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Challenge The Masters
Guitar notes and tablatures
Classical guitar
[Sheet music + CD]
Hal Leonard
inspiré par le mouvement néoclassique avec des stars comme Yngwie Malmsteen et...
(+)
inspiré par le mouvement néoclassique avec des stars comme Yngwie Malmsteen et Randy Rhoads, cet ouvrage fournit des notes, onglet et doigtés aux classiques par Bach, Mozart, Paganini, Vivaldi et plus encore ! Les enregistrements de présentent des interprétations fraîches de chaque pièce dans le livre, avec explications et jouer des conseils sur les techniques suivantes: - le hybrides Tapping - cordes à sauter - Position Shifting - remplaçant picking - picking - Sweep picking - pédale points. Brancher aux techniques plus récentes de roche et branchez-vous sur le génie des maîtres classiques ! accompagnement sonore de 35 minutes. / Guitare / Partition Cd
33.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Composizioni per viola e chitarra (PAGANINI NICOLO)
Viola, Guitar (duet)
[Sheet music]
Ricordi
a cura di Simone Gramaglia. Par PAGANINI NICOLO. Paganini?s Sei Sonate op. 2 (M....
(+)
a cura di Simone Gramaglia. Par PAGANINI NICOLO. Paganini?s Sei Sonate op. 2 (M.S. 26), his Cantabile (M.S. 109) and his Sonata concertata (M.S. 2) bring out all of the timbral and sonic possibilities of both the viola and the guitar. In these pieces, the two voices blend together in a natural way, creating a compelling and well-balanced duo. These three transcriptions make up a perfect introduction to Paganini by way of his chamber compositions and give the violists the opportunity to enrich their concert repertoire by adding the works of an author who is still too rarely performed on the viola./ Recueil / Alto et Guitare ou Luth
26.10 EUR - Sold by LMI-partitions
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Niccolò Paganini Delecluse: 17 Caprices for Clarinet: Clarinet: Study
Clarinet
[Sheet music]
Leduc, Alphonse
Celebrated Violin virtuoso Niccolò Paganini (1782-1840) is well-known for his ...
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Celebrated Violin virtuoso Niccolò Paganini (1782-1840) is well-known for his Caprices for Violin aiding violinists in their technique. Therefore when clarinetist Ulysse Delécluse arranged a selection of the Caprices for Clarinet it was well-received. Paganini's compositions are technically creative and demanding and Delécluse's adaptions for the Clarinet include variations in articulation phrasing breath marks range and dynamics. Considering the success of Paganini's Caprices for the Violin this versatile adaption forclarinetists cannot be missed by advanced performers of the instrument.
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Paganini N. - Caprices (24) Vol.1 - Saxophone Solo
Français
Saxophone Sopranino
Lemoine, Henry
Lorsque, en avril 1981, je jouai quelques-uns des 24 Caprices de N. Paganini au ...
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Lorsque, en avril 1981, je jouai quelques-uns des 24 Caprices de N. Paganini au saxophone sopranino à Radio-France, j'imaginai réaliser une expérience trop personnelle pour mériter une large diffusion - l'exécution au saxophone de ces caprices me paraissait à l'extrême limite du possible. Grande fut ma surprise lorsque, en 1989, Didier Vadrot, alors étudiant en première année au Conservatoire de Paris, joua semaine après semaine chacun de ces redoutables Caprices dans une version parfaitement conforme à l'original. Très impressionnés, les autres étudiants de la classe de saxophone mettaient leurs pas sur ce chemin ardu au cours des mois suivants. L'immense bénéfice que chacun a retiré de ce travail, sur le plan technique - grands intervalles, détachés, perfectionnement du suraigu - et musical - longs phrasés, souplesse de l'expression associée à une grande vélocité - m'a convaincu qu'il était temps de présenter ce travail à un plus large public. Nous ne possédions pas à ce jour d'études transcendantes du niveau de celles proposées aux pianistes, violonistes, flûtistes. Après avoir travaillé les études de Mule, Loyon, Lacour, Bozza, Samyn et s'être déjà largement familiarisé avec le registre suraigu, tout saxophoniste peut se mesurer avec ce monument que Niccolo Paganini ne dédie pas aux violonistes, mais aux artistes! Claude Delangle, Professeur au Conservatoire National Supérieur de Musique de Paris Contenu : Compositeur/Auteur : PAGANINI NiccoloDiscipline/Instrument : saxophone soloCollection : Delangle ClaudeSupport : PartitionStyle/Genre : classiqueDate de parution : juin-93Nombre de pages : 40
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Nicolò Paganini: Due Terzetti per due violini e chitarra: Chamber Ensemble:
Italiano
2 Violins, Guitar (trio)
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Edizione critica di Italo Vescovo. Nicolò Paganini?s trios for strings and guit...
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Edizione critica di Italo Vescovo. Nicolò Paganini?s trios for strings and guitar make up a small but significant group of pieces consisting of five works of different lengths, formal structure and difficulty: the Serenata in F major M.S. 115, the Terzetto in A minor M.S. 116, the Serenata in C major M.S. 17, the Terzetto concertante in D major M.S. 114, and the Terzetto in D major M.S. 69. Within this group, the Terzetto M.S. 116 and the Serenata M.S. 116 make up a small diptych for two violins and guitar that can be traced back to Paganini?s juvenile period (1796-1804). In addition to using the same musical formation, the two pieces also share some compositional features, regarding general formal characteristics as well as the order and the number of movements. Despite their simplicity, the two compositions still have features typical of Paganini?s writing from this period such as their spontaneous cantabilità, the freshness of their musical ideas, pleasant (if perhaps a little naive), and the well-defined sense of form that comes out in these small compositions.
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La Campanella Op. 7
Alto Saxophone and Piano
[Sheet music]
-
Advanced
Schott
Raaf Hekkema (né en 1968) arrangement du célèbre ouvrage de Paganini a été ...
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Raaf Hekkema (né en 1968) arrangement du célèbre ouvrage de Paganini a été initiée par une commission de la Nederlands Orkest Noord qui lui demandait de jouer le Concerto pour violon de Paganini néerlandais. 2 à une tournée. Comme son homologue virtuose, Capriccio n o. 24, le célèbre dernier mouvement La Campanella qui avait inspiré beaucoup d'autres compositeurs comme Schumann et Liszt reflète, dans la version pour saxophone, la grande richesse de jouer du saxophone du 21e siècle - un morceau à couper le souffle plein d'acrobaties saxophone!Déjà disponible sont les 24 célèbres Caprices op. 1 de Paganini pour saxophone solo (ED 20 559). Pour la version CD de ce travail, le saxophoniste virtuose néerlandais a reçu le prix Echo Klassik dans la catégorie des 'Best instrumentiste de l'année' en 2007. / Saxophone Alto Et Piano / 24 pages / niveau : Avancé / Partition
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Minuetto e Trio per violino e viola (PAGANINI NICCOLO)
Violin, Viola (duet)
[Sheet music]
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A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Tri...
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A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Trio in F sharp major for violin and viola - the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome - is, together with his Sonata a violino e viola (M.S. 108), one of the rare pieces the Genoese composer wrote for this particular ensemble. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2022-04-26/ Répertoire / Violon et Alto
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INNO PATRIOTTICO M.S. 81 PER VIOLINO SOLO (PAGANINI NICCOLO)
Violin
[Sheet music]
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Par PAGANINI NICCOLO. Paganini’s Inno patriottico con variazioni for solo viol...
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Par PAGANINI NICCOLO. Paganini’s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background material regarding the piece: the only certainties we have about it are that it dates from his early period, springs from a Genovese environment and has numerous similarities to the Carmagnola con variazioni M.S. 1: both compositions are based on a sprightly popular theme in 6/8 that can be traced back to the Perigordino, a French dance that first appeared in the Ligurian Apennines during the Napoleonic period. The structure of the Inno patriottico con variazioni substantially follows that of the Carmagnola and Tema variato: a theme followed by a series of variations in which Paganini demonstrates his personal concept of variation. This edition is based on a recently rediscovered, non-autograph source owned by the descendants of Eredi Sivori, in combination with the copy held by the Archivio Storico del Comune di Genova and printed sources./ Répertoire / Violon
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Niccolò Paganini: Capriccio a violino solo In cor più non mi sento : Violin
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Edizione critica di Italo Vescovo (M.S. 44)-Paganini?s Capriccio ?In cor più no...
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Edizione critica di Italo Vescovo (M.S. 44)-Paganini?s Capriccio ?In cor più non mi sento? M.S. 44 for solo violin is a work that is practically unknown in its original form consisting of two movements respectively Andante and Presto. The first (Andante) is a variation based on Paisello?s theme (notated on two staffs to differentiate the bowed and pizzicato effects): while the second (Presto) is a virtuosic variation. It is much less famous than Carl Guhr?s version entitled Introduction et Variations sur le Thème «Nel cor più non mi sento» pour le violon seul de Nicolo Paganini which he included in his ?treatise?. Guhr?s version for which we have no surviving original source has been published repeatedly. It is much longer and has got many more variations than the original Capriccio the latter often considered a kind of ?first sketch? of the longer work. Guhr?s version has in many ways overshadowed Paganini?s so that the originality of the latter?s composition and its integrity as a self-standing piece have not been sufficiently appreciated. The present critical edition is based upon an autograph manuscript found in the Berlin Staatsbibliothek. It is compared to both the Zimmermann edition (1960) rather unreliable from a philological point of view: and the ?Tema? and ?Settima variazione? (which ?correspond? to the two movements of the Capriccio) from B. Schott?s Söhne (1829) edition.
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24 Capricci Op. 1, Piano Solo Version PAGANINI NICOLO (PAGANINI NICOLO)
Piano solo
[Sheet music]
Da Vinci Publishing
[Homage to Paganini Il Canto dell'Angelo]. Par PAGANINI NICOLO. / Date parution...
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[Homage to Paganini Il Canto dell'Angelo]. Par PAGANINI NICOLO. / Date parution : 2022-11-29/ Répertoire / Piano
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Franz Liszt: Complete Etudes For Solo Piano Series II: Piano: Instrumental Album
Piano solo
-
Advanced
Dover Publications
Including the Paganini Etudes and Concert Etudes Ed. Busoni-Series II of the Do...
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Including the Paganini Etudes and Concert Etudes Ed. Busoni-Series II of the Dover republication in two series of the three-volume edition published by Breitkopf
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Paganini For Saxophone Op. 1 (PAGANINI NICCOLO)
Saxophone
Schott
24 Capricci. Par PAGANINI NICCOLO. RAAF Hekkema, un virtuose du saxophone néerl...
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24 Capricci. Par PAGANINI NICCOLO. RAAF Hekkema, un virtuose du saxophone néerlandais, a organisé la célèbre Capricci 24 opus 1 de Niccolò Paganini pour saxophone solo - pour soprano ou saxophone alto selon le registre. Pour l'enregistrement de CD des arrangements sur les OMD, a reçu Hekkema/ Répertoire / Saxophone Soprano ou Alto Solo
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Niccolò Paganini: 4 Paganini Encores: Violin: Instrumental Album
Violin
Schirmer
Four virtuosic Encores by Paganini as played by the famous violinist Ruggiero Ri...
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Four virtuosic Encores by Paganini as played by the famous violinist Ruggiero Ricci and of course Paganini himself. Ideal for ending a concert with a real flourish! Includes a 'Duet for Solo Violin' and the 'God Save The King Variations'. This is the Great Performer's Edition edited by Ruggiero Ricci.
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Fazil Say: Paganini Jazz: Piano: Instrumental Work
Piano solo
[Sheet music]
Schott
Variations On The Caprice 24-The concert piece Paganini Jazz by Faz?l Say which...
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Variations On The Caprice 24-The concert piece Paganini Jazz by Faz?l Say which was inspired by classical modern and jazz styles is reminiscent of the music of such greats as Scott Joplin Art Tatum Gershwin and Bernstein and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and in particular that of music critics it was transformed over a perion of time into a more substantial work for piano. Briefly the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio transforming it into variations on jazz requiring virtuoso renditionas well as being a creation open to the addition of improvisations and a variety of arrangements.Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt Brahms Rachmaninov and Lutoslavski. In Say's work however a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore when the work is considered as a short encore piece it is abbreviated in a manner deemed suitable by Say.
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Frederick Loewe: Grandes Etudes De Paganini: Piano: Instrumental Work
Piano solo
Breitkopf & Härtel
Franz Liszt dedicated the Grandes Etudes De Paganini to Clara Schumann whose...
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Franz Liszt dedicated the Grandes Etudes De Paganini to Clara Schumann whose pianistic genius he revered. Two of the Etudes in the collection deserve particular notice: no. 3 La Campanella (The Bell) enjoyed great celebrity for the extraordinary character of its sonorities. And in the closing a-minor Etude Liszt took his place next to many other composers with his variations on Paganini's famous capriccio theme. The first edition of the arrangement of the six Etudes by the pianist and composer Ferruccio Busoni was published by Breitkopf & Härtel in single editionsbetween 1914 and 1923.
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Alla spagnola (PAGANINI NICCOLO)
Violin
[Sheet music]
Ricordi
Par PAGANINI NICCOLO. The autograph composition entitled Alla spagnola is a flee...
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Par PAGANINI NICCOLO. The autograph composition entitled Alla spagnola is a fleeting piece, similar, in size, to other small works that Paganini called “capricci”, that he gave, on more than one occasion, to friends, colleagues and other figures he encountered during his travels: a piece which gives us a clear sense of the spirit of the Genoese master of brief compositions. The publication of this pleasant piece will add to his significant and varied body of pieces for solo violin./ Répertoire / Violon
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Paganini Jazz op. 5c (SAY FAZIL)
Violon, Piano, Guitare Basse et Percussion
[Score and Parts]
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Intermediate/advanced
Schott
Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The...
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Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion
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Niccolò Paganini: 60 Variations on Barucabà: Mixed Ensemble: Instrumental Album
Violin, Guitar (duet)
G. Henle
Nicolò Paganini compte parmi les rares musiciens à avoir conquis leur rang uni...
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Nicolò Paganini compte parmi les rares musiciens à avoir conquis leur rang uniquement grâce à un unique instrument. Ses compositions pour violon seul sont originales et ses apparitions en tant que soliste virtuose fascinaient le public. Pourtant Paganini avait appris enfant à jouer non seulement du violon mais aussi de la guitare. Et sans doute en bon Génois avait-il découvert avant de parcourir le monde la chanson «Barucabà» sur laquelle il écrivit en 1835 ses «Variations op. 14» pour violon et guitare. Cette édition de musique de chambre a été élaborée avec la précieuse collaboration du musicologue Alberto Cantù et du violoniste Renato De Barbieri. Les doigtés de ce dernierdans la partie de violon complètent très utilement cette édition.
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3 Duets (PAGANINI NICCOLO)
Violin, Cello (duet)
[Sheet music]
Lienau
Par PAGANINI NICCOLO. Les duos concertante, inédits, ont tout à fait d'un stat...
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Par PAGANINI NICCOLO. Les duos concertante, inédits, ont tout à fait d'un statut spécial en musique de chambre de Paganini travaille pour la plupart du temps, il a choisi une guitare d'accompagnement alors que les compositions pour instruments à cordes exclusivement sont rares. Les compositions sont de répondre aux attentes de leurs titres évoquent à la fois comme instruments de concert les uns avec les autres et sont également impliqués dans le processus musical./ Répertoire / Violon et Violoncelle
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The Infant Paganini
Violin and Piano
Schott
There is not a great deal known about the violinist, teacher and composer Edward...
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There is not a great deal known about the violinist, teacher and composer Edward Mollenhauer (1827-1914) from Erfurt. However, two of his compositions virtually immortalized him: the fantasia The Infant Paganini as well as the somewhat more difficult sister work The Boy Paganini (Schott ED 21703). Both are played with great enthusiasm by young violinists all over the world. Both compositions present a sparkling display of beautiful melodies and brilliant idiomatic figurations which are effective without being too difficult. / Violon Et Piano
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Niccolò Paganini: Centone Di Sonate Volume 2: Violin: Instrumental Work
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Advanced
Zimmermann
from Centone di Sonate-The collection of sonatas for Violin and Guitar Centone D...
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from Centone di Sonate-The collection of sonatas for Violin and Guitar Centone Di Sonate was presumably written during Paganini's stay in Prague from 1828-9. The 18 sonatas in this collection (3 in this edition) clearly show that with regard to his compositions for Violin and Guitar Paganini underwent a brilliant process of maturing. The Centone Di Sonate reflects a compositional finesse not seen in his earlier works.
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Johannes Brahms: Paganini Variations Op. 35: Piano: Instrumental Album
Piano solo
Wiener Urtext
The Paganini Variations occupy a special place in Brahms' Piano oeuvre. They are...
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The Paganini Variations occupy a special place in Brahms' Piano oeuvre. They are true to their main title a work for study but at the same time (in contrast to for instance the 51 exercises) also suited for concert performances. Both aspects were important to Brahms himself too. When he planned the variations in 1862/63 he was still working on a loose collection of individual exercises which he used as finger practice when preparing for concerts. He eventually reworked this collection of exercises into a 'work' in its own right in 1865 repeatedly playing it in concert and publishing it in 1866. The Paganini Variationsare also interesting in their double function for contemporary pianists. Anyone studying them is able to marvellously develop his or her Piano technique while at the same time working on a very effective piece for concert events. For the first time all the sources known to us could be used for this new edition even two early manuscripts that were thought to be lost after 1945 and were rediscovered in St. Petersburg just a few years ago.
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Etudes Vol.2
Violin
[Sheet music]
-
Advanced
Schott
Widmann 'Etudes 'pour violon solo sont dans la tradition des caprices de Paganin...
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Widmann 'Etudes 'pour violon solo sont dans la tradition des caprices de Paganini par le piano et les études de Chopin, Liszt et Ligeti: artistiquement autonomes pièces concertantes sur un problème technique spécifique de chaque, pour être réalisées individuellement ou en ordre cyclique.No. IV contenues dans le volume 2 présentée ici est une étude sur les techniques de pizzicati différents. No. V, une étude trémolo, est un hommage à Paganini Caprice n o. 6 '. No. VI qui porte 'Lullaby Salomé 'le sous-titre (Berceuse de Salomé) est, en raison de sa séquence d'un thème de 12 bar et 24 variations à court chacun d'entre eux est engagé dans une manière différente contemporaine de jouer, parfaite pour des leçons de violon et une compétition morceau / Violon / 52 pages / niveau : Difficile / Partition
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Niccolò Paganini: Selected Compositions For Violin And Piano: Violin:
Violin and Piano
Peters
This fabulous selection comprises four of Paganini's earlier works for Violin an...
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This fabulous selection comprises four of Paganini's earlier works for Violin and Piano edited by Jean Becker. With the exception of the Moto Perpetuo Op.11 these pieces are all composed using a 'theme and variations' structure. The colour and variety imbued within Paganini's writing for the Violin is truly inimitable and provides the accomplished violinist with the great challenge of realising this beauty through the technical virtuosity of the writing.The solo violin part is also included on a separate insert.
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Sergei Rachmaninov: Rhapsody On Theme Paganini: Organ: Instrumental Work
Organ and Brass Band
Boosey and Hawkes
The 18th variation of Rachmaninov's Rhapsody On A Theme Of Paganini has become m...
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The 18th variation of Rachmaninov's Rhapsody On A Theme Of Paganini has become more famous than the Paganini tune it is based on. It premiered on November 7 1934 in Baltimore with Leopold Stokowski conducting. Arranged for Organ solo.
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