These extracts from the Classical/Romantic and Twentieth Century concert repertoire reveal the tricks of the trade. The Orchestral Violinist distills Rodney Friend's expertise by assembling extracts from each work as self-contained studies. Detailed fingerings have been applied and workable bowings are reproduced in solving all of the technical problems faced by the player.

for piano and violin-Pioneering new Urtext edition.Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng).Two small individual movements for Violin and Piano published for the first time.Detailed Critical Commentary (Eng).Cesar Franck’s Sonata For Piano And Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck’s correspondenceproves that he was directly involved in the printing of the sonata. Consequently Barenreiter's scholarly performing edition draws mainly on the first edition of the separate Violin part. For the Piano part the first edition of the version for Violoncello and Piano which appeared during Franck

Instrumentation : violin and piano Nombre de pages : 18 Format : New Edition portrait

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In D minor Op.49 and Piano Trio No.2 in C minor Op.66. Upon hearing the first trio Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach Mozart and Beethoven. Like the other German composers of his generation Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words.

Eugène Goossens (1893-1962) was an English composer whose work was initially held in the same high esteem as contemporaries such as Walton but who has since faded into obscurity. He worked across the UK US andAustralia and helped lobby for the Sydney Opera House to be built. He was knighted in 1955. His music helped incorporate French impressionism into English Romantic music. His Four Sketches (Op.5) werewritten in 1913 scored for either Flute Violin and Piano or 2 Violins and Piano. There are all simple and delicate but lively and enjoyable perfect for any recital. Book 1 contains the first two sketches:Legend and Serande.

Instrumental Accompaniment-In this suite - inspired by a trip to Switzerland - each song is a postcard capturing lush romantic moments in full. The songs are dedicated to Jerusalem born Hila Plitmann - poet of the beautiful text and the composer's wife. The suite is scored for SATB chorus with either string quartet accompaniment or piano and violin.

Fragment of the string quartet Silent Walls-'Novelty of form selected modulations strange tone colours the use of completely unexpected rhythms' this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Above everything is a charm that surrounds the whole work and makes the mass of average listeners accept the most surprising audacities as something entirely natural.' The First Violin Sonata by Gabriel Fauré (1845 1924) was indeed an extraordinary composition which at the same time opened the way for the oeuvre of one of the most important French composers in the late 19th century and early 20th century: It was particularly with songs and pianomusic that he could win the heart of the audience. In the 1870s Fauré wrote three songs which were originally not meant to be a unity but were later assembled under opus number 7. The first song is 'Après Un Rêve' a romantic rapturous song which like a 'Song Without Words' by Mendelssohn is perfect for making music with an accompanied solo instrument.

Guest Spot-Ten great contemporary Love Songs in melody line arrangements by Simon Lesley with specially recorded backing tracks included on the CD. These new pop tunes from the past ten years sound absolutely fantastic whenplayed on the vivacious Violin while you will sound even better with the instrumental backing tracks. These brilliant pop tunes were performed by some of the most popular artists of the early Millennium.Featuring Evergreen by Will Young Emotion by Destiny's Child and the amazing What If sung by Kate Winslet these excellent songs all made their impact on the charts in the early 2000s. If you've everwanted to play a song like Hero by Enrique Iglesias on the Violin with Guest Spot you can. Not only can you learn these top Love Songs of the past few years you'll also be able toperform them for your nearest and dearest who will no doubt appreciate your fresh new take on these familiar romantic songs. Not only can you learn from the sheet music within this book you can alsolisten to the CD which features full performance versions of every song that also omits the instrumental part allowing you to play along with some professionally recorded accompaniments. This will make sure you sound even betterwhen you're serenading your sweetheart with a classical-pop rendition of Whole Again or a Violin version of Robbie Williams' Eternity. Even with the pedigree of love songs already out there these modern onesprove that great ballads can still be written.  If you want to learn to play and perform ten really great contemporary love songs by some of the best pop artists of the early 2000s look no furtherthan this New Love Songs Playalong For Violin collection allowing you to learn the songs then play along!

Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started composing his Romantic Pieces for violin and piano, opus 75 (B 150), completing that version on 25 January. They were performed for the first time in a private house two days later, with the composer writing to his publisher in Berlin: ‘Played here yesterday and very well received.’ For this edition reference has been made to a copy of the original manuscript and to the first edition. The small number of bow markings in the violin part of the piano score are original and have been left unaltered. These four contrasting movements are a welcome addition to the violin repertoire and a very effective alternative to Dvorák’s large-scale violin works, the Concerto in A minor and Romance in F minor. / Niveau : Avancé / Répertoire / Violon et Piano

Par HAHN. Composed by Reynaldo Hahn, Romance In A Major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting 'Très modere' with the main theme, the piece later become quieter 'calme' with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, healso wrote many pieces and melodies for different instruments./ Répertoire / Violon et Piano

Instrument: Violon et piano Genre: Romantic Langue: Hungarian, English, German Pages: 28 pp Date du parution: 1957

Habanera Op. 21, No. 2 Publié par Szenthelyi Miklós Instrument: Violon et piano Genre: Romantic Langue: Hungarian, English, German Pages: 16 pp Date du parution: 1984

Par . Cette nouvelle publication de la collection Schirmer?s Giant Book Series regroupe 31 pièces incontournables du répertoire classique pour violon, issues de quinze compositeurs différents. Le recueil offre plus de 250 pages pour étoffer la librairie musicale de chaque violoniste à un excellent rapport qualité-prix. Adapté aux musiciens de niveau intermédiaire à avancé, ce volume comprend également une partie séparée pour l'accompagnement au piano. / Date parution : 2023-03-11/ Répertoire / Violon et Piano