Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. 'Really Easy Jazzin' About' is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.

Fun Pieces for Trumpet-Jazzin' About for Trumpet presents 8 original repertoire pieces arranged for Trumpet with Piano accompaniment by Pam Wedgwood. Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic this series has it all. Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz for Trumpet and Piano

V. Berdiev compiles a well-informed collection of studies for Trumpet. The exercises in 17 Studies For Trumpet are suitable for intermediate to advanced level trumpeters. Berdiev's studies cover a wide range of musical aspects including chromaticism phrasing rhythm articulation performance directions dynamics variations in time and key signatures intervals and a wide tessitura amongst other elements. For all aspiring trumpeters Berdiev's 17 Studies For Trumpet is essential to improving technique.

Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp?s concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, ?jazz? melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical ?roots.? One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp?s work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg?s original unpublished materials in his work. Schlossberg?s concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Austrian Dance (Traditional) * The Carman's Whistle (Byrd) * The Carnival (Snell) * Crystal Waltz (Snell) * Ecossaise (Beethoven) * Evening Song (Snell) * Little Song (Bach) * March (Snell) * One and Two and... (Snell) * Processional (Snell) * Rigaudon (Daquin) * Round (Byrd) * Six Fanfares & Flourishes (Snell) * Swedish Folk Song (Traditional) * Swiss March (Traditional) * Ten Easy Duets for Trumpet (Snell) * Toccata (Snell).

This book has been designed as a supplementary study to be used along with any standard instruction book. The studies contained herein are excellent for use in the warm-up period prior to each daily session of practice. The technicality of the fingerings and slide positions (trombone slide positions appear above the notes; baritone fingerings appear below the notes wherever considered helpful) are comparatively simple and the studies can be used to advantage by a young student with only a few weeks of formal study. This book contains much valuable material essential to successful performance not found within standard instructional material.

This book has been compiled to aid teachers and students in the development of the French Horn embouchure, particularly in the important period following elementary development. It is based upon the theory that, mechanically, nearly all of the problems to be met by the player in the orchestra, band, chamber ensemble, etc., can be covered by a comprehensive daily routine of practice. Various drills have been devised, with no claim to originality, to cope with the various mechanical problems of embouchure with which the player is faced in the field.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Mozart) * Allemand (Susato) * Arietta (Turk) * Aura Lee (Traditional) * Ballad (Snell) * Camptown Races (Steven Foster) * The Carousel (Snell) * The Dancing Master (Turk) * The Emperor of Germany's March (Clarke) * English Folk Tune (Traditional) * Etude in G (Snell) * Fanfare (Snell) * German Dance ( Beethoven) * Hide N' Seek (Snell) * Lullaby (Snell) * March (Snell) * Michael, Row the Boat Ashore (Folk Song) * Minuet (Handel) * La Mourisque (Susato) * Musette (LeCouppey) * Processional (Snell) * Rigaudon (Bohm) * Rondo (Snell) * Scottish Folk Song (Traditional) * Serenade (Muller) * Sonatina (Schmitt) * Toccata (Snell) * Trumpet Voluntary (Snell), Waltz (Snell) * Yankee Doodle (American Traditional).