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FOR VIOLIN - FIDDLE
Violin Concerto No.1 Violin
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Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version B for Piano), Op.26
Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version B for Piano), Op.26
$4.00
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Violin and Piano
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Max Bruch
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Yoon Jae Lee
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Ondine Press
Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version C for Piano), Op.26
Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version C for Piano), Op.26
$4.00
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Violin and Piano
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Max Bruch
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Yoon Jae Lee
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Ondine Press
Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version A for Piano), Op.26
Bruch: Violin Concerto No.1 in G Minor: I. concert ending by Yoon Jae Lee (Version A for Piano), Op.26
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Violin and Piano
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Max Bruch
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Yoon Jae Lee
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Ondine Press
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G KV216: Violin: Instrumental
Violin and Piano
Hal Leonard
Revised with Cadenzas by Sam Franko. With separate pull-out Violin part.
9.99 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
Violin
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
26.00 GBP - Sold by Musicroom UK
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Max Bruch: Concerto no. 1 Opus 26: Violin
Violin and Piano
Durand
Réduction pour violon & piano
23.99 GBP - Sold by Musicroom UK
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L'Estro Armonico Op. 3/6 Rv 356 / Pv 1 (VIVALDI ANTONIO)
Violin and Piano
[Reduction]
Schott
Par VIVALDI ANTONIO. Concerto Grosso In A Minor/ Répertoire / Violon, Orchestre...
(+)
Par VIVALDI ANTONIO. Concerto Grosso In A Minor/ Répertoire / Violon, Orchestre à Cordes et Clavecin
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Naji Hakim: Concerto for Violin: Violin: Score
Violin and Piano
Leduc, Alphonse
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studi...
(+)
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studied under Jean Langlais at the Paris Conservatoire before succeeding Olivier Messiaen as organist of the Saint Trinity Church in Paris. Considering his significant musical training Hakim's compositions are created from a wealth of knowledge and understanding Concerto For Violin being no exception. Composed in 2002 Concerto For Violin with String Orchestra or Piano reduction accompaniment is highly modern in composition. With a typical performance lasting about 35 minutes the concerto is made up of three movements. Thesolo Violin line addresses many virtuosic techniques including double and triple stops articulation complex rhythms varying bowings and a huge range of performance directions amongst other aspects. For all advanced violinists seeking varied modern repertoire Hakim's Concerto For Violin is an essential addition to the repertoire. This is a reduction for Violin and Piano.
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Friedrich Seitz: Concerto G Minor Op. 12: Violin: Score and Parts
Violin and Piano
-
Intermediate
Barenreiter
Friedrich Seitz (1848 1918) was one of the best-known and most sought-after viol...
(+)
Friedrich Seitz (1848 1918) was one of the best-known and most sought-after violinists of his day. The Student Concerto Op.12 starts with a resolute allegro in G minor followed by a gentle adagio in E-flat major and flows into a cheerful dance-like final move-ment in G major. In order to play this violinists must be able to master 1st to 3rd positions.The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.
13.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.2 in D major K.211: Violin: Part
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.2 in D major K.211: Violin: Parts
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.
15.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.2 in D major K.211: Violin: Part
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
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Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.
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Wolfgang Amadeus Mozart: Violin Concerto No.2 in D major K.211: Violin: Part
Orchestra, Violin
Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...
(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.
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Johannes Brahms: Concert D Op.77: Violin: Instrumental Work
Violin and Piano
[Reduction]
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
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Max Bruch: Concert g-moll Opus 26: Violin: Instrumental Work
Violin and Piano
G. Henle
It made its creator world-famous and added a towering masterpiece to the standar...
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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?
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Antonio Vivaldi: Concerto For Violin In G Op.3/3: Violin: Instrumental Work
Violin and Piano
Barenreiter
Vivaldi achieved popularity throughout Europe with his collection “L&rsquo...
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Vivaldi achieved popularity throughout Europe with his collection “L’estro armonico” Op.3. He wrote the cycle which consists of twelve violin concertos (including Concerto Op.3 No.3 featured here) for the orchestra of the “Ospedale della Pietà ” where he was teacher and director for many years.The two fast outer movements from opus 3/3 feature ritornelli combined with more virtuosic solo sections as was prevalent at the time. This ritornello form gives structure to the movements. It also gives the student who plays both the solo and tutti sections in this edition the opportunity to vary the returning motives interms of dynamics and ornamentation. In the short but expressive Largo distinct quarter notes alternate with patterns of sixteenth across all the strings. This allows the student to practise various bowing techniques.
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A. Berg: Violinkonzert: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Advanced
G. Henle
With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1...
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With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius - the daughter of Walter Gropius and AlmaMahler with whom Berg was friends - died of polio.He dedicated the concerto 'To the memory of an angel' in her memory. Then Alban Berg died in 1935 so he no didn't live to see it printed or performed. Henle's edition -Violin part and Piano reduction - follows the score edited by Michael Kube which is being published simultaneously by Breitkopf & Härtel together with the orchestral parts and pocket score.The illustrious violinist FrankPeter Zimmermann has provided fingerings and bowings for the violin part.
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I'm a Quartet: Violin: Instrumental Work
Violin
[Sheet music + CD]
Fentone Music
Eleven well-known beautiful pieces for solo Violin performing as part of a stri...
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Eleven well-known beautiful pieces for solo Violin performing as part of a string quartet! The enclosed CD not only lets you hear what the end result should sound like it also enables you to play along as part of the ensemble and experience these wonderful pieces with accompaniment.
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Oscar Rieding: Concerto for Violin and Piano Op. 34: Violin: Instrumental Work
Violin
Dowani
G Major / Sol majeur / G-Dur-Le violiniste et pédagogue allemand Oskar Rieding ...
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G Major / Sol majeur / G-Dur-Le violiniste et pédagogue allemand Oskar Rieding est célèbre jusquà nos jours grâce à ses concertos faciles pour violon destinés aux débutants. La présente édition vous propose son Concerto pour violon et piano op. 34 en Sol majeur qui faitpartie du répertoire standard de tous les élèves de violon. Ce concerto peut être joué entièrement dans la première position. Notre édition vous offre la possibilité de travailler loeuvre dune manière systématique dans trois différents tempos avecun accompagnement professionnel.
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Maurice Ravel: Tzigane: Violin: Instrumental Work
Violin and Piano
Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...
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Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Franz Joseph Haydn: Violin Concerto In G: Violin: Instrumental Work
Violin and Piano
G. Henle
Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Vi...
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Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was firstpublished a century after the Austrian composer?s death in 1909 and was little known before. The concerto is lovely and ingratiating to the ear consisting of 3 movements (Allegro moderato Adagio andAllegro) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will putplayers and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Pianoaccompaniment and two copies of the Violin score which is identical to that of the Haydn-Gesamtausgabe are enclosed as separate inserts. A preface in German English and French by editor Günter Thomas is included as well.
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Great Classical Music for Violin and Piano
Violin and Piano
[Sheet music]
Hal Leonard
25 Favorite Classical Pieces in Intermediate Level Arrangements. Par . This coll...
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25 Favorite Classical Pieces in Intermediate Level Arrangements. Par . This collection features some of the most beloved melodies from classical music in arrangements for violin and piano designed to be playable by intermediate-level violinists. From Händel to Rossini these pieces should provide hours of fun music-making. A separate pull-out part for the violin part is included. / Date parution : 2023-06-01/ Recueil / Violon et Piano
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Raymond Gallois Montbrun: Les Rêves De Janceline: Polka du Rossignol: Violin:
Violin and Piano
[Sheet music]
Leduc, Alphonse
N007: Polka du Rossignol-Raymond Gallois Montbrun (1918-1994) published his Les...
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N007: Polka du Rossignol-Raymond Gallois Montbrun (1918-1994) published his Les Rêves De Janceline for Alto Saxophone and Piano in 1947 just three years after he won the Grand Prix de Rome. Along with his Violin Concerto 'Japan' Symphony and Concertstück for Clarinet and Piano  Les Rêves De Janceline for Violin and Piano remains popular to this day. Les Rêves De Janceline for Violin is made up of twelve easy pieces in variety of styles the seventh of these being The Nightingale's Polka. This movement addresses harmonics a modulation and articulation amongother aspects. As suitable and varied pieces for the progression of beginner to intermediate level violinists Gallois Montbrun's Les Rêves De Janceline cannot be missed.
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Peter Maxwell Davies: Concerto For Violin And Orchestra: Violin: Instrumental
Violin and Piano
[Sheet music]
Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...
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This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday and was written for Isaac Stern. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenthSt. Magnus Festival. It was given by Isaac Stern and the Royal Philharmonic Orchestra conducted by Andre Previn.This book contains the solo violin part and a piano reduction of the orchestral score.
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Concerto #1 In F# Minor Op. 14 (WIENIAWSKI HENRYK)
Violin and Piano
-
Advanced
Peters
Par WIENIAWSKI HENRYK. Violon - Piano / Niveau : Avancé / oeuvre solo et Orch...
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Par WIENIAWSKI HENRYK. Violon - Piano / Niveau : Avancé / oeuvre solo et Orchestre / Répertoire / Violon et Piano
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Pierre Rode: Premiers Solos Concertos Classiques: Violin: Instrumental Work
Violin and Piano
Leduc, Alphonse
Concerto no. 6 (Rode)-Pierre Rode's Premiers Solo No. 1 From Concerto No. 6 for ...
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Concerto no. 6 (Rode)-Pierre Rode's Premiers Solo No. 1 From Concerto No. 6 for Violin and Piano.
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Giovanni Battista Viotti: Premiers Solos Concertos Classiques: Violin:
Violin and Piano
[Sheet music]
Leduc, Alphonse
Concerto no. 20 (Viotti)-Giovanni Viotti's Giovanni Solo No.1 From Concerto No. ...
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Concerto no. 20 (Viotti)-Giovanni Viotti's Giovanni Solo No.1 From Concerto No. 20 for Violin and Piano.
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Giovanni Battista Viotti: Premiers Solos Concertos Classiques: Violin:
Violin and Piano
[Score and Parts]
Leduc, Alphonse
Concerto no. 17 (Viotti)-Giovanni Viotti's Giovanni Solo No.1 From Concerto No. ...
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Concerto no. 17 (Viotti)-Giovanni Viotti's Giovanni Solo No.1 From Concerto No. 17 for Violin and Piano.
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Bohuslav Martinu: Concerto for Violin and Orchestra no. 1 H 226: Violin:
Violin and Piano
Barenreiter
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work ...
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Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)
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Ludwig van Beethoven: Cadenzas To Beethoven's Violin Concerto Op.61: Violin:
Violin
[Sheet music]
Barenreiter
Beethoven himself left no cadenzas for his Violin Concerto. This edition is uniq...
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Beethoven himself left no cadenzas for his Violin Concerto. This edition is unique in drawing together for the first time a selection of cadenzas to one of the most famous works in the history of music written by composers and violinists over 150 years. This publication contains not only the well-known cadenzas by Leopold Auer and Joseph Joachim but also several which are seldom performed such as those by Ferdinand David (the first surviving cadenza to op. 61) Louis Spohr Eugène Ysaÿe Camille Saint-Saëns Henri Vieuxtemps Jakob Dont and for the first time one by Henryk Wieniawski.Commentaries (German/English) on the composers and on performancepractice are included. The edition complements the new piano reduction BA901990 and will be invaluable for all violinists studying Beethoven’s Violin Concerto.- Indispensible for all violinists studying this masterpiece- First publication of a cadenza by Wieniawski- With notes on performance practice- With an informative detailed preface (Ger/Eng)- For full score performance material and violin & piano reduction see BA9019
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Concerto In D Minor Rv 245 (VIVALDI ANTONIO)
Violin and Piano
Peters
Par VIVALDI ANTONIO. Violon - Piano / Urtext / Répertoire / Violon et Piano
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1er Solo Du 2ème Concerto En Fa# Mineur
Français
Violin and Piano
[Sheet music]
-
Advanced
Billaudot
Cette partition 1ER SOLO DU 2E CONCERTO EN FA# MINEUR de Vieuxtemps Henri a étÃ...
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Cette partition 1ER SOLO DU 2E CONCERTO EN FA# MINEUR de Vieuxtemps Henri a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8431. Cette oeuvre d'une durée de 00:04:40 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violon Et Piano / Partition
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Concerto In E Minor Op. 64
Violin and Piano
[Reduction]
Peters
Sheet Music and CD Play-along Pack also available, see Q 1731a / Violon Et Piano
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