Édité par Pejtsik Árpád Instrument: Violoncelle Série: Music Lesson - Exercises, Studies Genre: Studies Langue: Hungarian, English, German Pages: 32 pp Date du parution: 1983

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In the meantime in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck and in 1978 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt working also with the Experimental Studio of the Polish Radio in 1979-81 the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar Szymanski continued hisstudies with Roman Haubenstock-Ramati in Vienna in 1984-85 and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89 worked at the Electronic Studio of the Technische Universitaet.The Two Studies for solo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off the first at about 6.03. The second glitters in Mozartian gemwork.

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In themeantime in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck and in 1978 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt working also with theExperimental Studio of the Polish Radio in 1979-81 the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar Szymanski continued hisstudies with Roman Haubenstock-Ramati in Vienna in 1984-85 and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89 worked at the Electronic Studio of the Technische Universitaet.The Two Studies forsolo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off thefirst at about 6.03. The second glitters in Mozartian gemwork. Transcribed into computer notation by Jacques Bailhé.

This collection of sixteen original imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys modes rhythmic patterns and styles including jazz while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.

Choisi et édité par Makovecz Pál Instrument: Trombone Genre: Studies Langue: Hungarian, English, German Pages: 52 pp Date du parution: Février 1997

Édité par Kováts Gábor Instrument: Piano Genre: Studies Langue: Hungarian, English, German Pages: 56 pp Date du parution: 1988

Published by Czidra László Instrument: Recorder (soprano) Genre: Studies Language: Hungarian, English, German, French Extent: 80 pages First published: March 2000

Robert Schumann was fascinated by the Violin virtuoso Nicolò Paganini as were many composers of the time. When he was planning a Piano tutor in 1832/33 that was to include his own works as well as those byothers Schumann took a close look at Paganini’s virtuosic Caprices for Violin. Schumann’s own Caprices Op. 3 were composed in this spirit based very closely on Paganini’s original andfollowing their educational intention. Opus 10 on the other hand deals more freely with the model and is designed more with an effective performance in mind. Our Urtext edition of all of the PaganiniStudies is supplemented by the composer’s extensive explanation on their execution which he placed at the beginning of his Opus 3.

Edited by Robert King and published by Alphonse Leduc 70 Studies for BB flat Tuba – Volume 2 by Vladislav Blazhevich contains the first 28 studies out of 70. These studies do not correspond to a method for Tuba and it is generally understood that 70 studies are actually inspired from another piece of work from Blazhevich: 'Clef Studies for Trombone' even though 13 of these 70 studies did not appear in it. They were not transposed for Tuba but adapted for this instrument. These studies have become part of the basic teaching methods and these books are some of the most-mentioned studybooks for Tuba which are very popular. While they help to develop the Tuba techniques they can be used by different age ranges and different skill ranges. Vladislav Blazhevich (1881-1942) is a Russian Tuba player conductor and professor. He was also an amazing composer who created many methods for Wind instruments as well as concerti studies and musical pieces. Robert King (1914-1999) was an American editor who specialised in Brass composition. He created the 'Brass Player’s Guide' in the 1950s and developed strong relationship with Alphonse Leduc Éditions.

Edited by Robert King and published by Alphonse Leduc 70 Studies for B flat Tuba – Volume 1 by Vladislav Blazhevich contains the first 42 studies out of 70. These studies do not correspond to a method for Tuba and it is generally understood that 70 studies are actually inspired from another piece of work from Blazhevich: 'Clef Studies for Trombone' even though 13 of these 70 studies did not appear in it. They were not transposed for Tuba but adapted for this instrument. These studies have become part of the basic teaching methods and these books are some of the most-mentioned studybooks for Tuba which became very popular. While they help to develop Tuba techniques they can be used by different age ranges and different skill ranges. Vladislav Blazhevich (1881-1942) is a Russian Tuba player conductor and professor. He was also an incredible composer who created many methods for Wind instruments as well as concerti studies and musical pieces. Robert King (1914-1999) is an American editor who was specialised in Brass composition. He created the 'Brass Player’s Guide' in the 1950s and developed a strong relationship with Alphonse Leduc Éditions.

Studies & Pieces. Par DEHNHARD TILMANN. After Tilmann Dehnhard's award-winning 'The New Flute' was published, it was soon clear that a demand existed for further study material and concert pieces for flutebeatboxing. 'Flutebeatboxing - Studies and Pieces' is a follow-up to the fundamentals and basic techniques explained and demonstrated in 'The New Flute'. Beginning with easy exercises (bronze level) for mastering the basic, individual beatboxing sounds, these compositions progress through to concert level (Platinum). Together with four concert studies, familiar favourites are included: Summertime, Billie Jean, Black or White and Badinerie by J. S. Bach as well as 'beatbox classics': a collection of well-known melodies which are especially suitable for flute-beatboxing. • Comprehensive practice and performance material for the popular Flute-Beatboxing technique • The cool arrangements of Summertime, Black or White and Billie Jean will help you steal the show • Progressive programme of exercises and etudes from bronze level (easy) to platinum (concert) • This book complements the Fluteboxing chapter in Tilmann Dehnhard's much acclaimed Workbook & DVD 'The New Flute' (available as UE 35320) / Études et exercices / Etude / Flûte Traversière

For Bass Guitar-Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th century composer Giovanni Bottesini; the “Paganini of Bass” with contemporary studies by Gilbert Isbin; one ofthe leading European composers for Guitar Lute and Bass. These 33 studies will help build not just your technique but reading abilities and overall musicianship. The material is intended for serious bass students and can beplayed on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre Isbin's studies bring in elements of classical jazz and world music. All the studies are written in standard bass clef notation aswell as tablature. Includes access to online audio recorded by Rob MacKillop for each study.