for SATB and four-piece ensemble (flute, oboe, harp, piano) Four-piece chamber ensemble accompaniment to Rutter's arrangement in 2/2 time. Pack includes full score and set of parts. Compatible with the mixed voices leaflet, aswell as the versions in in 100 Carols for Choirs and Carols for Choirs 3.

Uses: EpiphanyScripture: Matthew 2:1-12This up tempo anthem is a stimulating admonition to seek the light of Christ and His illumination. Well suited for Epiphany this rousing theme has touches ofsadness suggesting the shadows that surround the young Messiah in the days and years following His birth. Using a well-known carol tune helps draw the listener close and aids the learning process. A crisp approach to diction andarticulation will yield success in your presentation. Available separately: SATB StudioTrax CD Orchestration CD-rom (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 Trumpet 2&3 Trombone 1&2 BassTrombone/Tuba Timp Perc 1&2 Harp Piano Violin 1 Violin 2 Viola Cello Double Bass). Duration: ca. 3:11.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

Score for Flute (Piccolo) Clarinet Horn Trumpet Piano Percussion Cello Double Bass and Four Channel Tape.Published 2007.Composed with support from Arts Council Englandfor Sergei Eisenstein's film StrikeFirstperformance: 17th June 2007 Barbican Cinema.First performance of revised version: 12th November 2007 Atrium British Library The New Music Players cond. Patrick Bailey.

from Three Folk Carols-A rich rendition of the French carol. With French and English lyrics and Piano or Chamber Orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately.Performance Time: Approx. 3:45.

SATB-From the writers of Song of the Shadows and Harvest of Sorrows comes this profoundly moving work for Holy Week. The Weeping Tree is a poignant portrait of the cross that uses beloved hymns newly composedmusic thoughtful narration and simple sacred symbols to create a touching testament of grace for choirs of every size. By offering the smaller orchestral accompaniment option along with the shorter performance time TheWeeping Tree is accessible to choirs that have not previously included cantatas in their Lenten and Holy Week services. Includes: The Weeping Tree • Without His Cross • Of Tears and Sorrows • Alas and Did MySavior Bleed • and more. Practical and profoundly affecting! A full line of support products is available to help enable churches of every size to enjoy this outstanding new seasonal offering. Support products include abrilliant orchestration by Brant Adams in traditional format or on the exciting “print-your-own” iPrint CD-ROM or use the outstanding StudioTrax CD. Shorten your learning time by using the Rehearsal Trax CDs. Theinstrumentation for the chamber orchestration is Score and parts for Flute Oboe Clarinet Bassoon Horn Timpani Percussion Piano Violin 1 Violin 2 Viola Cello & Double Bass.

from Three Folk Carols-A rich rendition of the French carol. With French and English lyrics and piano or chamber orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 3:45.

(Josef Lieber Josef Mein) from Three Folk Carols-This tender German folk carol is artfully arranged for Choir and Chamber Ensemble (or Piano). German and English texts. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are availableseparately. Performance Time: Approx. 3:10.

Instrumental Accompaniment Set-Includes: Full Score Flute 2 Oboes Bassoon 2 Horns in F Percussion (Bells) Harp Piano Violin I Violin II Viola Cello and Bass

Uses: General Pentecost Evangelism Reformation Church AnniversaryScripture: I Corinthians 12:12-27; I Peter 2:9-10; Acts 20:28The last e-mail between two best friends J. Paul Williams and JosephMartin contained the text of this inspiring testimony of faith. Written for a church Paul served during the early days of his ministry this anthem was completed posthumously and represents the crowning effort for this popularwriting team. Strong arching melodic gestures sequence and crescendo lifting to the heights these words: “grace is our miracle we are your church O Christ.” Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & Parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Harp Piano Violin 1 & 2 Viola Cello DoubleBass). Duration: ca. 3:53.

For Soprano Flute Viola and Piano (or Accordion).Published in 1953.Text by Dylan Thomas. First performed by Hedli Anderson Globe Theatre 30th January 1954.Score.

Stephen Albert's Into Eclipse for Tenor and Chamber Orchestra. Full score.'Into Eclipse is based on Ted Hughes' adaptation of Seneca's Oedipus. The five episodes chosen astexts for this musical setting form an abbreviated version in song of this Roman dramatisation of the Oedipus myth.Seneca's play has no external action. As Peter Brook informs us in his introduction to the play '...it takes place nowhere...possibly it was read aloud in the bathhouse to friends.' It therefore seemed possible to take the essential elements of the tale and transform them into a rather complete musical statement that wasnon-theatrical yet dramatic in its own terms. Into Eclipse is thus not a monodrama nor even a solo oratorio but rather a 'Herosong.' It is somewhat in the tradition but not of course in the manner of earlyballadeers and minstrels who often set ancient stories and myths to music and performed these musical narratives for both court and country village.The story is sung from different viewpoints (that of Creon thechorus of citizens and of course Oedipus the king) all encompassed within the bounds of one man's voice and his complement of instruments. There is no concious attempt to 'paint' or emphasise particular words or phrases withinthe text nor was there an effort to musically heighten Seneca's already nightmarish vision with its withering onslaught of bloodthirsty images. To do so seemed to risk weighing down the cycle in a morbid atmosphere one filledwith caricature and the grotesque.' - Stephen AlbertThe full-Orchestra version of Into Eclipse was premiered on September 8 1986 by the Seattle Symphony with Gary Lakes Tenor andGerard Schwarz conductor. It is also available in a version for Tenor and Chamber Ensemble [Flute/Piccolo Clarinet/Piccolo Clarinet Horn Trumpet Percussion (2 players) Harp Piano and Strings]. This version was premiered on