Par ARCHER DEVAN. This book presents extended solo piano settings of eight Christmas favorites plus a new take on ?Brahms? Lullaby,? all with a touch of country keyboard technique. Each intermediate to advanced arrangement is replete with anticipatory grace notes, a bit of western swing harmony and rhythm in the classic country style popularized by Floyd Cramer. Author/arranger Devan Archer has added his own brand of challenging counterpoint. The ?Nashville Sound? has long been a presence in gospel, pop and rock music but appears here in a Christmas repertoire, perhaps for the first time. ?Good King Wenceslas? and ?God Rest Ye Merry, Gentlemen? have never swung so hard! Includes access to online electronic audio recording. / Date parution : 2021-12-09/ Recueil / Piano

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

The second installment of this exceptional piano literature series continues to strengthen a student’s ability to find and project melody. The music represents a variety of keys tempi meters and style. Includes technical exercises for melodic expression descriptive summaries for each piece and composer biographies. Contents include: Fantasia in G major Wq. 117:8 (C.P.E. Bach); Concerto in D Minor BWV 974 2nd mvt (J.S. Bach); Gavotte from French Suite #5 (J.S. Bach); Buciumeana from Romanian Dances No. 4 (Bartok); Bagatelle in F Major Op. 33 No. 3 (Beethoven); Sonata in C# Major Op. 27 No. 2 1st mvt (Beethoven); Dream (Bloch); Waltz in G# Minor Op. 39 No. 3(Brahms); Mazurka in G Minor Op. 67 No. 2 (Chopin); Prelude in C Minor Op. 28 No. 20 (Chopin); Doctor Gradus ad Parnassum (Debussy); The Little Shepherd (Debussy); Sonatina in C Major Op. 151 No. 4 1st mvt (Diabelli); Epilago (Granados); Arietta (Grieg); Etude in E Major Op. 47 No. 16 (Heller); Piano Piece Op. 11 No. 7 (Kodaly); Sung Outside the Prince's Door Op. 4 No. 1 (MacDowell); Venetian Boat Song Op. 30 No. 6 (Mendelssohn); Fantasia in D Minor K. 397 (Mozart); Siciliana (Muffat); Sonata No. 6 in C Minor 3rd mvt (Pescetti); Visions Fugitives Op. 22 No. 16 (Prokofiev); A Ground in Gamut Z. 645 (Purcell); Concerto No. 2 in C Minor Op. 18 Theme (Rachmaninoff); Romance Op. 15 No. 2 (Rimsky-Korsakov); Sonata in E Major K. 380 L. 23 (Scarlatti); Album Leaf in C Major (Wagner).

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Concerto flash no 6 ( flûte et piano ) du compositeur Naulais Jérôme a été cataloguée sous la référence FP 995 par l'éditeur. Cette oeuvre est écrite pour Flûte Traversière. En 3 clics et quelques jours elle peut être chez vous. / Flûte Et Piano / Partition

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

Schirmer Performance Editions-A selection of 12 pieces from the most famous Keyboard notebook in the history of music presented here as part of the Hal Leonard Student Piano Library.The Anna Magdalena Notebook is a particularly intimate and unusual set of didactic pieces composed by J.S. Bach as practice material for his second wife. Such a notebook would have been commonplace in any musical household containing a large variety of music often transcribed by the students themselves and from which an initial repertoire would develop. By its very nature this set of pieces has become a vital source of information regarding Keyboard teaching in the Baroque era andespecially regarding the methods and thinking behind one of the world's greatest composers.This special selection suitable for any early intermediate Piano student has been edited by Christos Tsitsaros who performs all 12 pieces on the included online audio.

Par DVORAK ANTONIN. English-German-French/ Répertoire / Violon, Violoncelle et Piano

  Cette pièce est dédiée à M, Chacun et J, Doyen, pour leur enseignement sur les sonorités de Claude Debussy- l'oeuvre exprime les sons et chants entendus dans une atmosphère froide triste et brumeuse lors d'un matin neigeux,D'un tempo lent, cette pièce reste difficile dans l'exécution et la complexité de l'interprétation : souvent 4 plans sonores simultanés, ou éloignés les uns des autres, avec des techniques d'attaque différentes permettant de suivre l'histoire et restituer le ' ressenti ' du compositeur,Cette pièce toute en couleurs sonores et rythmes parfois complexes, demande d'être très à l'écoute du piano, les vibrations de ce dernier étant fondamentales pour créer l'ambiance particulière de ce paysage musical d'hiver- le texte guidera l'interprète dans son inspiration, / Piano

This book contains the piano accompaniments for Viola Time Sprinters. Characterful and easy to play these piano parts provide stylish accompaniments to all of the pieces in the pupil book. Essential for teachers and musical parents these books will help motivate all young violists as they learn to play.

Composer's Notes:Heavenly Things is my fourteenth song-cycle but the first with piano accompaniment. I mention this because when I was asked to write this piece my first reaction was ‘what can I make of amedium that seems to me quintessentially 19th century’ and I was doubtful that I could produce anything that I would be happy with. Then I went to hear Christopher Maltman and Malcolm Martineau and was so impressed by the magicand intensity of their performance that I saw a ‘way in’ to what at first had seemed a problem. The choice of poems was obviously going to be crucial and I chose the Donne Holy Sonnets because of the dramatic possibilities theyoffer and the huge range of emotion that they encompass. In these settings the piano is always more than a mere accompaniment it tends either to be in dialogue with the voice or to have its own musical agenda which the voicereacts to in an independent but parallel way. Geoffrey Burgon

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.