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Sadie Harrison: Gulistan-e Nur: String Ensemble: Score
String Orchestra
[Sheet music]
University Of York Music Press
The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of ...
(+)
The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIM’s founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and
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Streichsextette (BRAHMS JOHANNES)
Eich, Katrin
G. Henle
with critical report. Par BRAHMS JOHANNES. With Critical Report/ Répertoire / E...
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with critical report. Par BRAHMS JOHANNES. With Critical Report/ Répertoire / Eich, Katrin
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Leos Janacek: Youth - Die Jugend: String Quartet: Instrumental Work
String Quartet: 2 violins, viola, cello
Barenreiter
Bearbeitung für Streichquartett-This piece reflects Janácek?s memories of chil...
(+)
Bearbeitung für Streichquartett-This piece reflects Janácek?s memories of childhood and youth in his native Hukvaldy and the Augustinian Abbey in Brno. Kry?tof Maratka a Czech composer resident in France and a great admirer of Janácek has arranged the original version to produce a welcome addition to the string quartet repertoire.Youth for wind sextet is a masterpiece from Janácek?s late period (1924). Maratka has successfully managed to transform the concise winds? sound that give this work its unique flavour into the timbre of the strings thereby creating a ?third string quartet? of the composer.- Janácek?s wind sextet arranged for string quartet- Welcome addition to thestring quartet repertoire- Foreword by the arranger (Cz/Eng/Ger)- Set of parts (BA11543) and study score format 22.5 x 16.5cm (TP521) available for sale
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Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.'Â - HelenGrime
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Youth
String Quartet: 2 violins, viola, cello
Barenreiter
This piece reflects Janácek's memories of childhood and youth in his native Huk...
(+)
This piece reflects Janácek's memories of childhood and youth in his native Hukvaldy and the Augustinian Abbey in Brno. Kry?tof Maratka, a Czech composer resident in France and a great admirer of Janácek, has arranged the original version to produce a welcome addition to the string quartet repertoire.Youth for wind sextet, is a masterpiece from Janácek's late period (1924). Maratka has successfully managed to transform the concise winds' sound that give this work its unique flavour into the timbre of the strings, thereby creating a 'third string quartet? of the composer.- Janácek's wind sextet arranged for string quartet- Welcome addition to the string quartet repertoire- Foreword by the arranger (Cz/Eng/Ger) / Quatuor A Cordes
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Le Portrait de Daisy Hamilton op.140 Vol. 7 (KOECHLIN CHARLES)
Sextuor à Cordes
[Score and Parts]
Schott
Ten Pieces for String Sextet. Par KOECHLIN CHARLES. With this edition, we presen...
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Ten Pieces for String Sextet. Par KOECHLIN CHARLES. With this edition, we present another part of the composition 'Le Portrait de Daisy Hamilton' inspired by the film, Koechlin's homage to the film actress Lilian Harvey. From a total of 89 uninstrumented short pieces, some of them unfinished, the editor carefully assigned selected pieces to instruments which suit their character best. Ten charming miniatures were ideal for string sextet and are published in the present edition for the first time./ Répertoire / Sextuor à Cordes
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestra
[Sheet music]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
(+)
The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Steve Reich: Quartet: Ensemble: Study Score
[Sheet music]
Boosey and Hawkes
Composer's note:''Quartet' when mentioned in the context of concert music is g...
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Composer's note:''Quartet' when mentioned in the context of concert music is generally assumed to mean 'string quartet'. In my case the quartet hat has played a central role in many of my pieces (besides the string quartet) is that of two pianos and two percussion. It appears like that or in expanded form with more pianos or more percussion in The Desert Music Sextet Three Movements The Four Sections The Cave Dance Patterns Three Tales You Are (Variations) Variations for Vibes Pianos and Strings Daniel Variations Double Sextet and Radio Rewrite . In Quartet there is just this group alone: two vibes and two pianos. The piece is one of the morecomplex I have composed. It frequently changes key and often breaks off continuity to pause or take up new material. Though the parts are not unduly difficult it calls for a high level of ensemble virtuosity. The form is one familiar throughout history: fast slow fast played without pause. The slow movement introduces harmonies not usually found in my music.'
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Ernest Bloch: Chanty (from Poems of the Sea): Brass Ensemble: Score and Parts
Brass ensemble
Schirmer
For brass sextet: 2 trumpets French horn 2 trombones and tuba.-The sea depicte...
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For brass sextet: 2 trumpets French horn 2 trombones and tuba.-The sea depicted in 'Poems of the Sea' from which this 'Chanty' was taken are neither as dramatically stormy as in 'The Flying Dutchman' nor as reflective as Debussy's in 'La Mer'. Instead they are gentle without being placid andenergetic without being turbulent. 'Chanty' itself is far removed form the kind of sea shanty exemplified by 'What Shall We Do With The Drunken Sailor' - this is a reflective piece with a touching melody. It is here arranged forBrass Sextet by R.W. Landes.
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Sonny Stitt & JJ Johnson - We Remember Bird: DVD
MVD
For the first time ever on DVD! Among the many tributes paid to Bird's memory wa...
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For the first time ever on DVD! Among the many tributes paid to Bird's memory was a tour by a sextet including musicians closely related to Parker. The leaders were Sonny Stitt a saxophonist of enormous talent and brilliant technique and trombonist J.J. Johnson who played and recorded with Parker many times. All of the musicians on this sextet (Howard McGhee Walter Bishop Jr. Tommy Potter Kenny Clarke) were well known stars in their own right.Songs: Buzzy - My Little Suede Shoes - Lover Man - and Now's the Time.
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Pierre-Max Dubois: Sinfonia Da Camera: Chamber Ensemble: Score and Parts
Français
FLT/CLT/OB::Flute, Clarinet, Oboe
[Sheet music]
Leduc, Alphonse
French composer Pierre Max Dubois (1930-1995) significantly contributed to the ...
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French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Sinfonia Da Camera for Wind Sextet was published in 1965 and remains prominent in the ensemble repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Sinfonia Da Camera for Flute Oboe Clarinet Saxophone Horn and Bassoon reflects Dubois' compositional characteristics and is made up of three movements; 1) Entrance 2) Gigue and 3) Variations. Sinfonia Da Camera is essential to the advanced Wind Sextet repertoire. Dubois'work makes for an exciting varied and enjoyable performance for players and audiences alike.
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Richard Reed Parry: Heart And Breath: Ensemble: Score and Parts
PF6HANDS/VLN/VLA/VLC::Piano Avec Six Mains, Violon, Viola, Violoncelle
[Partitions]
Chester
Richard Reed Parry's Heart And Breath Sextet for Piano Six-hands Violin Viola ...
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Richard Reed Parry's Heart And Breath Sextet for Piano Six-hands Violin Viola and Violoncello.Heart And Breath Sextet was commissioned by the 2011 MusicNOW Festival foryMusic.'This piece is based around the idea of using the widely varying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing ratesof the players are used in alternation with the individualperformers? heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately so asto be able to hear their heartbeats adequately. This in combination with the natural variance between the different heart rates results in a kind of delicate musical ?pointillism?: starts and stops which are somewhat staggered parts which repeatedly line up and fall out of synch with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.In this piece the pianists wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a single normal heartbeat and performers should match as closely as possible the staccatoand irregular rhythm they hear. The strings are instructed to ?play to breath?; the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without anyattempt to make it metronomic. When one instrument is designated the leader their breath will determine the starts of phrases and the procession from one bar to the next cuing other parts if necessary.' - RichardReed Parry
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Widmann J. - 180 Beats Per Minute - Ensemble Cordes
String Orchestra
Schott
for string sextet / string sextet
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Peter Maxwell Davies: Strathclyde Concerto No. 9 (Miniature Score): String
[Sheet music]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo and alto flute cor anglais Eb andbass clarinets and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnership with thestring orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitatives for thealto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slow episodes. Altogetherthis is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.This work for woodwind instruments andstring orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the ninth of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performancewas given in February 1995 by the Scottish Chamber Orchestra conducted by the composer.
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Tango Exotique
String Quartet: 2 violins, viola, cello
Simrock
Tango avec une différence : n'a ne pas marqué pour bandonéon ou le tÃpico se...
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Tango avec une différence : n'a ne pas marqué pour bandonéon ou le tÃpico sexteto commun, mais convaincante pour quatuor à cordes. Que ce soit comme un morceau solo ou encore humoristique d'une soirée de concert classique and ndash - les mélodies de tango un peu nostalgique auront l'effet désiré sur l'auditoire. / Quatuor A Cordes
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Bent Sørensen: Minnewater: Orchestra: Score
Concert band
[Sheet music]
Wilhelm Hansen
Work for Chamber dating from 1988.The composer writes:MINNEWATER means ‘lo...
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Work for Chamber dating from 1988.The composer writes:MINNEWATER means ‘love water’/‘love lake’ but when I began to compose the work this direct meaning of the title was not very important to me. Rather the word itself had a magical sound. Later on however it occurred to me that the piece was full of mumbling swells and swarming cascades and the sensation of water is perhaps most perceptible towards the end where lots of falling water movements are felt behind the emphasized rhythmic surface. Falls that moreover quite literally at the end sinks into the water. MINNEWATER has a subtitle: THOUSANDS OF CANONS which directly refers to a compostion techniquewhere all layers and elements in the music constantly are imitated; possibly waves imitating each other? The mudded and impalpable beginning of the work takes its starting point in one of my earlier pieces the sextett LES TUCHINS (in fact the first 5 or 6 pages of the two pieces are quite identical but in MINNEWATER it is all ‘blown up’ to a larger ensemble). Quite soon however the thread to LES TUCHINS is cut off and it goes its own way; From the mumbling in the start - through swarming trills and pointilistic staccato movements - to a long section where the trumpet appears as a soloist and in a way conducts the movements of the remaining ensemble right to the rhythmic final section of the piece. MINNEWATER was commissioned by the Danish Radio for the German Ensemble Modern
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Ludwig van Beethoven: Complete Music For Wind Ensembles: Wind Ensemble: Score
Instruments à Vent
[Sheet music]
Dover Publications
A master of music in all forms Beethoven brought his genius to works as mighty ...
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A master of music in all forms Beethoven brought his genius to works as mighty as the great 'Choral' Symphony and as intimate as the charming 'Spring' Sonata. Less well known but no less ingenious are his delightful works scored for small Wind Ensembles. Intimate melodious and full of rhythmic life this charming music brings a breath of fresh air to the world of fine chamber music.Scored for various combinations of Winds (three works also include solo Strings) the music in this compilation includes the Three Duos WoO 27; the Trio Op. 87; two Sextets Opp. 71 and 81b; the Septet Op. 20; and the Octet Op. 103. Beethoven's Serenade Op. 25 andRondino WoO 25 round out this collection of the master's complete music for Wind ensembles.Reproduced from authoritative early scores Ludwig Van Beethoven: Complete Music For Wind Ensembles offers an inexpensive yet comprehensive volume to all lovers of chamber music.
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Stan Pethel: Winds of Worship: Trumpet: Instrumental Album
Trumpet
[Sheet music + CD]
-
Intermediate
Shawnee Press
Winds of Worship is a uniquely flexible collection of 12 hymn arrangements for s...
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Winds of Worship is a uniquely flexible collection of 12 hymn arrangements for solos duets trios quartets quintets sextets...and more! Each arrangement can be performed by a brass quartet unaccompanied or accompanied using the fully orchestrated StudioTrax CD or piano accompaniment book. Mix and match instrumentation according to your needs in any given situation all year long in a variety of settings: worship services Sunday School or at home. Stan Pethel’s signature style of accessible fresh arrangements shines through in each hymn making Winds of Worship an essential addition to your library...for the advanced or beginning player alike. This isthe B Flat Trumpet part which can also be used for B Flat Clarinet.
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