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Soprano Saxophone and Piano
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Joy To The World (with "Joyful, Joyful, We Adore Thee") (for Soprano Saxophone and Piano)
Joy To The World (with "Joyful, Joyful, We Adore Thee") (for Soprano Saxophone and Piano)
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Soprano Saxophone and Piano
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Georg Friedrich Handel, Ludwig van Beethoven
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O Christmas Tree (Soprano Saxophone and Piano)
O Christmas Tree (Soprano Saxophone and Piano)
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Soprano Saxophone and Piano
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Nearer My God To Thee (Soprano Saxophone and Piano)
Nearer My God To Thee (Soprano Saxophone and Piano)
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En Passant Pour 2 Sax. Et Piano
Français
Saxophone Soprano, Saxophone Ténor Et Piano
Delatour France
Commande du trio Saxiana. Pièce de 2 minutes, jazzy et légère. Dédié à Nic...
(+)
Commande du trio Saxiana. Pièce de 2 minutes, jazzy et légère. Dédié à Nicolas Prost et à Saxiana. / Saxophone Soprano, Saxophone Ténor Et Piano
10.50 EUR - Sold by LMI-partitions
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Play Lead in a Sax Section: Saxophone: Instrumental Album
Soprano Saxophone
[Sheet music + CD]
Music Minus One
Music Minus One Soprano Sax Tenor Sax or Clarinet-This sequel to For Saxes Only...
(+)
Music Minus One Soprano Sax Tenor Sax or Clarinet-This sequel to For Saxes Only offers a series of saxophone quartets (rather than the typical 5-piece arrangement from the big-band era) to further enhance the importance of each instrument. Hal McKusick performs alto sax in a complete version to give samples for the improvisational sections and you have the option of playing the solo (which has been notated from the complete version) or improvising your own. Join Wilber and his great colleagues and share in the musical romp! This album is easily usable by tenor sax soprano sax or clarinet players. Includes printed musical score for B-flat instruments (soprano sax tenor sax clarinet) and a compact disc featuring completerecordings (with alto sax as the solo instrument) and a second performance of the accompaniments only. Performed by Hal McKusick solo alto saxophone Accompaniment: Bob Wilber All-Stars: Bob Wilber soprano sax/clarinet Frank Wess tenor sax/clarinet/flute Joel Kaye baritone sax
15.99 GBP - Sold by Musicroom UK
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David Heath: Out Of The Cool: Soprano Saxophone: Instrumental Work
Soprano Saxophone and Piano
[Sheet music]
Chester
This is the first work composed by Dave Heath. It was written in 1978 after fell...
(+)
This is the first work composed by Dave Heath. It was written in 1978 after fellow flautist Richard Blake asked him to compose a jazz piece.Out of the Cool is based on the chords and rhythm of modern jazz fully notatedand in classical format.This version is for Soprano Saxophone and Piano.
17.99 GBP - Sold by Musicroom UK
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The Yellow Saxophone And Other Colors (BURNETTE SONNY)
Soprano, Saxophone Alto et Piano
[Score and Parts]
Alry Publications
Par BURNETTE SONNY. The Yellow Saxophone and Other Colors is a five-movement wor...
(+)
Par BURNETTE SONNY. The Yellow Saxophone and Other Colors is a five-movement work for soprano voice, alto saxophone and piano. It was commissioned in 2001 by the Kentucky Music Teachers Association and features music by Sonny Burnette and lyrics by Michael Campbell, both professors at Georgetown College in Georgetown, Kentucky. The movements are titled: The Yellow Saxophone, Rooster Tail, Why I Am Not a Beat Poet, Gravity of Course Is Merely, and Forever Forgetting Your Name./ Répertoire / Soprano, Saxophone Alto et Piano
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The Green Ray (BRYARS GAVIN)
Saxophone Soprano et Piano
Schott
for soprano saxophone and chamber orchestra. Par BRYARS GAVIN. The piece is dedi...
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for soprano saxophone and chamber orchestra. Par BRYARS GAVIN. The piece is dedicated to John Harle and the Bournemouth Sinfonietta, who commissioned it with funds made available by South West Arts. It makes use of the saxophone's ability to play long expressive melodic passages, and was written too, having seen the Sinfonietta perform, with some of its individual players in mind. Although played without a break, the piece does fall into a number of recognisable sections delineated by a change of tempo, or by a substantial shift of texture. For example, shortly before the end, there is a passage where the saxophone is accompanied by 21 solo strings - the entire string section playing divisi, followed by a coda, which contains simultaneous 'laments' (for saxophone, cor anglais, French horn, and solo violin). The Green Ray is the title of a romantic novel by Jules Verne, set in the West of Scotland, in which a peculiar atmospheric phenomenon plays the key part. A 'green ray' is seen at sunset in certain latitudes, and in certain coastal conditions, just as the sun touches the horizon and, for a brief moment, the orange sun emits a green ray of light. In the Verne story the simultaneous sighting of the ray will seal a couple's love, and the attempts of a young man to do this are constantly frustrated (by sudden clouds, by a yacht passing along the horizon, and so on). This part of Western Scotland is also the place where certain piping traditions originated. Male pipers practised in one cave on the seashore, females in another ( the 'piper's cave' and the 'pigeon's cave'). As they played their laments at twilight a triangulation, similar to that in the Verne story (male-ray-female) may well have occurred without the knowledge of the innocent participants, hence the sequence of simultaneous laments in the coda. On one occasion I witnessed the green ray in Southern California. I was returning along the coast after having climbed up Mt. Tecate, on the top of which is a house, now empty, where Evans-Wentz translated The Tibetan Book of the Dead. Gavin Bryars./ Répertoire / Saxophone Soprano et Piano
23.30 EUR - Sold by LMI-partitions
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Maurice Ravel: Pièce En Forme De Habanera: Soprano Saxophone: Instrumental Work
Soprano Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel w...
(+)
Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel was transcribed for Bb Soprano Saxophone and Piano for this edition. Based on a Cuban Contradanza it features a special habanera rhythm and is generally performed with sung lyrics. In this edition the Saxophone is a substitute for the Voice. While composing this piece Maurice Ravel was also working on two works with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. This edition which can be used for recitals and exams will enlighten Saxophone players. Maurice Ravel (1875-1937) is a French composeris really famous for his Impressionist contributions. He wrote numerous pieces including 'Daphnis and Chloé' and the famous 'Bollero'.
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Joubert: Mademoiselle Coquelicot: Saxophone: Score
Français
Saxophone alto (soprano ou ténor) et Piano
[Score and Parts]
Leduc, Alphonse
Saxophone Mib - Ou Soprano Ou Tenor-Born in 1948 Claude-Henry Joubert studied a...
(+)
Saxophone Mib - Ou Soprano Ou Tenor-Born in 1948 Claude-Henry Joubert studied at the Paris Conservatoire where he won many prizes. His career has led him to become Director of the Orleans Conservatory as well as teaching at other institutions. His compositional output is also substantial with Mademoiselle Coquelicot being a delightful addition to the Saxophone repertoire. The preface of Mademoiselle Coquelicot written by Michel Mériot states that the piece fills a vital gap as an necessary exam and audition work for many schools and other institutions. Adaptable to Alto Tenor or SopranoSaxophones Mademoiselle Coquelicot is suitable to grade two standard saxophonists. With a typical performance lasting about 2 minutes and 15 seconds Joubert's work contains many appealing musical features. For all aspiring saxophonists Mademoiselle Coquelicot is a sublime addition to the repertoire.
14.99 GBP - Sold by Musicroom UK
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Nante Alex - 3 Nocturnes - Saxophone Soprano and Piano
Soprano Saxophone and Piano
Lemoine, Henry
Création 17/11/2017 - Buenos Aires (Argentine), CCK, Sala Argentina - Claude D...
(+)
Création 17/11/2017 - Buenos Aires (Argentine), CCK, Sala Argentina - Claude Delangle (saxophone), Odile Catelin-Delangle (piano) Dédicace à Claude Delangle et Odile Catelin-Delangle Notice Le rapport entre l'allure générale apparemment improvisatoire et une métrique incontournable fait de ces Trois nocturnes une excellente introduction, à l'univers de Claude Debussy. Cette oeuvre s'adresse aux élèves de 3e cycle des conservatoires régionaux qui recherchent une maîtrise très subtile des dynamiques au saxophone soprano. Ils auront plaisir à développer une véritable relation de musique de chambre avec leur partenaire pianiste pour acquérir calme et vigilance dans une conscience commune de l'équilibre des tempos. Claude Delangle Les Trois Nocturnes pour saxophone soprano et piano sont un hommage à Claude Debussy. Le titre, d'une part, fait référence au triptyque symphonique du compositeur français et correspond, en même temps, à l'allégorie de la nuit, présente dans plusieurs de mes pièces de musique de chambre. Il s'agit, dans les mots de J.L. Achaval, de la saveur de la nuit simple et silencieuse, où le sacré trouve un nid. Je développe ici des matériaux musicaux présents dans les Préludes de Debussy, Des pas sur la neige, La fille aux cheveux de lin et dans sa Rapsodie pour saxophone et orchestre. Ces Trois Nocturnes sont dédiés à Claude Delangle et Odile Catelin-Delangle. Alex Nante
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Rabsikapof Pour Saxophones Soprano, Baryton Et Piano
Français
2 Saxophones, Piano
Delatour France
Pièce composée à l'occasion du trentième anniversaire du conservatoire de Mo...
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Pièce composée à l'occasion du trentième anniversaire du conservatoire de Montreuil, pour quintette de saxophone, puis transcrite pour saxophone soprano, saxophone baryton et piano, à l'attention du trio BAZTA (Jean-Pierre BARAGLIOLI, Romain TALLET, Nicolas AZAIS),Une première partie répétitive et obsessionnelle laisse la place par délitement à un solo de Baryton improvisé, qui se résout en évocation d'un big band, Une nouvelle transition, improvisée au soprano, amène la conclusion abrupte de construction sérielle, Collection Notes de Sax / 2 Saxophones Et Piano
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Mark-Anthony Turnage: Sarabande: Soprano Saxophone: Instrumental Work
Soprano Saxophone
Schott
for soprano saxophone and piano-Sarabande is a fantastic piece for Soprano Saxop...
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for soprano saxophone and piano-Sarabande is a fantastic piece for Soprano Saxophone with Piano Accompaniment composed by Mark-Anthony Turnage.
7.50 GBP - Sold by Musicroom UK
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Bernard P. - Louisiana - Saxophone Tenor Ou Soprano Et Piano
Saxophone and Piano
FLEX Editions
A perfect Piece for exams or auditions - for students playing tenor saxophone fo...
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A perfect Piece for exams or auditions - for students playing tenor saxophone for 4 years onwards. Instruments: Saxophone Ténor, Piano Difficuly Level: Medium Duration: 2\'30\'\' Musical Style: Classical, Educational Category: Original Composition Composer: BERNARD Patrice Arranger: BERRD Patrice
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4 Bohemian Sketches (HUSA KAREL)
Hautbois [Flûte, Clarinette, Saxophone Soprano] et
Schott
for Oboe (Flute, Clarinet, Sorano Saxophone) and Piano. Par HUSA KAREL. The '4 B...
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for Oboe (Flute, Clarinet, Sorano Saxophone) and Piano. Par HUSA KAREL. The '4 Bohemian Sketches' were originally composed as 8 Bohemian duos for piano duet (ED 4779). They are a mixture of 'real' and 'invented' folk music. With these pieces, Husa follows examples like Schumann, Hindemith and Bartok who also wrote music for young amateurs and those making music at home. They are music for playing in the best sense and can be used very early in instrumental lessons. Husa was born in Prague, studied with Arthur Honegger and Nadia Boulanger, among others, at the Paris Conservatoire and worked as a professor of music theory at the New York Cornell University in the USA for many years. / Date parution : 2010-11-20/ Répertoire / Hautbois [Flûte, Clarinette, Saxophone Soprano] et
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DAVID VINCENT - MIRAGES - SAXOPHONE SOPRANO and PIANO
Français
Soprano Saxophone and Piano
Billaudot
DAVID VINCENT - MIRAGES - SAXOPHONE SOPRANO
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Satoshi Yagisawa: Saxophone Concertino: Saxophone: Instrumental Work
Saxophone Alto, Saxophone Soprano, Piano
De Haske Publications
In Satoshi Yagisawas SAXOPHONE CONCERTINO the solo instrument is integrated with...
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In Satoshi Yagisawas SAXOPHONE CONCERTINO the solo instrument is integrated with the accompaniment rather than being separate. The romantic-sounding solo chorale in the first half of the work sounds wonderful on the alto saxophone. A lively allegrois heard in the second movement referencing music of the baroque era with the solo now played on the soprano saxophone but by the same soloist. This work is also available in an editon for saxophone and wind orchestra (DHP 1115180-010).
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Antonio Vivaldi: Concerto FVII/5 RV461 In A Minor: Tenor Saxophone: Instrumental
Français
Saxophone Soprano ou Clarinette en Sib et Piano
[Sheet music]
Leduc, Alphonse
For soprano saxophone (or clarinet) and piano (originally for oboe strings and ...
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For soprano saxophone (or clarinet) and piano (originally for oboe strings and harpsichord).
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Alex Nante: 3 Nocturnes: Soprano Saxophone
Soprano Saxophone and Piano
Lemoine, Henry
A homage to Claude Debussy by Argentinian composer Alex Nante. Arranged for sopr...
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A homage to Claude Debussy by Argentinian composer Alex Nante. Arranged for soprano saxophone with piano accompaniment.
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Kenny G.: Breathless: Saxophone: Score and Parts
Saxophone and Piano
Faber Music Limited
Full sax parts (for soprano alto and tenor saxophones) plus complete band tran...
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Full sax parts (for soprano alto and tenor saxophones) plus complete band transcriptions of all the tracks from the classic 1992 smooth jazz crossover album.
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Jindrich Feld: Jindrich Feld: Elegie: Soprano Saxophone: Score
Français
Tenor Saxophone and Piano
[Sheet music]
Leduc, Alphonse
for soprano saxophone (or oboe) and piano
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Autumn Melody - P. Bernard - Saxophone Ténor Et Piano (BERNARD PATRICE)
Saxophone and Piano
[Sheet music]
-
Intermediate/advanced
FLEX Editions
Par BERNARD PATRICE. Une pièce adaptée pour une audition ou un examen de milie...
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Par BERNARD PATRICE. Une pièce adaptée pour une audition ou un examen de milieu de 2e cycle. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Ténor ou Soprano 1 Piano - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 2 mn 05 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Patrice BERNARD - / Niveau : Intermédiaire à Avancé / Répertoire / Saxophone et Piano
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David Heath: Out Of The Cool (Flute And Piano): Flute: Instrumental Work
Flute and Piano
[Score and Parts]
Chester
Composer's NoteOut Of The Cool was my first work and inspired by the music of Mi...
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Composer's NoteOut Of The Cool was my first work and inspired by the music of Miles Davis and John Coltrane. It was originally written for the flute but may equally well be played on the violin cello or sopranosaxophone.The piece is in three sections - slow/fast/slow. I have not marked many dynamics or phrasings and those shown are suggestions only. The slow sections in particular should be very free rhythmically and eachperformer should feel free to interpret the piece in his own way. The pedalling marks however are more specific as I have used them to show how notes and chords are to be sustained. Some of the blurred effects may seem strangeat first but this pedalling is essential to the style of the piece. Above all Out Of The Cool was written to be enjoyed so have fun with it!David Heath.
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Dave Heath: Rumania: Soprano Saxophone: Instrumental Work
Français
Saxophone
Chester
For Soprano Saxophone and Piano.
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Simply Sax: Soprano Saxophone: Instrumental Work
Soprano Saxophone
Fentone Music
Simply Sax is a collection of fantastic solos arranged for Tenor Saxophone in B ...
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Simply Sax is a collection of fantastic solos arranged for Tenor Saxophone in B Flat and Piano accompaniment by Keith Stent.
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Richard Kershaw: Latin Nights: Tenor Saxophone: Instrumental Album
TSAX/PFA::Tenor Saxophone, Piano Accompaniment
[Sheet music]
-
Easy
Hunt Edition
Richard Kershaw's Latin Nights is a fantastic set of four toe-tapping pieces for...
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Richard Kershaw's Latin Nights is a fantastic set of four toe-tapping pieces for all Saxophonists with a taste for the smooth grooves of Latin-America. This edition is for Tenor Saxophone and has been selected for the ABRSM Tenor and Soprano Saxophone examinations grade 4.
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Prost N. - Adolphe Sax Album
Français
Saxophone and Piano
Lemoine, Henry
Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : ...
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Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : classique Média : Partition Nombre de pages : 36 + 12 Format : 23 x 31 cm Editeur : Lemoine Réf. : 28891 Date de parution : 31/05/2013 ISBN / ISMN : 9790230988919 Contenu BERLIOZ : 1er Solo - BIZET : Ouverture - BIZET : Intermezzo - DELIBES : Barcarolle - FRY : Berceuse - MASSENET : Vision - MASSENET : Air des Larmes - SAINT-SAENS : Orient - THOMAS : Deux chants du Pérou - THOMAS : Récit - WETTGE : Fantaisie Notice Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur la Quena, leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. Nicolas Prost
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Adolphe Sax Album (PROST NICOLAS)
Français
Saxophone and Piano
[Sheet music]
Lemoine, Henry
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846...
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Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur 'la Quena', leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. / classique / Répertoire / Saxophone et Piano
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Sonata No. 6 A-Dur Bwv 1035 (BACH JOHANN SEBASTIAN)
Tenor Saxophone and Piano
-
Advanced
Advance Music
Par BACH JOHANN SEBASTIAN. An excellent and enjoyable piece worthy of Bach's gen...
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Par BACH JOHANN SEBASTIAN. An excellent and enjoyable piece worthy of Bach's genius. / Niveau : Avancé à Difficile / score and part / Répertoire / Saxophone Soprano ou Ténor et Piano
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Michael Nyman: Shaping The Curve: Soprano Saxophone: Instrumental Work
Soprano Saxophone and Piano
[Sheet music]
Chester
Composed for John Harle in 1990 and is based strictly on a sequence of four chor...
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Composed for John Harle in 1990 and is based strictly on a sequence of four chords.
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Dizzy Stratford: Let's Play: Soprano Saxophone: Instrumental Work
Soprano Saxophone
[Sheet music + CD]
De Haske Publications
From blues to disco rock to ska and reggae this book contains it all. A piano/...
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From blues to disco rock to ska and reggae this book contains it all. A piano/keyboard book is available for accompaniment during live performances but you can perform the pieces anywhere anytime with the play along CD.
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Pedro Iturralde: Suite Hellenique: Saxophone: Instrumental Work
Alto Saxophone and Piano
[Score and Parts]
Lemoine, Henry
Kalamatianos; Funky; Valse; Kritis; Kalamatianos For Alto Sax in E flat or sopr...
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Kalamatianos; Funky; Valse; Kritis; Kalamatianos For Alto Sax in E flat or soprano saxophone in B Flat with piano accompaniment.
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