or her instrument. We can recommend this method book for all students of intermediate level and above.
$17.50 ≈
16.34€
Celebrated Tutor for Tuba Method
Celebrated Tutor for Tuba Method
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Tuba
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EASY
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Langey, Otto
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Cherry, Gordon
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Celebrated Tutor for Tuba Meth
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 2 - Digital Download SKU: A0.810827 Composed by Langey, Otto. Arranged by Cherry, Gordon. Instructional,Standards. Individual part. 127...
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Tuba Solo - Level 2 - Digital Download SKU: A0.810827 Composed by Langey, Otto. Arranged by Cherry, Gordon. Instructional,Standards. Individual part. 127 pages. Gordon Cherry #3417301. Published by Gordon Cherry (A0.810827). The Otto Langey Tutors were THE method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote more than 28 method books for almost all of the major instruments. Many young instrumentalists used these books for their first studies. The book became their musical mainstay during their early musical studies. The Celebrated Tutors for Tuba of 127 pages is suitable for performers from beginner right up to advanced. We are pleased to add this special reprint of the original Hawkes and Son edition to our Vintage Brass collection.
$20.00 ≈
18.67€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duet)
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EASY
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop – Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal.
7. Pastoral – Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop – Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
The Clarke Variations-bass clef edition
The Clarke Variations-bass clef edition
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Bass Clef Instruments
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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The Clarke Variations-bass cle
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Faded Duck Music
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SheetMusicPlus
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Te...
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Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.
There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.
The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.
This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95 ≈
15.82€
The Really Big Student Songbook bass clef edition
The Really Big Student Songbook bass clef edition
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Bass Clef Instruments
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EASY
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Instructional
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Eric Bolvin
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The Really Big Student Songboo
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Faded Duck Music
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SheetMusicPlus
Trombone, Euphonium, Cello - Early Intermediate - Digital Download Composed by Eric Bolvin. Classical Period, Jazz, World, Christmas, Pop. 70 pages. ...
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Trombone, Euphonium, Cello - Early Intermediate - Digital Download Composed by Eric Bolvin. Classical Period, Jazz, World, Christmas, Pop. 70 pages. Published by Faded Duck Music
“TheReally Big Student Songbook” is published for C,Bb, Eb, F, tuba and bassclef
instruments, andwith its unbelievable selection of 174 songs,offers the young band student a fun
and challengingalternative to the drudgery of “just another” bandmethod.
All editions contain the same songs andare fully compatible.
Includes Classics, Christmas, Patriotic,Folk, International, Jazz and Pop favorites.
$29.00 ≈
27.07€
Flex on the Move-Tuba Edition
Flex on the Move-Tuba Edition
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Tuba
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded...
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!
Flex on the Move
There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.
There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.
Why Practice Flexibility?
Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.
Technique
There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95 ≈
15.82€
The Progressive Warm Up-Tuba Edition
The Progressive Warm Up-Tuba Edition
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Tuba
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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The Progressive Warm Up-Tuba E
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SheetMusicPlus
Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, T...
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Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!
Description
The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95 ≈
15.82€
How Great Thou Art ? brass quintet
How Great Thou Art ? brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Swedish folk tune
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Todd Marchand
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How Great Thou Art ? brass qui
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Con Spirito Music
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SheetMusicPlus
Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 13 pages. Published by Con Spirito Music (S0.181021). ...
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Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 13 pages. Published by Con Spirito Music (S0.181021). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
One of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
14.00€
An American Folk Hymn Medley ? brass quintet
An American Folk Hymn Medley ? brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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American folk hymns
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Todd Marchand
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An American Folk Hymn Medley ?
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Con Spirito Music
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SheetMusicPlus
Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito ...
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Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.180677). - Score,Set of Parts - Christian,Gospel,Sacred,Folk,Americana - Con Spirito Music
?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.
$15.00 ≈
14.00€
Hail the Day That Sees Him Rise ? brass quintet
Hail the Day That Sees Him Rise ? brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Robert Williams
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Todd Marchand
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Hail the Day That Sees Him Ris
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Con Spirito Music
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SheetMusicPlus
Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Easter. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0...
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Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Easter. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.182105). - Score,Set of Parts - Christian,Sacred,Easter - Con Spirito Music
?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ©Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com
$15.00 ≈
14.00€
Livin' On A Prayer
Livin' On A Prayer
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Rock
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Bon Jovi
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Jan Utbult
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Livin' On A Prayer
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Jan Utbult
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SheetMusicPlus
By Bon Jovi. Arranged by Jan Utbult. Pop, Rock. Score, Set of Parts. 12 pages. Published by Jan Utbult (H0.115173-485751). - Score,Set of Parts - Pop,Rock - Jan...
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By Bon Jovi. Arranged by Jan Utbult. Pop, Rock. Score, Set of Parts. 12 pages. Published by Jan Utbult (H0.115173-485751). - Score,Set of Parts - Pop,Rock - Jan Utbult
An well written arrangement of Bon Jovi's hit from 1986, easy to play with all parts in a comfortable register. Jan Utbult is a Swedish arranger, composer and brass instrument teacher. He is also the author of more than 50 methods for different instruments.
$14.95 ≈
13.96€
Tuning for Wind Instruments: A Roadmap to Successful Intonation - Fingering Charts - Tuba
Tuning for Wind Instruments: A Roadmap to Successful Intonation - Fingering Charts - Tuba
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Tuba
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Instructional
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Tuning for Wind Instruments: A
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Warm-up. Instructional Method. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.273754). - Instructional Method - Warm-up - Hal Leonard - Digital She...
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Warm-up. Instructional Method. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.273754). - Instructional Method - Warm-up - Hal Leonard - Digital Sheet Music
$1.99 ≈
1.86€
The Contemporary Tuba
The Contemporary Tuba
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Tuba
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Studies
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Barton Cummings
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The Contemporary Tuba
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Cimarron Music Press - Digital
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SheetMusicPlus
Composed by Barton Cummings. Methods/Studies/Etudes. 77 pages. Published by Cimarron Music Press - Digital (CX.CM0189). - - Methods/Studies/Etudes - Cimarron M...
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Composed by Barton Cummings. Methods/Studies/Etudes. 77 pages. Published by Cimarron Music Press - Digital (CX.CM0189). - - Methods/Studies/Etudes - Cimarron Music Press - Digital
$21.00 ≈
19.60€
60 Etudes for High Tuba or Euphonium
60 Etudes for High Tuba or Euphonium
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Tuba
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Studies
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Georg Kopprasch
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60 Etudes for High Tuba or Eup
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Cimarron Music Press
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SheetMusicPlus
Composed by Georg Kopprasch. Methods/studies/etudes. 50 pages. Published by Cimarron Music Press (CX.CM3020). - - methods/studies/etudes - Cimarron Music Press...
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Composed by Georg Kopprasch. Methods/studies/etudes. 50 pages. Published by Cimarron Music Press (CX.CM3020). - - methods/studies/etudes - Cimarron Music Press
$20.00 ≈
18.67€
Advanced Studies for Tuba
Advanced Studies for Tuba
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Tuba
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Studies
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John Paff
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Advanced Studies for Tuba
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Cimarron Music Press
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SheetMusicPlus
By John Paff. For Tuba Methods/Studies/Etudes. Published by Cimarron Music Press ...
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By John Paff. For Tuba Methods/Studies/Etudes. Published by Cimarron Music Press
$17.00 ≈
15.87€
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TUBA Method
