Composed just three years before Mozart's premature death theSonata in C K.545 has become perhaps his most widely known composition for piano. The piece was probably written for one of Mozart's pupils though it was not published during his lifetime. It has since come to symbolise in miniature the dominant elements of the Mozart style: clarity melodic charm and exquisite balance. These characteristics epitomise the music of the Viennese classical period of the late 18th century.The three-movement work opens with an elegant Allegro followed by a tuneful Andante and concludes with a light-hearted Rondo finale.This version ofMozart's popular work has been edited by Randall Faber.

En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.

Piano Pieces from the Nannerl Music Book-Piano Pieces From The 'Nannerl Music Book' contains 17 pieces composed by Wolfgang Amadeus Mozart when he was between five and eight years old.When W. A. Mozart's sister Maria AnnaMozart known as Nannerl started receiving Piano lessons her father gave her a music book in which he and others gradually wrote down little recital pieces.This book was soon passed on to her brother and noticing hisremarkable talent for composing the children's father wrote down some of his son's first works in the book.This Henle Urtext edition is taken from the complete volume of Mozart’s Piano Pieces (HN22) and contains a newpreface by the editor Ullrich Scheideler. The pieces in this volume are easy to play making them ideal for beginners.

On the occasion of the marriage of her son Archduke Ferdinand of Austria to the Princess Maria Ricciarda Beatrice of Modena the Empress Maria Theresia commissioned the young Mozart to compose the work Serenata Teatrale “Ascanio in Alba”. The librettist the Viennese Abate Guiseppe Parini one of the most outstanding poets of the 18th century wrote a baroque-designed libretto which paid homage to and congratulated the royal couple.Mozart wrote the music in only a few weeks from the end of August until 23 September 1771. The first performance took place on 17 October 1771 in Milan to rousing success. Shortly thereafter LeopoldMozart wrote that his son's composition had so overpowered the main performance of Hasses opera “Il Ruggierio ” from the previous day that he could hardly describe it.- Urtext of the New Mozart Edition- Full score (BA4504-01) and vocal score (BA4504-90) available for sale- Performance material (BA4504-72) available for hire

En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.

Spatzenmesse (C)-This Mozart Mass together with BA7520 and BA7521 has been arranged for solo voices chorus and organ from the Urtext of the “New Mozart Edition” thereby making them accessible in all their beauty to choruses and church choirs with limited financial means at their disposal. Martin Focke has based the “concertante” Organ parts on the orchestral writing doing full justice to the timbre of the original. The solo parts and choruses of course leave the Urtext of the “New Mozart Edition” entirely untouched. The “Sparrow Mass” is one of the most significant pieces of church music fromMozart’s years in Salzburg. Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances. Self-contained version with Organ instead of Orchestra Straightforward and easy-to-play Organ part Ideal for church services and concert performances

Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Aufgrund der Forderung des Erzbischofs in Salzburg, dass selbst eine feierliche Messe nicht länger als eine Dreiviertelstunde dauern darf, komponierte Mozart eine dem kirchlichen Hochfest der Dreifaltigkeit angemessene 'Missa brevis et solemnis', d. h. eine feierliche, mit vier Trompeten besetzte, aber relativ kurz gehaltene Messe. Als einzige Messe Mozarts verzichtet sie sogar auf den Sologesang. Diese wohl den Aufführungsbedingungen geschuldete Ökonomie der Besetzung führte zu einer nahezu rein sinfonischen Gestaltung der Messe. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Aufgrund der Forderung des Erzbischofs in Salzburg, dass selbst eine feierliche Messe nicht länger als eine Dreiviertelstunde dauern darf, komponierte Mozart eine dem kirchlichen Hochfest der Dreifaltigkeit angemessene 'Missa brevis et solemnis', d. h. eine feierliche, mit vier Trompeten besetzte, aber relativ kurz gehaltene Messe. Als einzige Messe Mozarts verzichtet sie sogar auf den Sologesang. Diese wohl den Aufführungsbedingungen geschuldete Ökonomie der Besetzung führte zu einer nahezu rein sinfonischen Gestaltung der Messe. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Aufgrund der Forderung des Erzbischofs in Salzburg, dass selbst eine feierliche Messe nicht länger als eine Dreiviertelstunde dauern darf, komponierte Mozart eine dem kirchlichen Hochfest der Dreifaltigkeit angemessene 'Missa brevis et solemnis', d. h. eine feierliche, mit vier Trompeten besetzte, aber relativ kurz gehaltene Messe. Als einzige Messe Mozarts verzichtet sie sogar auf den Sologesang. Diese wohl den Aufführungsbedingungen geschuldete Ökonomie der Besetzung führte zu einer nahezu rein sinfonischen Gestaltung der Messe. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi