This publication contains arrangements of Vom Himmel hoch o Englein kommt one of the oldest German carols and Lobt Gott ihr Christen alle gleich written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 Câ?? FlutePart 1 Câ? OboePart 1 Eb Clarinet CornetPart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 F English Horn HornPart 2 Eb Alto Saxophone HornPart 3 C Bassoon Trombone EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet HornPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 4 C Bassoon Trombone Bass Double Bass EuphoniumPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

Rossini's William Tell is arranged here by Lorenzo Bocci for wind quintet with variable instrumentation. The various parts are written in the keys of C Bb Eb and F and for the lower brass in treble and bass clef enabling any combination of Oboe Flute Clarinet Trumpet Soprano Sax Fugelhorn Cornet Alto Sax Alto Clarinet English Horn French Horn Tenor Sax Trombone Baritone Euphonium Bassoon Eb Bass Bb Bass and Bass Clarinet to play this exciting piece.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be

After the Oboe and Clarinet sonata the Bassoon sonata forms the conclusion of the wind compositions from Saint-Saens due to his death in 1921 - the also planned Sonata for English Horn never to be composed.Playing thehumorous not too technically demanding work you can hardly imagine that the composer did not feel particularly familiar on this instrument.

from Canticle of the Cross-Uses: Lent Holy Week Good FridayScripture: Genesis 1:31; Matthew 4:23 13:54-56; John 19:30A significant text and a compelling melody combine to create a moving testament of grace. Set in threetableaus from the life of Christ the text employs sacred metaphor connecting the listener to Jesus as Carpenter Healer and Redeemer. Based upon a folk song the music moves from gentle beauty to sections that are powerful anddramatic. The final lines of “it is finished it is good ” bring an emotive completion to the great story of grace. Available separately: SATB StudioTrax CD Orchestration (Score and parts for alto recorder oboe/english horn clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1&2 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:28.

from The Light in The Piazza-In addition to being Richard Rodgers' grandson Adam Guettel is a gifted composer in his own right! This title song from his Tony Award-winning musical creates a magical aura of love and destiny.Available separately: SATB SABand SSA. Instrumental ePak includes score and parts for Flute Oboe English Horn Harp Percussion Timpani Violin 1 2 Viola Cello and Contrabass. ShowTrax CD also available. Performance Time: Approx. 3:00

A Tenebrae Service-John Purifoy interweaves hymn texts and Scripture with beautiful music to create an unforgettable and emotion-filled Tenebrae experience. From the pensive Is it I Lord? to the dramatic Father Forgive Them themusic and text blend to tell the story in a most powerful way. Narration and service suggestions included. Instrumental ePak includes score and parts for Flute Oboe English Horn Percussion Harp Violin 1 2 Viola Cello andContrabass. ChoirTrax CD also available. Performance Time: Approx. 20 minutes

Printed Chamber Orchestration-Printed Chamber Orchestration: Inspired by Celtic music traditions this new work for Lent or Holy Week presents Christ's journey to the cross. Utilizing folk songs hymns and newly composed sacred songs the music adornsthe heart-felt message of God's love and grace displayed in Christ's redemptive work on Calvary. A thoughtful narration weaves the movements of the work together with Scripture prayer and poetry while delivering a reflectivemessage of hope and assurance. Gentle orchestrations capture the Celtic spirit of the music in a smaller more restrained approach in keeping with Holy Week considerations. A full line of support products is available. Duration:approx. 30 minutes. Titles include: Prologue The Song of the Cross A Celtic Hosanna Come to the Upper Room The Garden of Tears The Carpenter A Tree Once Stood Consolation of the Cross Epilogue. Available separately:SATB Listening CD Preview Pack (Book/CD) StudioTrax CD (Accompaniment only) RehearsalTrax CDs 10-Pack Listening CDs Digital Resource Kit Chamber Orchestration (Score & Parts for Soprano Recorder/Penny Whistle AltoRecorder Oboe/English Horn Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1-3 Trombone 1&2 Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) and Chamber Orchestration CD-ROM. Duration: ca. 30:00.

C-Dur. Par MOZART WOLFGANG AMADEUS. Mozart’s 'Adagio in C major' for English horn, 2 violins and violoncello KV 580a has survived as a fragment but based on a comparison of analogous passages the editor, Helmut Renz, was able to complete the movement. In the Carus edition an arrangement by an unknown author from before 1900 for oboe and string quartet has also been included. The arrangement is written in G major, which is more playable on the oboe./ Répertoire / Cor Anglais, 2 Violons et Violoncelle (Arr. Hautbo