Par PERGOLESI GIOVANNI BATTISTA. The ?Stabat Mater? is a 13th-century Catholic hymn to Mary which has been set to music by many composers throughout history. Composed in the final weeks of his life, Giovanni Battista Pergolesi originally scored it for solo soprano and alto voices, accompanied by strings and basso continuo. The haunting first movement, ?Stabat Mater Dolorosa,? is full of anguish and musical suspensions, a perfectly suitable candidate for arrangement for clarinet choir. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

Par MAGALIF EUGENE. Ave Maria for Flute Choir by Eugene Magalif. From the composer: 'The creation of a new Ave Maria requires a certain amount of courage from composers. There are many versions of Ave Maria in the world and it is very risky to compete with Schubert, Bach or Caccini (Vavilov). I did not begin to compose another aria, but composed a polyphonic version, in which the intertwining voices, harmony, unusual rhythm changes and a wide palette of shades play the main role. My Ave Maria turned out to be very unusual, but if you follow my instructions of tempo, dynamic shades, perform it very gently and without forcing the sound, then the piece will show its beauty.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par GABELLIERI FRANCESCO. / Date parution : 2022-11-29/ Répertoire / Choeur Mixte SATB

Par DE PADILLA JUAN GUTIERREZ. Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. He is most well-known for his choral works, with a large number of them surviving to this day. Instrumentation: 6 Bassoons, 2 Contrabassoons. / Date parution : 2022-11-29/ Répertoire / Ensemble de Bassons

Par DAMERINI MASSIMILIANO . / Date parution : 2022-11-29/ Répertoire / Ch?ur Mixte SSATTB

Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again?? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression for the liturgical text, opening up new avenues for the further development of mass compositions in the 19th century. This important work of choral literature can now be performed by smaller forces thanks to this arrangement for soloists, choir and chamber orchestra. Instead of 12, just 5 wind instruments are required. The string parts can also be played by single soloists; the performance material contains suggestions about how to deal with the divisi passages. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.-Large mass also performable for smaller choirs-Wind instruments of the original version reduced to five single instruments-Vocal and choral scores of the original version can be used-carus plus: the work (original version) is available in the app carus music, the Choir Coach, as well as in the series Carus Choir Coach (audio only) / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orchestre

Par YEAGER JEANINE. A full range of keyboard sounds is utilized by this respected composer in her arrangements. She includes a rich use of the pedal in melding harmonies and creating magical new interpretations of familiar hymns. Includes one original work (?Rejoice!?) along with seven touching hymn arrangements appropriate for worship services as preludes, offertories, or postludes. / Date parution : 2022-11-08/ Recueil / Piano

Par . The Joy of Hymns Book 1 features arrangements at the elementary level and is appropriate for students studying in Piano Safari Levels 1 and 2. This book may be used alongside other piano methods. / Date parution : 2022-06-08/ Recueil / Piano

Par ESENVALDS ERIK. / Date parution : 2022-12-20/ Répertoire / Ch?ur de Femmes SSAA / Soliste SS

SAM-Klang. Par SCHUBERT FRANZ. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella

Par HELMAN MICHAEL. Four quiet, original compositions. / Date parution : 2022-07-23/ Recueil / Orgue