Music Minus One Violin Deluxe 2-CD Set-This concerto is filled with Mozart's masterful writing beautiful orchestration and a supreme sensitivity to the violin's sound combining to create a wonderful contribution to the violin literature. Includes a second CD with a reduced-tempo practice version to help you as you learn the concerto. Includes a newly-engraved edition of the concerto on high-quality ivory paper a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist then a second performance minus you the soloist and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment forpractice purposes. The concerto is voluminously indexed for your practice and performance convenience. Performed by Daniela Shtereva violin The Thracia Symphony Orchestra Nayden Todorov conductor

Violin Concerto No. 2 in E Major BWV1042-Performed by Geoffrey Applegate violin Accompaniment: Vienna Festival Orchestra Conductor: Franz Litschauer These are the two concerti for solo violin that have survived in this form. The adagio of the E-major concerto is superb in its exquisite simplicity and emotion. Now digitally remastered for the ultimate in sonic fidelity this deluxe edition includes a second CD featuring slow-tempo accompaniments to use as you get up to speed; and a newly edited and engraved urtext edition of each concerto. Includes a newly engraved authoritative printed music score with orchestral reduction newly edited by Baroque violin expert Wieslaw Novak printed on high-quality ivory paper; and acompact disc containing a complete version with soloist in digitally remastered stereo; then a second digitally remastered stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes.

This collection of violin concerti is but a small sampling of those in Violin literature. Concertos by Ortmans Spohr Vieuxtemps Viotti and Mendelssohn are included in this book.

Par BURTON ISAAC. This collection of violin concerti is but a small sampling of those in Violin literature. Concertos by Ortmans, Spohr, Vieuxtemps, Viotti and Mendelssohn are included in this book. / Niveau : Intermédiaire / Classic - Solos / Recueil / Violon

On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Leipzig telling him that he would like to write a Violin Concerto for him: One in E minor goes through my head and the beginning will not leave me in peace. This Violin Concerto is now a pillar of the Violin repertoire and is commonly known as the Mendelssohn Concerto.

Performed by Mario Hossen, violin Accompaniment: Plovdiv Chamber Orchestra Conductor: Nayden Todorov Mozart's third violin concerto, KV216, sometimes called the 'Strassburg' for a 'Strassburger' tune in its Rondo, is scored for a rather simple, chamber-sized orchestra. The Adagio of this concerto must be the most sublime movement in any of his violin concerti and one of the most beautiful and quintessentially Mozartian in his entire oeuvre. Perhaps the most memorable of his five violin concerti, it is quintessential Mozart and an indispensable addition to any serious violinist's repertoire. Includes a printed music score with informative liner note, and demonstration and backing tracks line. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Violon / Hal Leonard

This work, composed in 1990 at the suggestion of the violinist Saschko Gawriloff, is in the tradition of great virtuoso violin concertos. Originally consisting of three movements, the work was revised by Ligeti into a five-movement work in 1992. / Violon Et Orchestre

My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre

Brahms's Concerto for Violin and Orchestra Op.77 begins unusually with a gentle Allegro ma non troppo in 3/4 time which becomes more virtuosic as it progresses. This is followed by a whimsical Adagio which begins with wind solos. The final movement opens with the soloist playing a fast fanfare-like theme in thirds with minimal accompaniment. The orchestra burst in after eight bars to answer the violin and the movement becomes a joyful yet frantic Finale.Available here for Solo Violin and Piano accompaniment/orchestral reduction is a Great Performer's Edition of Brahms’ Violin Concerto in D Op.77 as edited by the great Yehudi Menuhin.

Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti?s. Cast in three contrasting movements ? each linked by a preoccupation with circling musical figures ? the concerto, subtitled ?Concentric Paths? now occupies a place in standard repertoire. Two lithe, rhythmically driven movements ? Rings and Rounds ? bookend Paths, an intensely emotional and gritty exploration of passacaglia-like sequences, which peaks in a lyrical outpouring of exceptional beauty. ?In just 20 minutes, this three-movement piece does something magical. The way it swirls ethereally in the first movement, exerts a tragic and vice-like grip in the chaconne-like second part and finally propels you into the uninhibited flight of the finale is like being spun into an infinite space.? The Guardian (Tom Service) / Date parution : 2023-07-31/ Répertoire / Violon et Piano

A Violin and Piano arrangement of the Philip Glass Violin Concerto with the Piano reduction by Charles Abramovich. The original concerto for Violin and Orchestra was commissioned by the American Composer's Orchestra who gave thefirst performance at Carnegie Hall New York on 5th April 1987.

Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)

Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 Edition no. BA 10422-90 ISMN 9790260107687 Editor Cividini, Iacopo Dvorák?s Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondrícek as soloist. This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original piano reduction, which probably stems from Dvorák himself, and in which Joseph Joachim?s fingering is published. ? First Urtext edition of the original piano reduction ? Variants in the solo part rendered as ossia passages ? Foreword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

BWV 164. This famous concerto was originally written for three violins, strings and continuo, but today is known in a version reworked by Bach for three harpsichords. Music Minus One proudly presents it as close as possible to its original version here, for three violins. Includes separate versions so you can choose which part you want to play! Features newly engraved solo parts and CDs with complete reference recordings, plus accompaniments minus the soloist at both standard and practice tempos.

This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance it asks to be measured in the company of Beethoven Brahms and Sibelius while there is also particularly in the middle movement a strong element of the Scots lament. The orchestra is generally muted in colour though there is a dramatic role for the timpanist.There are threemovements played without a break - this is only one of many connections with the Mendelssohn Violin Concerto.Duration c. 30mins.