SKU: HL.49032281

ISBN 9790001127219. UPC: 884088407513. 9.0x12.0x0.15 inches.

The present edition provides various options for teaching and practice. The player can choose between solo part or accompaniment. The CD provides samples of good interpretation while taking into account the limited technical abilities of learners. Even the beginner acquires an informed overview of guitar styles and repertoire from the Renaissance to contemporary playing techniques.

SKU: BT.ALB10651

ISBN 9789043145084. Dutch.

Guitaar Starter is a 2-part guide to the Classical Guitar in which all basic techniques are discussed from the very beginning. These techniques are gradually incorporated into the featured tunes to play and arealways preceded by preparatory exercises. The 'DIY' style of this book makes it easier for beginning guitarists to teach themselves in their own time.

This series aims to acquaint the student with the different styles ofGuitar music that are out there, including classical pieces, folk, blues and rock and more.

In addition to acquiring technical skills, providing students with a fun musical experience is the series' primary aim.Theprinciple is simple - if the student is enthusiastic about the pieces that they are playing, they will be motivated to practice diligently.

SKU: CA.1039414

ISBN M-007-25222-9. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

SKU: IM.3754

A delightful, charming four-movement suite from the classical era composer.

SKU: CA.1039412

ISBN M-007-25220-5. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

SKU: KU.OCT-10263_HST

ISBN 9790206203015.

SKU: CA.1039413

ISBN M-007-25221-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.