Concerto à flûte à bec, 2 violini, viola e cembalo (c.1731) Ouverture à flûte à bec, 2 violini, viola e cembalo (c.1741) Canon all'unisono a 2 flauti, violoncello o vero viola da gamba et cembalo (c. 1737)Présentation de Susi Möhlmeier et Frédérique Thouvenot : notice biographique - sources - lecture de la partition (articulation, dynamique, rythme, terminologie, agrémentation, ornementation, notation générale, basse continue) - suggestions. Intégrale des oeuvres pour flûte à bec de Graupner. Manuscrits autographes de Graupner, conservés à la Hessische Landes-und Hochschulbibliothek de Darmstadt.Concerto : 2 flûtes à bec, deux violons, alto, basse continue.Ouverture : flûte à bec, deux violons, alto, basse continue.Canon : 2 flûtes à bec, violoncelle ou viole de gambe. / Musique De Chambre / 71 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER

Amélie Oliviero-Denaës studied at the Paris Conservatoire where she won First Prize for Music Theory. As an advanced violinist herself Oliviero-Denaës' Le Solfège Des Violinistes is very well-informed. Oliviero-Denaës' Le Solfège Des Violinistes is described as the 'simultaneous learning of Theory and Violin'. Le Solfège Des Violinistes addresses the stave clefs the 4 strings of the Violin note names and values time signatures sharps and flats rests scales and tones and intervals amongother aspects. For all beginner violinists Oliviero-Denaës' Le Solfège Des Violinistes ensures a high standard of understanding and progression.

The 2nd Violin part for this progressive selection of duets for early Violin students.

Méthode en anglais pour violon avec exercices et études. Titres : Lullaby (Tonalization) ( F. Schubert); Lullaby (Tonalization) (J. Brahms); Concerto No. 2 in G Major, Op. 13, 3rd Movement (F. Seitz); Concerto No. 5 in D Major, Op. 22, 1st Movement (F.Seitz); Concerto No. 5 in D Major, Op. 22, 3rd Movement (F. Seitz); Concerto in A Minor, 1st Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Perpetual Motion, Little Suite No. 6 (K. Bohm); Concerto for Two Violins in D Minor, BWV 1043, 1st Movement, Violin II (J. S. Bach) Auteur/Compositeur : SUZUKI Support : Livre Style : Classique

This is an enjoyable arrangement of Pachelbel's well loved Canon in D for two violins and piano arranged by Daniel Dorff. The imitative melody lines are also voiced in the piano part thus providing the same texture as with the original version. The violin 1 and 2 parts are also included on separate inserts.

Based on the Complete Edition of the Works of Anton n Dvo ákRepertoire of medium difficultyIn 1887 Anton n Dvo ák composed two terzettos for two violins and viola in quick succession as occasional compositions for amateurs. A little later Dvo ák arranged the second terzetto as four pieces for violin and piano with the title Romantic Pieces Op.75. Both works that is the first Terzetto in C major and the Romantic Pieces were published in May 1887 by Simrock in Berlin.

For Violin I Violin II Viola Violoncel og Klaver-Parts for Niels Viggo Bentzon's Kvintet For Violin I Violin II Viola Violoncel og Klaver Opus 196.

For unaccompanied violin (with optional 2nd violin part).-For unaccompanied violin (with optional 2nd violin part).

Here is one occasion when your violin is supposed to sound like a cat! This arrangement for two violins and piano will make a fantastic light encore item in any concert.

Violin-19 Christmas favorites playable by two of the same C instruments. Chordal accompaniment provided by guitar piano or other harmony instrument or a combination of violins violas or cello/bass. Each arrangement features melody harmony and chords. Songs include: Angels We Have Heard on High - Bring a Torch Jeannette Isabella - Go Tell It on the Mountain - Joy to the World - Silent Night - What Child Is This?