This unique volume of Alexander Scriabin's piano music combines all of the Russian composer's widely admired Poèmes, which exude the richness and complexity of his later style, with all of the earlier, more Chopinesque Mazurkas and Impromptus. Nearly 100 piano works of varying length and difficulty, reprinted from authoritative Russian editions, represent the full span of Scriabin's musical life. Contenu : 1 Valse [Waltz], Op. 1 (1885) 2 From 3 Morceaux [3 Pieces], Op. 2 (1887-89) 3 10 Mazurkas, Op. 3 (1889) 4 Allegro appassionato, Op. 4 (1892) 5 2 Nocturnes, Op. 5 (1890) 6 2 Impromptus à la Mazur, Op. 7 (1892) 7 From 2 Morceaux pour la main gauche [for left hand], Op. 9 (1894) 8 2 Impromptus, Op. 10 (1894) 9 2 Impromptus, Op. 12 (1895) 10 2 Impromptus, Op. 14 (1895) 11 Allegro de concert, Op. 18 (1896) 12 Polonaise, Op. 21 (1897) 13 9 Mazurkas, Op. 25 (1899) 14 Fantaisie, Op. 28 (1900) 15 2 Poèmes, Op. 32 (1903) 16 Poème tragique, Op. 34 (1903) 17 Poème satanique, Op. 36 (1903) 18 Valse, Op. 38 (1903) 19 2 Mazurkas, Op. 40 (1902-3) 20 Poème, Op. 41 (1903) 21 2 Poèmes, Op. 44 (1905) 22 From 3 Morceaux, Op. 45 (1904-5) 23 Scherzo, Op. 46 (1905) 24 Quasi Valse, Op. 47 (1905) 25 From 3 Morceaux, Op. 49 (1905) 26 From 4 Morceaux, Op. 51 (1906) 27 3 Morceaux, Op. 52 (1906) 28 From 4 Pièces, Op. 56 (1907) 29 2 Morceaux, Op. 57 (1907) 30 Feuillet d'album, Op. 58 (1910) 31 From 2 Morceaux, Op. 59 (1910) 32 Poème-Nocturne, Op. 61 (1911) 33 2 Poèmes, Op. 63 (1911) 34 2 Poèmes, Op. 69 (1913) 35 2 Poèmes, Op. 71 (1914) 36 Vers la flamme [Toward the flame]: Poème, Op. 72 (1914) 37 2 Danses, Op. 73 (1914) 38 Valse, Op. post. (1886) 39 Canon, Op. post. (1883)

In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.

Scriabin's 7th Piano Sonata is amongst the late sonatas nos. 6-10, conceived as preliminary studies for a Gesamtkunstwerk of enormous proportions, the 'Mysterium?. The mystic aura of the 7th Sonata is communicated to the player not least through the ecstatic performance directions contained in the autograph and the first edition. This and a great deal more can be seen in Scriabin's manuscript for the sonata, which we are presenting in a high-class facsimile in 2015, Scriabin Year. It is hard to believe how clearly and neatly the composer wrote this extremely complex music. The preface by the expert Valentina Rubcova provides an ideal guide for a journey of discovery through Scriabin's esoteric musical world. / Piano

Series I: Promethée, le Poème du Feu (Prometheus: The Poem of Fire) op.60. Par SCRIABINE ALEXANDER. / Date parution : 2022-01-18/ Recueil / Orchestre et Piano

Series I: Prelude 'Rêverie (Reverie) in E major, op. 24 - Piano Concerto in F sharp minor, op. 20. Par SCRIABINE ALEXANDER. / Date parution : 2022-01-18/ Recueil / Orchestre et Piano

Alexander Scriabin (1872-1915) was a Russian composer and pianist. He was one of the most famous musicians within the Russian Empire during his lifetime but remained virtually unheard-of in the West and was quicklyforgotten after his death. His best known works are his 5 symphonies but he also wrote hundreds of Preludes and Etudes.Etude in C Sharp Minor was one of Scriabin’s earliest published works beingthe first of the Trois Morceaux (Three Morsels) that formed his second opus. It is a delicate work which modulates through several connected keys and at a similar level to the Etudes of Chopin. A perfect recital item forany pianist who wants to master a piece by an under-performed composer.

for Pianoforte Solo-Mis à jour le 18.01.19 Alexander Scriabine The Complete Preludes And Etudes Partition - Piano Dover Référence: DP10406 PIANO

Il ya des questions, dont certaines sont d'une beauté remarquable. C'est aussi l'objet d'une Etude pour piano de Scriabine par / Trio de Pianos, Salon Ensemble

The Poem of Fire Instrumentation : orchestra Version : study score Contenu : Preface - Vorwort - Scriabin's Key-Colour-Scheme - Faksimile - Prometheus Nombre de pages : 88 Collection : Eulenburg Miniature Scores Format : ETP large