Now available for women's voices! Rollicking and upbeat this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! Duration: ca. 2:15.

The haunting melody of this traditional Irish folk song is treated here in a lush and moving setting by Michael Sweeney. Even at this easy level the instrumentation is varied and a wealth of musical elements are provided throughcreative harmonizations and carefully placed key changes. This is scored in a way that will make even small bands sound terrific. Dur: 3:05

Here is an expressive setting of the traditional Irish hymn tune that makes a wonderful feature for treble choirs and is ideal for sacred concerts.Available separately: 3-Part Treble. Performance Time: Approx. 3:00.

Craig Hella Johnson Choral Series-Commissioned by the Gay Men's Chorus of Washington D.C. this new voicing becomes even more meaningful in turbulent times. This traditional Irish blessing speaks of those who give support in times of trial with a musical tapestryof unadorned a cappella mixed chorus. The occasional divisi creates a sonic wash of color and overtones. Together in song we do not walk alone.

DAA is a beautiful tuning for the Mountain Dulcimer. This book contains 19 arrangements of traditional Irish Welsh French Canadian Scottish and American folk tunes and songs that are rich within their melodies complementedby the DAA tuning. Although the DAA tuning results in predominantly linear movement of the fingers along the frets with jumps and runs along the melody or middle string the richness of the DAA tuning more than compensatesfor extra finger movement. These arrangements are written in notation and tablature for the three-string Dulcimer with chord symbols with a mix of strumming and fingerpick/flatpick arrangements. Lyrics are included whereappropriate. Beginning level of difficulty. The companion play-along audio recording features all of the tunes in the same order as the book played by the author. Each tune name is announced and spoken countoffs andcues for repeats and are also provided. The recording will help make the unique style of the Dulcimer clear. Audio download available online.

Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet?s Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512).

Composed in the 1700s this traditional Irish ballad was a lament of homesickness by its author and is now a tender and beloved melody appearing on countless recordings. Also known as “The Wind from the South” or “An Gaoth Aneas ” this setting for second year players provides melody for all sections of the band along with subtle and tasteful harmonic variants.

With a melody based on a traditional Irish jig the lyrics of this work by W.B. Yeats describe a whimsical daydream that becomes a lesson in values as life reaches its end. The music is rich and artistically crafted bringing thedance of the jig into the song of dreams. Tuned harmonic whirlies and a handdrum add tastefully to the piano accompaniment.

This sweet lilting melody is arranged from a traditional Irish folk song another capital arrangement from our Chanticleer series

Traditional Irish-This arrangement of the tune St. Columba is scored for mixed voices with organ. The lovely melody (sometimes sung by the men and sometimes by the women) is enhanced by an ornamental organ part and closes with a powerful melody and descant.

Playful moods abound in this light-hearted set of holidayvariations based on a traditional Irish carol. Four briefsections portray the colorful ?ornaments? of the season.Exciting rhythmic motion creative and surprising variations lyrical interludes infused with rich harmonies and a jovialwaltz-like final section all combine to make a splendid anddistinct offering for your next Christmas concert. Mr. Bulla?sorchestration techniques ensure that your band will soundGREAT!Imaginative!

This traditional Irish folk song sub-titled “The Wealthy Woman ” has reached worldwide popularity thanks to the popular folk ensemble Celtic Woman. Desmond Earley has created this arrangement using vocal whispers body percussion and divisi choir to create a vocal orchestra that will bring the house down. Baritone and soprano solo sections give your singers a change to really shine.

Par PALMER JIM. The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

This setting of a traditional Irish melody captivates audiences especially in the second verse when the men carry the melody while the women sing a canonic descant. Voices subsequently join in homophony and leave a lasting final impression.