La collection contient des pièces originales par j.s. Bach, Haendel, Couperin, Philipp Kirnberger, Marpurg, Haydn, Mozart et Beethoven et le plus léger, qui sont connus par ces compositeurs. Les pièces sont disposées dans l'ordre chronologique - le résultat progressif est b / Piano

Par KIRNBERGER JOHANN PHILIPP. / Répertoire / Flûte Traversière et Basse Continue

G Major/D Major. Par KIRNBERGER JOHANN PHILIPP. / Répertoire / Flûte Traversière et Basse Continue

Par KIRNBERGER JOHANN PHILIPP. / Répertoire / Flûte Traversière et Basse Continue

Reprint der Ausgabe Berlin 1771. Par KIRNBERGER JOHANN PHILIPP. / Livre / Divers

Par KIRNBERGER JOHANN PHILIPP. / Répertoire / Flûte Traversière et Basse Continue

Composer : Kirnberger, Johann Philipp Instrumentation : Klav Edition : Urtext Editor : Mahlert, Ulrich

Selected Pieces (in 1st Position) by Kirnberger, C.P.E.Bach, Haydn(2), Mozart, Schubert, Handel and Telemann/ Recueil / Violoncelle et Piano

Roland C30 Digital Harpsichord including stool. Experience the elegance of baroque music.While producing authentically exquisite centuries-old harpsichord sounds and drawing inspiration from 21st century ingenuity the Roland Classic Series C30 Digital Harpsichord uses digital technology to enhance playability and expressiveness. Whether you are a virtuoso or a novice the C30 makes it possible for you to spend as much quality time as you want with the harpsichord. Taking up little space the styling of the C30 is modelled on the virginals. With an authentic wooden cabinet and a high-quality mahogany finish the traditional and simple styling will beright at home in a classic or modern interior. The period styling is enhanced by stained glass on the stand and the decorative panel on the keyboard lid. The C30 can easily switch between the built-in French and Flemish types of harpsichord. Both of these have four dispositions— 8’ I (back eight) 8’ II (front eight) 4’ (upper octave) and lute (buff mute) — and each disposition has its own dedicated selection button. You can play with a single disposition or layer more than one. The C30 also has an excellent fortepiano sound and has two admirable sampled organ options - 8' flute (ideal for solo accompaniment) and 8'+4' Principal which is ideal for use with a choir. The digital C30 doesn’t need tuning and you can simply switch the pitch from a=440 to baroque (415 Hz) and French baroque (392 Hz). If for ensemble playing you need to match the C30 to other instruments fine pitch adjustments can be made. You can easily take the C30 with you to group rehearsals and live performances. Even if the temperature and humidity vary you can be sure that the pitch will remain accurate. Time-consuming maintenance is a thing of the past. Now you can just turn on and play. As well as equal temperament you can select Werckmeister Kirnberger Vallotti and Meantone tuning

aus dem Musikalischen Opfer-Bach Trio Sonata BWV1079 No8 & Canon Perpetuus BWV1079 No9 from the Musical Offering for Flute Violin & Con tinuo edited by Eppstein & Kirnberger.

BWV997-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas.I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces.The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroqueera which compares with power of the first movement here? It is a magni-ficent example of musical temperament.Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand.

This series of five graded albums has originated on the basis of a need for a wide range of study material that would comply with all requirements of modern Piano teaching. The material is designed also to help master problems in technique and expression.Book 5 rounds off this series of studies which is primarily intended for students. Triads arpeggios and octaves now extend the range of technical problems to be practised. Early music pieces have been selected and appear between the first and second parts of the album. They should provide for a thorough practice of polyphonic music.Contents:Vivo [Zak G.]Allegro moderato [Slavicky Klement]Allegromoderato [Bach Carl Philipp Emanuel]Allegro [Bach Carl Philipp Emanuel]Moderato [Doring Carl H.]Moderato [Czerny Carl]Allegro [Berens Hermann]Andante [Heller Stephen]Andante con espressione [Doring Carl H.]Andante grazioso [Heller Stephen]Vivo [Czerny Carl]Moderato molto ritmico [Slavicky Klement]Allegro non troppo [Heller Stephen]Allegro [Czerny Carl]Allegro moderato [Doring Carl H.]Vivace [Doring Carl H.]Vivo [Berens Hermann]Fugato [Zipoli Domenico]Risoluto [Kirchner Theodor]Andante [Bach Carl Philipp Emanuel]Allegretto [Kirnberger Johann]Vivo [Burgmuller Friedrich]Allegretto [Gnesina Elena]Allegretto ben ritmico [Czerny Carl]Andante [Lebert Siegmund] [Stark Ludwig]Moderato [Gnesina Elena]Allegro vivo [Slavicky Klement]Allegretto [Heller Stephen]Moderato [Schmitt Aloys]Lento [Schmitt Aloys]Allegretto [Majkapar Samuil]Scherzando [Berens Hermann]Allegro [Berens Hermann]Allegro [Kabalevskij Dmitrij]Also published:Album of Studies for Piano.- Book 1 H 2348.- Book 2 H 2349. - Book 3 H 3511.- Book 4 H 4041.

These works impressively document the last phase of the Baroque era. This edition is based on an early copy which belonged to Johann Philipp Kirnberger. It bears the title 'Sechs Sonaten für 2 fleutten von Friedemann Bach'. The Duets Nos. 5 and 6 were added by another copyist.