Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURES (1990-92). The title has a double reference: to the ’inner voices’ of the mind expressing our (hardly conscious) impulses feelings dreams and to the ’inner voices’ of the music in the sense of internal parts and relations. Thus the title points to the obscure reflections of the ones in the others. During the piece there is a gradual transformation of the internal parts such as interval patterns sonorities and dynamics - running alongside the easily perceptible expansion of register. The music is so to say ’turned inside out’.

A beautiful and warming piece for Spring and the first shoots and buds full of imagery. This work for High Voice B Flat Clarinet and Piano by the ever popular Betty Roe with words by Rita Ford is uncomplicated yet most satisfying to perform.

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.

Another Silly Love Song by the British composer Roger Marsh scored for solo Soprano Voice Clarinet and Piano.This nine minute piece was composed in 1976 for St. Alban's College of Education with funds provided by the Arts Council.

Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Ferguson, Faye;Rehm, Wolfgang Binding : hard bound Instrumentation : 3 Soprano solo, Tenor solo, 2 Bass solo, Mixed Choir-SATB, 2 Flute, 2 Oboe, Clarinet (b flat) 1, Clarinet (b flat) 2/ Basset horn, 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings, Basso continuo Duration : 180`

Soprano solo (5), Mezzo-soprano solo (4), Tenor solo (4), Baritone solo, Bass solo (2), Speaker (2), Mixed choir, Flute (2) (Piccolo flute (2)) Oboe, Clarinet (2), Bassoon, Horn (2), Cornet (2), Trombone, Kettledrum, Bells, Bass drum, Cymbals, Triangle, Strings / Classique / Partition /

For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano

Lyric episodes for large ensemble (with prominent Viola part).Published in 1988 and revised in 1995.1.1.1.1 / 1.1.1.0 / Piano Celesta Harp Percussion (2 players) / 1.1.1.1.1First performance by Lontano conducted by Odaline de la Martinez.Score.

Par CLERC EMMANUEL. Quatre textes mis en musique pour BARYTON et piano : une évocation du grillon qui vit caché et heureux, du chat qui sert en voulant nuire, de la montagne qui accouche d'une souris, et enfin de la rose-thé, la plus délicate de toutes ! Musiques exquises, tout en nuances, aux mélodies raffinées et aux harmonies subtiles qui éclairent d'un jour nouveau ces textes du XVIIIe ou XIXe. Des mélodies élégantes pour illustrer ces fables sensibles, astucieuses ou espiègles / Date parution : 2015-08-03/ Répertoire / Baryton et Piano

Par SILVERMAN JERRY. L'Amérique est clairement une terre de la chanson ! Dans cette belle collection, auteur prolifique de la baie de Mel Jerry Silverman explore les archives poussiéreuses de songdom de redécouvrir les trésors dorées de jours révolues. Le livre propose plus de 50 captivant de chansons américains vaguement classés par rapport à la maison, Home Runs et Heartbreak. Toutes les sélections sont arrangées pour piano et voix avec les paroles complètes et de cordes de guitare suggérées. Comprend un essai historique par Russell Baker plus une introduction et commentaire sur un grand nombre de chansons individuelles par l'auteur. / Niveau : Débutant à Intermédiaire / American - Songbooks / Recueil / Chant et Piano

Par MISSY HIGGINS. Graphique de missy topping album, sur une nuit claire, conserve les caractéristiques de ses travaux antérieurs - irrésistibles mélodies et les paroles de ' arrow à travers le coeur ' livrés par une voix qui signifie clairement il. Il y a une force tranquille à ces nouvelles oeuvres qui suggère une jeune femme plus confiante. Elle est grandi en public, et sur une claire nuit est le journal intime, qu'elle est conservée en chemin. Dans un monde jonché de pop jetable, Missy Higgins est un soulagement bienvenu... passionnée, sincère et fièrement australien. / Niveau : Débutant à Intermédiaire / Pop - Solos / Recueil / Chant et Piano