Organ Solo-Salmeforspil og Koralbearbejdelser af Bendt Fabricus (2018). Forord: Denne lille samling af forspil og koralbearbejdelser er et udpluk afsatser opstået gennem godt 30 års virke som organist i folkekirken. Samlingen er først og fremmest tænkt som et brugbart arbejdsredskab til alle mine kolleger rundt om på de danske orgelbænke. Der er satser der egner sig til det lille ét-manuals orgel i landsbykirken og andre der er tænkt til koncertorglet i den store bykirke. Nogle satser er lette at gå til og med en enkelt og traditionelt opbyggetstruktur mens andre både harmonisk og rytmisk byder på større kompleksitet og sværhedsgrad. Stort set alle de satser der er komponeret for to manualer og pedal kan også lade sig realisere på orgler der kun har ét manual og pedal. Hvad registreringsanvisninger angår er mine angivelser kun tænkt som en vejledning til det klanglige udtryk i en given sats idet det naturligvis står enhver frit for at finde lige præcis den registrering der skønnes passende på det aktuelle instrument. Det er mit ønske at alle organister kan få glæde af samlingen og at den vil vise sig som et brugbart og gavnligt supplement i det daglige arbejde. Bendt Fabricius

This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition

Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors.   From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music.Theother two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016)  

Organisazione Populare Nr.4 Op. 352 for Organ solo was composed by Niels Viggo Bentzon. Manuscript copy.

Organ Solo-Parafrase Op. 10 for Organ solo by Danish composer Leif Kayser (1919-2001).  

The Place Of Understanding is a work by Nico Muhly for High Voice and Organ commissioned by The Hanson Institute for American Music of the Eastman School of Music at the University of Rochester. The work sets 2 texts by Christina Rossetti and from the Book of Job and lasts around 13 minutes. Muhly states that The Place Of Understanding is essentially an Organ solo piece with tenor commentary making the Organ an equal partner in treating these two very diverse texts.

Cradle Song-Vuggesang / Cradle Song for Organ solo by Peter Bruun (2016). The piece is based on Martin Luther's hymn 'Vom Himmel Hoch'. Dedicated to Vibeke Vanggaard. 'Peter Bruun's cradle song Vuggesang is an inventive and refreshingly unconventional set of variations on 'Vom Himmel Hoch'. There are some fascinating textures here and the whole thing is a far cry from a dutiful neo-classical perusal of stock partita motifs - the crystalline final variation which disappears into nothing in the final bars is especially striking. Numerous rhythmic complexities throughout the score will need thought but the piece will reward thediligent.' - Stephen Farr Choir & Organ Magazine 'Organ music makes up only a small part of Danish composer Peter Bruun’s (b. 1968) varied output. Nonetheless  Vuggesang (‘Cradle Song’) from 2016 is idiomatically and sympathetically written for the organ: a series of five variations on Luther’s hymn Vom Himmel hoch that affords variety of texture colour and mood. A clear head is needed to negotiate some of the rhythmic complexities but this is a fine work for the Christmas season that will reward performer and listener.' - Sunday by Sunday  

Melody (Melodi) for Organ solo was composed by Carl Nielsen in 1929. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12      

Kleine orgelmesse-Haydn presumably wrote his ?Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ?Little Organ Mass? from the Organ solo in the ?Benedictus?.- Urtext based on the Henle Complete Edition of the Works of ?Joseph Haydn?- Full score and parts (BA4653) vocal score (BA4653-90) and study score (TP95) available for sale