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| Bryars G. - Cello
Concerto - Conducteur
Schott
Farewell to philosophy I have a great fondness for the lower string instrument...(+)
Farewell to philosophy I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Pre-shipment lead time: In Stock |
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| Cello Concerto (BRYARS
GAVIN)
Cello, Orchestra [Study Score / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...(+)
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character.
One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...
The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.
The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Gavin Bryars/ Répertoire / Violoncelle et Orchestre
(Seller in french langage)
Pre-shipment lead time: On order |
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| Camille Saint-Saëns:
Oratorio de Noël (PA):
SATB: Vocal Score
Soli, Choeur Mixte Et Orgue [Sheet music]
Barenreiter
Owing to its Latin text Saint-Saëns? Christmas Oratorio has found admirers all...(+)
Owing to its Latin text Saint-Saëns? Christmas Oratorio has found admirers all over the world. Saint-Saëns avoids theatrical effects in his church music and relies almost entirely on homophonic choral writing. Here the operatic allusions so popular in his day have given way to a mixture of romantic élan and reminiscences of the Baroque. The subtitle reads ? dans le style de J. S. Bach? although the composer was unaware of Bach?s Christmas Oratorio.In this unusual form the oratorio of which the final movement is already a hit with many choruses is well-suited for performance during the Advent and Christmas seasons providing a welcome change fromBach.A ?discovery? for Christmas and Advent concertsRelatively simple choral writingSensitive organ arrangementThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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| Stringquartet Nr. 2
(SCHOENBERG ARNOLD)
2 Violons, Alto, Violoncelle et
Soprano [Study Score / Miniature]
Universal Edition
Par SCHOENBERG ARNOLD. The two poems by Stefan George 'Litanei' and 'Rapture ' w...(+)
Par SCHOENBERG ARNOLD. The two poems by Stefan George 'Litanei' and 'Rapture ' were worked by Schoenberg into a set of variations and into a finale far removed from traditional notions of form. The vocal reduction of the 3rd movement 'Litanei' is available as UE 6862, the vocal reduction for the 4th movement 'Entrückung ' is available as UE6863. The string parts are available as UE 2994.
'This quartet adds a new element to Schoenberg's creative oeuvre: brevity. It was already indicated by the succinctness of the Chamber Symphony and is clearly expressed in the structure of the F sharp minor Quartet with four shorter movements. There is only a small step from the harmonic language of this work to a complete renunciation of tonality. The last movement - although, in the main, belonging to F sharp mayor - no longer carries a key signature. Chromatic alteration turns the fourth chords into harmonies never heard before, free from any tonal context.' (Anton Webern)/ Répertoire / 2 Violons, Alto, Violoncelle et Soprano
(Seller in french langage)
Pre-shipment lead time: On order |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Carl Philipp Emanuel
Bach: Magnificat Wq 215
(PA): SATB: Vocal Score
Choral [Sheet music]
Barenreiter
Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnifica...(+)
Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.
Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.5 In F Minor:
Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.5 In F Minor:
Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.5 In F Minor:
Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.5 In F Minor:
Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| Luigi Boccherini:
Introduction & Fandango:
Guitar: Instrumental Work
Guitar
Faber Music Limited
Luigi Boccherini was born in Lucca in Italy where he became famous at an early ...(+)
Luigi Boccherini was born in Lucca in Italy where he became famous at an early age as a virtuoso Cellist. After an invitation to Madrid in 1768 he spent the rest of his life in Spain. It is not surprising then that his compositions were much influenced by the rhythmic variety and rich colours of Spanish music and this influence is nowhere more pronounced than in the exuberant Grave e Fandango (Introduction And Fandango). The piece was originally written as a piece for String Quartet and then subsequently arranged for Guitar and String Quartet. This edition features a reduction of the String Quartet part for Harpsichord.
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| Georg Friedrich Händel:
Dixit Dominus - First
Movement: SATB: Vocal
Score
Choral SATB [Vocal Score]
Schirmer
This is the first movment of Handel's 'Dixit Dominus' based on Psalm 110 (Prote...(+)
This is the first movment of Handel's 'Dixit Dominus' based on Psalm 110 (Protestant Bible). This edition is based on Handel's autograph found in the British Museum. The keyboard part is a reasonable faithful reduction of theorchestral score and all editorial marks that are not in the original are marked as such. The score is for SSATB but some sections are marked as solos.
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| Brenton Brown Paul
Baloche: Because of Your
Love: SATB: Vocal Score
Choral SATB [Vocal Score]
Daybreak Music
An inspired contemporary call to worship as recorded by Paul Baloche from his al...(+)
An inspired contemporary call to worship as recorded by Paul Baloche from his album A Greater Song this choral setting based on Psalm 63 provides a meaningful worship experience for congregation and singers. The profoundtext and driving rhythms vividly express the power of God's love and grace in our lives and reminds us that we are forever changed because of God's love.Available separately: SATB and SAB. Instrumental ePak includes score andparts for Violin 1 Violin 2 Viola Cello Guitar Bass Drums and String Reduction (Synthesizer). ChoirTrax CD also avialable. Performance Time: Approx. 2:45
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| Jared Anderson: Amazed:
SATB: Vocal Score
Choral SATB [Vocal Score]
Integrity Music
Although we may sometimes overlook His presence and work in our lives it is ama...(+)
Although we may sometimes overlook His presence and work in our lives it is amazing to know that God loves us. This tender song of devotion features soloist choir and optional praise team. Orchestration includes score and partsfor Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Drum Set Harp Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (BassClarinet) String Bass and Keyboard String Reduction. CD Accompaniment Trax also available. Duration: Approx. 5:30
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| Antonio Vivaldi: Two
Concerti for Guitar
(Lute) & Orchestra:
Orchestra and Solo
Guitar [Sheet music + Audio access]
Music Minus One
C Major RV425 and D Major RV93-Performed by Christian Reichert guitar Accompa...(+)
C Major RV425 and D Major RV93-Performed by Christian Reichert guitar Accompaniment: Taunus String Orchestra These two concerti are amongst the most requested in the MMO catalogue. Finally available in spectacular digitally recorded sound with master guitarist Christian Reichert delivering an interpretation that will give you much to study and marvel at. Then it's your turn to step in and play with the full orchestra! Includes a slow-tempo version of the accompaniments (in the same key) for practice purposes. This newly engraved authoritative printed music score features the solo guitar part with orchestral reduction presented beneath in reduced-size for ease of learning and study; historical notesand performance suggestions printed on high-quality acid-free ivory paper. Also includes a compact disc containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes.
Pre-shipment lead time: In Stock |
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| Welcome in this Place:
Orchestra: Parts
Orchestra
Integrity Music
1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can...(+)
1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can be sung with choir only or with congregation together. Each song is presented two ways?an anthem version and a call to worship version?enabling the worship leader to beginthe service with the main thematic statement of the song and proceed from there. Titles include: Sing Out All the Earth Will Sing Your Praises Welcome in this Place It Is Good Hear Our Praises Glorious This Is YourHouse Praise Adonai Let the Praises Ring and Come and Worship. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 3 (Tenor Sax/BaritoneTC) Percussion Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. Instrumentation varies. SATB Listening CD CD Accompaniment Trax CD 10-Pack and Preview Pack(CD) also available.
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| Light of the Stable:
Orchestra: Parts
Orchestra
PraiseSong
“Hail hail to the guiding Light that brought us tonight to our Savior!&rd...(+)
“Hail hail to the guiding Light that brought us tonight to our Savior!” From the new Selah album this energetic song is a driving anthem of upbeat praise and adoration. With its effortless rhythm this one reallysings! IPak includes score and parts for Flute 1 2; Oboe; Clarinet 1 2; Horn 1 2; Trumpet 1 2 3; Trombone 1 2 3/Tuba; Timpani; Percussion 1 & 2; Harp; Rhythm; Violin 1 2; Viola; Cello; String Bass; Keyboard StringReduction.
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| Leonard Bernstein:
Chichester Psalms: Score
Boosey and Hawkes
The organ score is a reduction of the full orchestral score arranged for mixed ...(+)
The organ score is a reduction of the full orchestral score arranged for mixed choir (SATB) boy soloist organ harp and percussion. In three movements.Harp and percussion are included as separate parts.
Pre-shipment lead time: In Stock |
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| August Eberhard Müller:
Flute concerto: Flute:
Instrumental Work
Flute
Edition HH Limited
As a confirmed Mozartian it is natural that Müller's concertos for Flute and Or...(+)
As a confirmed Mozartian it is natural that Müller's concertos for Flute and Orchestra should follow the classical pattern and the E minor work published here for the first time since 1801 is an attractive and virtuoso piece in the less usual minor tonality. It is edited by Nikolai Jaeger and Christopher Hogwood with a useful introduction including points of performance practice drawn from Müller’s Flute tutor. A Keyboard reduction of the Orchestral part is also available.
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| Gibbons: Hosanna To The
Son Of David (In E Flat):
SATB: Vocal Score
Choral SATB [Vocal Score]
Novello & Co Ltd.
Hosanna To The Son Of David is an anthem for six-part SSAATB Choir. It is publis...(+)
Hosanna To The Son Of David is an anthem for six-part SSAATB Choir. It is published here with a keyboard reduction for rehearsal purposes and has been transposed to the key of Eb. Orlando Gibbons (1583-1625) was an English composer organist and chorister who is one of the best known musicians from the Tudor period. He studied and sang in the choir at King’s College Cambridge and later became Organist at the Chapel Royal and Westminster Abbey. He is best remembered for his madrigals and anthems such as The Silver Swan and Almighty And Everlasting God as well as his settings of the evening canticles and his hymntunes.
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| Worshiping Choir The:
Orchestra: Parts
Orchestra
Integrity Music
Days of Elijah-A collection of 12 classic and rising anthems for the worshiping ...(+)
Days of Elijah-A collection of 12 classic and rising anthems for the worshiping choir! Featuring Days of Elijah Above All Worthy Is the Lamb and Only a God Like You. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Harp Violin 1 2 Viola (Clarinet 3) Cello/Bassoon String Bass Synthesizer StringReduction and Rhythm. Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) Preview Pack (CD) and CD 10-Pack also available.
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| Johann Sebastian Bach:
Harpsichord Concerto No.1
in D minor: Chamber
Ensemble:
Harpsichord and Strings
Barenreiter
D minor BWV 1052-In early 1729 Bach became director of the so-called »Scottis...(+)
D minor BWV 1052-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-minor Concerto BWV 1052 forms the opening item in Bach’s autograph score of his six harpsichord concertos BWV 1051 to BWV 1057 (Berlin Staatsbibliothek Mus. ms. Bach P 234). Bach scholars are unanimously in agreement that the piece was transcribed from a violin concerto in the same key. The originalconcerto although no longer extant today can be reconstructed with some degree of certainty from its various transcriptions.Urtext of the New Bach EditionFull score & parts (BA5224) two-keyboard reduction (BA5224-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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| O Holy Night: SATB: Vocal
Score
Choral SATB [Vocal Score]
PraiseSong
A contemporary setting of this seasonal favorite has been long overdue and J. D...(+)
A contemporary setting of this seasonal favorite has been long overdue and J. Daniel Smith provides just the right touch for use in contemporary worship. The solo part is ambitious in range but will make an unforgettablepresentation of this beloved Christmas gem. Available separately: SATB Orchestra score and parts (pic fl ob cl 1 2 bn tpt 1 2 3 hn 1 2 3 [=asx] tbn 1 2 [=tsx/bar] tbn 3 perc 1 2 hp rhythm vn 1 vn 2 va [=cl3] vc [=bcl] b keyboard string reduction) ChoirTrax CD. Duration: ca. 4:25
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| Maurice Duruflé: Our
Father (Notre P?re):
Unison Voices: Vocal
Score
Choral Unison [Vocal Score]
Durand
Maurice Duruflè (1902-1986) dedicated this hauntingly beautiful setting of the ...(+)
Maurice Duruflè (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct it is almost chantlike in its melodic purity. Originally written for unison voices (or solo voice)with organ accompaniment Duruflé later scored it for four-part chorus. These new editions include an English text for singing the original French text and a keyboard reduction of the unaccompanied version.
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