English/German/French Version-Technical Studies For The Cornet was written to enable the Cornet (or Trumpet) student to conquer any technical difficulties they may encounter in the literature for the instrument. By carefully following the instructions in the book the student will build up strength and endurance without strain or injury to their embouchure. This is an excellent resource for those Cornet and Trumpet players wishing to develop and secure advanced techniques.

Méthode complète de Cornet à Pistons for the Cornet Trumpet or Saxhorn composed by Guillaume Balay is a method for beginners in two volumes and one of the most complete for these instruments. This first volume focuses on the establishment of the music and on the quality of the sonority obtained. The first two chapters will therefore focus on the establishment of the rhythms. They are followed by some studies of scales and liaisons. The last three chapters concentrate on learning how to play certain nuances of melody arpeggios and syncopation. All techniques acquired while studying this volume would not befully effective if not followed by the study of Méthode complète de Cornet à Pistons Volume 2. Guillaume Balay (1871-1943) is a French Soloist and Composer. As a member of the military he was the Head of Music for the Republican Guard and composed many chamber music and solo music pieces for Cornets and other Wind instruments. He was also a respected music teacher.

Cornet ou tout Saxhorn Clé de Sol-Little known composer Pierre Clodomir lived during the 19th Century and worked as a brass teacher. His study guides including Complete Method for Cornet and Saxhorns in treble clef have accompanied many brass player's instrumental technique progression. The first volume of Clodomir's Complete Method for Cornet and Saxhorns in treble clef includes illustrated instruction on how to hold the instruments as well as exercises focusing on scales arpeggios intervals breath control note values dynamics articulation varying time signatures rhythm phrasing tempo markings performance directions andornamentation. For all aspiring Cornet and Saxhorn players Clodomir's Complete Method for Cornet and Saxhorns in treble clef will provide you with the necessary progressive studies to improve technique to a high standard.

New Edition-Trumpet Basics is a landmark method for individual and group learning by one of the leading figures in trumpet education John Miller. It starts at absolute beginner level and progresses to about Grade 2 level. There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers traditional tunes and fun original exercises finger gyms and warm ups to help establish a sound technique factfiles and quizzes to teach notation and general musicianship helpful clear fingering charts and rhythm boxes and great illustration. This particular book has been written for B-flat Trumpet or Cornet.

Méthode complète de Cornet à Pistons for the Cornet Trumpet or Saxhorn composed by Guillaume Balay is a method for beginners in two volumes and one of the most complete for these instruments. This second volume follows the first introducing major and minor scales in the first chapter. The next two chapters develop what has been learned on liaisons and rhythm. Finally it brings up chromatic scales other rhythms and style studies. With this Méthode complète de Cornet à Pistons Volume 2 the method should be complete and the beginner should master the establishment ofthe notes and rhythms while obtaining a qualitative sonority. Guillaume Balay (1871-1943) is a French soloist and composer. As a member of the military he was the Head of Music for the Republican Guard and composed many chamber music and solo music pieces for Cornets and other Wind instruments. He was also a respected music teacher.

First published in 1915 this is a work that has stood the test of time by one of the Brass world's most important pedagogues Characteristic Studies for the Cornet should be part of any Trumpet student's library. Within its pages the student will gain valuable insight on tonguing and the 24 characteristic studies will help the student to gain absolute control of technique articulation slurring and endurance. This work will prove helpful and beneficial to the developing student.Herbert Lincoln Clarke was a well-known American Cornet player feature soloist bandmaster andcomposer. Clarke’s legacy includes composing a portion of the standard repertoire for the instrument many recordings as well as a seminal school of playing which emphasized not only technical aptitude but also increased warmth and lyricism of tone. He also produced several method books that are still used by Brass students to this day.

Guillaume Balay (1871-1943) served in the French military as a prolific Cornet player having won first place in the 1894 Cornet Award competition at the National Academy of Music in Paris. His compositions were popular in the Cornet and brass repertoire at the time including his Pièce De Concours for Cornet with Piano accompaniment. This Balay work remains within the brass repertoire to this day and is suitable for advanced level players as an audition or competition piece as indicated by the title as well as a performance work. Pièce De Concours contains use ofcadenza passages variation in time signature semiquaver flourishes articulations complex rhythms and chromaticism amongst other aspects. This quirky piece by Balay provides the advanced Cornet player with a fun alternative work which will show off their technical ability.

Student Instrumental Course-Studies And Melodious Etudes Part I is a supplementary technic book of the Belwin 'Student Instrumental Course'. Although planned as a companion and correlating book to the method book The Cornet Student it can also be used effectively with most elementary cornet instruction books. It provides for extended and additional treatment in technical areas which are limited in the basic method because of lack of space. Emphasis is on developing musicianship through scales warm-ups and technical drills musicianship studies and interesting melody-like etudes.

The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

This First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms, key signatures and articulations and to improve accuracy in reading through the use of interesting and mestudies. It may be used either to supplement or to follow any beginning method book.