Rosemary Brown (1916 - 2001) was a medium who sensationally claimed that dead composers were dictating new musical works to her. She created a small media sensation in the 1970s by claiming to produce works dictated to her by Franz Liszt Johannes Brahms Johann Sebastian Bach Rachmaninov Franz Schubert Edvard Grieg Claude Debussy Chopin Schumann and Ludwig Beethoven. The opinions of musical critics were varied on the merit of Rosemary's transcriptions but most agreed that in their style they bore a great resemblance to the composers' published works.Opinion is still divided about her claims and although there is scepticism many musicians of note such asRichard Rodney Bennett who said A lot of people can improvise but you couldn't fake music like this without years of training. I couldn't have faked some of the Beethoven myself have shown great interest.In 1969 she was put to a test by the British Broadcasting Corporation who set her at a piano where she waited for the spirit of Liszt to contact her. In due course she produced a piece that she said had been dictated to her by the dead composer. It proved too hard for her to play so another pianist was engaged to play it. The piece was subsequently studied by a Liszt expert who said it had definite similarities to Liszt's work.

A range of solos specially selected and arranged for double bass with piano accompaniment by Oscar Zimmerman. Includes works by Beethoven Bottesini Verdi Vivaldi and Rachmaninov.

Contenu : ALBENIZ M. : Sonate en Ré - BACH C.P.E. : Sonata 6 - BACH J.S. : Petite fugue à 2 voix - BERKOWITSCH I. : Variations - BOËLY A.P.F. : Allegretto - BONIS M. : Romance sans paroles - BROADY T.E. : Mandy's Broadway Stroll - FAURE G. : Improvisation - GADE N. : Barcarolle - GALUPPI B. : Sonate n°5 - HAYDN J. : Adagio - LISZT F. : Variation sur une valse de A. Diabelli - LISZT F. : Pièce pour piano n°2 - LISZT F. : Mazurek - LISZT F. : Avec joie et souffrance - LISZT F. : Krakowiak - LONGO A. : Due momenti musicali - RACHMANINOV S. : Morceau de fantaisie - ROTA N. : Pagina - SATIE E. : Je te veux - SCHUMANN R. : 7 pièces en forme de fugue - SCRIABINE A. : Prélude - SIBELIUS J. : Etude - SZYMANOWSKI K. : Prélude - WEBER C.M. von : Andante con variazioni - YUYAMA A. : Rush Rush Rush

The World's Great Classical Music. 45 of the world's greatest intermediate- to advanced-level shorter piano pieces in a new clean edition. There's never been a better one-volume comprehensive collection of great works for piano. Represents over 20 composers including: Bach Beethoven Brahms Chopin Debussy Grieg Joplin Lizst Mendelssohn Mozart Rachmaninov Scarlatti Schubert Schumann and Tchaikovsky.

Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion

Piano accompaniments for book G5. Par SZILVAY GEZA. The volume G of the Colourstrings Violin ACB tutors by Géza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniments for the book G5 (ISMN 9790550116948) includes the piano accompaniments of the performing pieces included in Colourstrings Violin ABC: Book G5 ? Sixth and Seventh Positions. Click ?sample? to have a look inside and ?table of contents? to see the complete list of the pieces included. More about the Colourstrings method: https://www.fennicagehrman.fi/sheet-music/colourstrings/ Contents in alphabetical order: Bériot, Charles de: Air varié Bohm, Carl: Introduction and Polonaise Brahms, Johannes: Hungarian Dance No. 5 Dancla, Charles: Second Solo Drdla, Frantisek: Souvenir Glazunov, Alexander: Spanish Serenade Kodály, Zoltán: Kallo Double Dances I-III Kuula, Toivo: Chanson sans paroles Mozart, Wolfgang Amadeus: Minuet Pergolesi, Giovanni Battista: Siciliana Pugnani-Kreisler: Tempo di Minuetto Rachmaninov, Sergei: Vocalise Sibelius, Jean: Romance Sonninen, Ahti: Karelian Dance Wieniawski, Henryk: Mazurka ?ilinskis, Arvids Mazurka / Date parution : 2022-05-31/ Méthode / Violon

Reverie Op. 86 by English composer and pianist York Bowen (known in his time as ‘The English Rachmaninov’) arranged for piano.

Ce spectaculaire concert en trois parties (Contrasti Romanza et Fugato) pour orchestre pour euphonium et grande harmonie a été composé par Bert Appermont pour le virtuose suisse de l?euphonium Ueli Kipfer qui l?a créé en novembre 2004 avec le Schweizer Armee Spiel sous la direction de Jan Cober. Le compositeur s?est inspiré de manière plus sphérique qu?analytique des ?uvres de Mahler et de Rachmaninov. Véritable défi pour tout orchestre et particulièrement virtuose pour le soliste ce concerto est sans doute l?une des ?uvres les plus novatrices de Bert Appermont. Le compositeur a également écrit une version simplifiée de la partition solo. Plus d?infos sur notresite Web.

Description Solos For The Oboe Player Selected and edited by Whitney Tustin. Fifteen pieces offer the player a variety of period and styles. Songlist Andante And Allegro (Sonata No.15) [Loeillet, Jean-baptiste] Aria (St. Matthew Passion) [Bach, Johann Sebastian] Concerto No. 8 In B Flat [Handel, George Frideric] Kuruka-kuruka [Yamada, Koscak] Largo [Fausch, Johann Friedrich] Mazurka [Debussy, Claude] Romance No.1 (Three Romances) [Schumann, Robert] Sonata In A Minor [Telemann, George Philipp] Song (Two Pieces) [Gliere, Reinhold] Theme (Symphony In C, 2nd Movement) [Bizet, Georges] Toadinha (A Little Song) [Berger, Jean] Traume [Wagner, Richard] Two Arabian Dances [Laurischkus, Max] Two Songs [Liszt, Franz] Vocalise Op.34 No.14 [Rachmaninov, Sergei]

Tenor Songs-The New Imperial Edition. Contents: A Winter Dedication (Strauss) · Adelaide (Beethoven) · Amarylis (Caccini) · As Ever I Saw (Warlock) · E'en as a Lovely Flower (Bridge) · From Far from Eve and Morning (Vaughan Williams) · I'll Sail Upon the Dog-Star (Purcell) · Is it Bliss (Brahms) · Is She Not Passing Fair? (Elgar) · Love Song (Brahms) · Moonlight (Schumann) · Night is Mournful (Rachmaninov) · Now Sleeps the Crimson Petal (Quilter) · On Wings of Song (Mendelssohn) · Reign Here a Queen (Brahms) · Rest Sweet Nymph (Pilkington) · Sigh No More Ladies (Stevens)· Sleep (Gurney) · The Brooklet (Loder) · The Knotting Song (Purcell) · The Secret (Schubert) · Thou'rt Like a Lovely Flower (Schumann) · To Mary (White) · 'Twas April (Tchaikovsky) · Under the Greenwood (Arne) · Where E'er You Walk (Handel) · Whither (Schubert) · Who is Sylvia? (Schubert) · Would You Gain the Tender Creature (Handel) · Ye Verdant Hills (Handel).

The five movements are like snapshots of different landscapes whose associations trigger fleeting memories and images including shadowy allusions to Mendelssohn Haydn Liszt plainsong and gypsy music. The title stolen from Rachmaninov suggests a balance between music both abstract and illustrative virtuoso or dramatic.

13 Pieces arraged for 2 Cellos and Piano-** PROMOTIONAL LAUNCH PRICE FOR 2014 **13 pieces arranged for 2 cellos and piano by Julian Lloyd Webber. Good original music for two cellos is quite rare to find and over the years arrangements have greatly enriched the classical repertoire. In these pieces internationally celebrated cellist Julian Lloyd Webber has taken music from Purcell to Rachmaninov-much of it originally written for two voices-and adapted it to the medium of two cellos and accompanying piano. These unique arrangements which he performs with his wife Jiaxin Lloyd Webber on a Naxos CD (see back cover for details) and on tour allows their cello voices to blend together as they exploremusic of lyricism quiet melancholy and tuneful energy.