Par BACH JOHANN SEBASTIAN / BOURIN ODILE (Arr.). Chorals de Johann Sebastian Bach choisis et adaptés pour 4 violoncelles par Odile Bourin. Dans ce second volume de Chorals de Bach pour 4 violoncelles, les premières voix explorent les 5e, 6e et 7e positions ainsi que la position du pouce - les autres, les positions intermédiaires. Dans chacun des Chorals, une des voix est plus simple permettant des ensembles d'âges variés et de niveaux différents. Les harmonies plus complexes que celles du 1er volume ont guidé notre choix. Nous espérons que les violoncellistes plus avancés de même que leurs professeurs auront plaisir à les découvrir et en feront leur miel. Nous proposons le Choral BWV 367 dans 2 tonalités - sol mineur et la mineur - qui correspondent à des niveaux différents. Les instrumentistes pourront apprécier les 2 couleurs musicales. On rapprochera utilement les chorals BWV 89 et 367 (cf BWV 21 et 270 du 1er volume) et BWV 126, 267 et 295. Odile Bourin/ Répertoire / 4 Violoncelles

[Notenbüchlein für Anna Magdalena Bach 1725] / Classique / Editeur : Ernst-Günter Heinemann / Doigtés : Hans- / Partition / Broché / Edition Urtext

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass