Les éditions Bärenreiter sont les détentrices des droits de la partition Selected Organ Works, Volume 1-10 de Pachelbel Johann qui fait partie du style Classique et contentera toutes les personnes pratiquant Orgue. / Orgue

Motet-Nun danket alle Gott (Now thank we all our God)MotetPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik' that is functional music for the church service on Sundays and feast days for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate chorale cantusfirmi.Score & Basso continuo (BA2873) available for sale

Nun danket alle Gott (Now thank we all our God)MotetPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik' that is functional music for the church service on Sundays and feast days for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate chorale cantusfirmi.Score & Basso continuo (BA2873) available for sale

Easter Cantata. Par PACHELBEL JOHANN. Christ lag in Todesbanden (Christ lay in grim death's prison) Easter Cantata In recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories, e. g. motets, cantatas, magnificats, and masses. The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal, choral, and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik', that is to say, they are functional music written for specific use in the church, service. They are not music written for its own sake. Full score, performance material (BA2875), choral score (BA2875-91) available for sale/ Répertoire / SATB, 4 Parties Mixtes, 2 Violons, 3 VioleSBasson

Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale

Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale

Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale

String Ensemble and Piano. Par PACHELBEL JOHANN. Formation : Musique de Chambre, Quatuor, Quintette - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle 1 Piano (optionnel) - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann PACHELBEL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Quatuor de Cordes

4 Alto Saxphone's, Bariton Saxophone and Piano. Par PACHELBEL JOHANN. Formation : Musique de Chambre, Quatuor, Quintette - Instrumentation : 3 Saxophones Alto 1 Saxophone Baryton 1 Piano (optionnel) - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann PACHELBEL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / 4 Saxophones et Piano

Clarinet Quartet and Piano. Par PACHELBEL JOHANN. Formation : Musique de Chambre, Quatuor, Quintette - Instrumentation :Quatuor de Clarinettes : 3 Clarinettes Sib 1 Clarinette Basse 1 Piano (optionnel) - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann PACHELBEL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / 4 Clarinettes

Par PACHELBEL JOHANN. Bien que le Canon en ré majeur pour trois violons et basse continue lui a valu la renommée pratiquement partout dans le monde, le oeuvre de Johann Pachelbel (1653-1706) sans aucun doute se concentre sur le domaine de la musique d'orgue. Son oeuvre a influencé des générations ultérieures des organistes u/ Répertoire / Orgue ou Clavecin et Clavicorde

Johann Pachabel’s Canon in D Major more commonly known as Pachelbel’s Canon has been wonderfully arranged for Flute and Piano by Tony Santorella. A favourite for chamber ensembles and musicians its charmand tonal quality have meant that it is more popular than Pachelbel’s other larger more impressive works. It is often played slower than Baroque conventions making a thoughtful beautiful and relaxing piece. With separateparts for Flute and Piano but is also suitable for Violin and all C instruments.