SKU: BT.CMP-0804-04-040

Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many just the tune type transcription/ arrangements, Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development, so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!

In de zomer van het jaar 1788 schreef Mozart drie symfonieën tijdens een periode van ruim zes weken. Zijn Symfonie nr. 40 in G mineur (KV 550) was een van die grootse werken. Deze bewerking van het eerste deel van die symfoniegetuigt van de gratie van de componist, evenals zijn inventiviteit en zijn gevoel voor humor, dat altijd weer doorklinkt in zijn mooie muziek.

Wolfgang Amadeus Mozart war zeit seines leider nur kurzen Lebens ein äußerst produktiver Komponist. Im Sommer 1788, drei Jahre vor seinem Tod, schrieb er innerhalb von gut sechs Wochen drei Sinfonien. Die Sinfonie Nr. 40 in g-Moll ist eine davon. Stephen Bulla bearbeitete nun Auszüge aus dem ersten Satz dieses Werkes für Blasorchester. In seinem Arrangement arbeitete er trefflich die Anmut, den Erfindungsgeist und den unwiderstehlichen Humor, der Mozarts Musik zu eigen ist, heraus.

SKU: HL.51485011

ISBN 9790201850115. UPC: 884088947569.

Complete Edition with Critical Report. Includes: Sinfonia in D Major Hob. I:15,Sinfonia in G Major Hob. I:3, Sinfonia in E-flat Major Hob. I:36, Sinfonia in C Major Hob. I:33, Sinfonia in B-flat Major Hob. I:108, Sinfonia in A Major Hob. I:14, Sinfonia in B-flat major Hob. I:16, Sinfonia in D Major Hob. I:34, Sinfonia in D Major Hob. I:72,Sinfonia in G minor Hob. I:39.

SKU: BR.OB-4792-12

ISBN 9790004321621. 10 x 12.5 inches.

The present edition is derived from the justified assumption that Bach's Harpsichord Concertos BWV 1052-58 are original arrangements of solo concertos for other instruments, and can be reconstructed back to their original work form on the basis of the characteristics found in the solo parts. The editor of the present concerto chooses the oboe - an instrument that often plays characteristically exposed roles in Bach's cantatas - as the solo for his transformation of the Harpsichord Concerto in f minor BWV 1056, whereby the work was transposed one whole-tone higher. The Sinfonia of the Cantata BWV 156 Ich steh mit einem Fuss im Grabe provides the editor with an orientation in his reconstruction of the slow middle movement.