Hawley Ades' arrangement of Sy Miller and Jill Jackson's Let There Be Peace On Earth for SAB choir with Piano accompaniment.

Jackson Mississippi attracted a host of blues musicians in the period 1910-1940. Many players from small towns made their way to Jackson which as the capital of Mississippi and a much larger city held forth the promise of moreand better work opportunities and the possibility of making a living playing music rather than driving a mule or chopping cotton. The Jackson Blues scene was an unusually rich one stylistically spanning the gap from thesophisticated Pop blues of Bo Carter to the low-down blues of Rube Lacy and a host of players working between those two extremes.Included on this DVD are transcriptions and teaching of recorded performances from TommyJohnson one of the fountainheads of the Mississippi blues Itta Bena natives Rube Lacy and Ishmon Bracey with their distinctive vocal head tones and intense playing the great Geeshie Wiley a woman who played and sang asstrongly as any man Walter Vinson guitarist and lead singer for the Mississippi Sheiks and Bo Carter a player with a rich chordal vocabulary and Jazzy sound. The songs presented offer a wide range of left and right handapproaches and ways of keeping time and will expand your your ability to play blues moving far afield from the simple alternating bass.A detailed tab/music booklet is included as a PDF file on the DVD and contains all ofthe songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include: Tommy Johnson: LonesomeHome Blues Walter Vinson: Overtime Blues Geeshie Wiley: Eagles On A Half Rube Lacy: Ham Hound Crave Ishmon Bracey: Four Day Blues Bo Carter: Honey

Atlanta in the period 1920-1940 rivaled Memphis St. Louis Jackson and Chicago in the strength and vitality of its blues scene. It was home to a unique school of 12-string guitarists that included Blind Willie McTell BarbecueBob Charlie Lincoln Willie Baker and George Carter.Also on hand were the slick slide guitarist Fred McMullen the accompaniment king Curley Weaver and the spectacular up-and-comer Buddy Moss. The scene was rounded outby an earlier generation of players Peg Leg Howell foremost among them who kept alive musical traditions that were in the eclipse.Included on this DVD are transcriptions and teaching of recorded performances from theyouthful Buddy Moss a player who influenced generations of East Coast players that followed him George Carter a mysterious 12-string guitarist who recorded only four titles Curley Weaver a player's player widely acknowledgedto be among the finest accompanists in the blues Julius Daniels who came down from North Carolina to Atlanta to record early on and Peg Leg Howell a bootlegger-turned musician who busked in the streets of Atlanta both as asoloist and in a trio with the fiddler Eddie Anthony and guitarist Henry Williams.The songs presented in the lesson will expand both your right hand techniques and your knowledge of the neck with one song employing the almostnever encountered Open B flat tuning.A detailed tab/music booklet is included as a PDF file on the DVD and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the originalsource recordings from which the transcriptions taught in the lesson were taken.Titles include Curley Weaver: Ticket Agent George Carter: Rising River Blues Buddy Moss: New Lovin’ Blues andOh Lordy Mama Julius Daniels: 99 Year Blues Peg Leg Howell: Turtle Dove Blues and Low-Down Rounder Blues

Une collection de compositions de jazz, dont beaucoup ont été enregistrées sur le label Blue Note dans les années 50 et 60, dans un style tout droit du jazz. / Instruments En Bb / Partition

Par MALAPERT GILLES. Méthode, 100 pages avec CD Play-backs Par Gilles MALAPERT Le meilleur de la basse électrique en 2 volumes. Riffs, séquences rythmiques, lignes de basse, technique, théorie, improvisation, exercices, ralentis, 20 play-backs pour chaque volume. Tous les styles : blues, rock, metal, fusion, reggae, funk. Complete Electric Bass Volume 2 : Pour consolider ou évelopper vos connaissances théoriques et pratiques. La seule méthode pour apprendre le slap. Accords avec les harmoniques. Effets de jeu. Les doubles croches. Technique main gauche : travail de la troisième position. Le hammer. Le slap. Travail des percussions avec le pouce, tirés de corde. Slap et dead notes. Le groove. Le quart de soupir. Arpèges d?accords. Riffs. Les intervalles. Construction théorique des accords de 3 sons. Harmonisation d?une ligne de basse. Progressions harmoniques. Création d?une ligne de basse. Tous les standards de : Sting ? Metallica ? Pink Floyd ? Gun?s n?roses ? ZZ Top ? Jaco Pastorius ? Dire Straits ? Red Hot Chili Peppers ? RATM ? Paul McCartney ? Mark King ? Robert Trujillo ? Les Claypool ? Tommy Shannon ? Nathan East ? Duck Dunn ? Jack Bruce ? Marcus Miller ? Roscoe Beck ? Steve Harris ? Bob Marley... / Date parution : 2022-03-02/ Tablatures / Guitare Basse

A generous collection of challenging pieces by these talented artists: Jonathan Adams, Muriel Anderson, Seth Austen, D. R. Auten, Douglas Back, Duck Baker, Steve Baughman, William Bay, Pierre Bensusan, Larry Bolles, Ben Bolt, Bill Brennan, Thom Bresh, Rolly Brown, Robin Bullock, Jonathan Burchfield, Michael Chapdelaine, Mike Christiansen, William Coulter, Marcel Dadi, Peppino D'Agostino, Craig Dobbins, Pat Donohue, Doyle Dykes, Steven Eckels, Tim Farrell, Peter Finger, Tommy Flint, Rick Foster, Stefan Grossman, Ole Hal? Todd Hallawell, Roger Hudson, Jack Jezzro, Buster B. Jones, Laurence Juber, Phil Keaggy, Pat Kirtley, Jean-Felix Lalanne, Jay Leach, Paul Lolax, Woody Mann, Dennis McCorkle, El McMeen, Dale Miller, Franco Morone, Stevan Pasero, Ken Perlman, Al Petteway, Bill Piburn, Chris Proctor, Harvey Reid, John Renbourn, Don Ross, Vincent Sadovsky, Dylan Schorer, John Sherman, Martin Simpson, Johnny Smith, Fred Sokolow, Tim Sparks, John Standefer, David Surette, Guy Van Duser, Al Viola, Paul Yandell, Andrew York, and John Zaradin. The selections include both new pieces and some of the best previously published pieces from the latter half of the 20th century. Written in standard notation with tablature for most pieces. 408 pages.

Nouvelle version, + 40 pages + cahier d'exercice. Méthode 100 pages avec CD 1 heure + play-back. Un ouvrage indispensable par G. Malapert, maître d'oeuvre de Bass Collector's. Le concept de Complete Electric Guitars appliqué à la basse 100 plans de légende dans une méthode de 100 pages avec CD de 1 heure (exercices, conseils playback). Titres : Accord de la basse, technique main droite/main gauche, jeu aux doigts et au médiator Figures rythmiques de base et mélanges Gammes majeures, mineures et pentatoniques Bass lines en rock, metal, blues, funk et reggae. Tous les standards de: Sting, Metallica, Pink Floyd, Guns n'Roses, ZZ Top, Jaco Pastorius, Dire Straits, Red Hot Chili Peppers, RATM, Paul McCartney, Mark King, Robert Trujillo, Les Claypool, Tommy Shannon, Nathan East, Duck Dunn, Jack Bruce, Marcus Miller, Roscoe Beck, Alain Caron, Steve Harris, Bob Marley... Par Gilles Malapert

Formerly 2000 Fingerpicking. Cette anthologie comprend deux nouvelles pièces et exceptionnelle précédemment publié fingerstyle tunes. Vétéran artistes interprètes ou exécutants et talentueuses jeunes parvenus sont donnés un forum pour leur meilleur travail. Comprend 3 CD ! Intermédiaire à avancé en difficulté avec presque toutes les pièces apparaissant dans la notation standard avec tablature. Les contributeurs sont : Jonathan Adams, Muriel Anderson, Seth Austen, D.R. Auten, Douglas Back, canard Baker, Steve Baughman, William Bay, Pierre Bensusan, Larry Bolles, Ben Bolt, Bill Brennan, Thom Bresh, Rolly Brown, Robin Bullock, Jonathan Burchfield, Michael Chapdelaine, Mike Christiansen, William Coulter, Marcel Dadi, Peppino D'Agostino, Craig Dobbins, Pat Donohue, Doyle Dykes, Steven Eckels, Tim Farrell, Peter Finger, Tommy Flint, Foster de RickStefan Grossman, Ole Halen, Todd Hallawell, Roger Hudson, Jack Jezzro, Buster b. Jones, Laurence Juber, Phil Keaggy, Pat Kirtley, Jean-Félix Lalanne, Jay Leach, Paul Lolax, Woody Mann, Dennis McCorkle, El McMeen, Dale Miller, Franco Morone,... / Niveau : Débutant / Acoustic Music - Solos / Tablatures / Guitare Tablatures

Par MALAPERT GILLES. Le meilleur de la basse électrique en 2 volumes Volume 1 : Idéal pour apprendre la basse électrique et progresser rapidement. Méthode, 100 pages avec CD Play-backs Par Gilles MALAPERT Le meilleur de la basse électrique en 2 volumes. Riffs, séquences rythmiques, lignes de basse, technique, théorie, improvisation, exercices, ralentis, 20 play-backs pour chaque volume. Tous les styles : blues, rock, metal, fusion, reggae, funk. Complete Electric Bass Volume 1 : Idéal pour apprendre la basse électrique et progresser rapidement. Accord de la basse, technique main droite - main gauche, jeu aux doigts et au médiator. Figures rythmiques de base et mélanges. Gammes majeures, mineures et pentatoniques. Bass lines en rock, metal, blues, funk et reggae. Tous les standards de : Sting ? Metallica ? Pink Floyd ? Gun?s n?roses ? ZZ Top ? Jaco Pastorius ? Dire Straits ? Red Hot Chili Peppers ? RATM ? Paul McCartney ? Mark King ? Robert Trujillo ? Les Claypool ? Tommy Shannon ? Nathan East ? Duck Dunn ? Jack Bruce ? Marcus Miller ? Roscoe Beck ? Steve Harris ? Bob Marley... / Niveau : Facile / Date parution : 2022-03-02/ Tablatures / Guitare Basse

Un livre de méthode complète, plus de 200 pages, remplis d'informations et des exercices sur tous les aspects du jeu basse, pour basse acoustique et électrique. Plus les lignes de basse transcrits et solos par : Eddie Gomez, Ron Carter, David Friesen, Charles Mingus, Jamerson, Ray Brown, Paul Jackson, Scott LaFaro, Marcus Miller, George Mraz, Jaco Pastorius, Paul Chambers, Alphonso Johnson, Jimmy Garrison,.. .et plus ! / Guitare Basse

Robert Wilkins (1896-1987) was born in Hernando a small town in northern Mississippi which nonetheless managed to contribute such musicians as Frank Stokes Jim Jackson Garfield Akers and Joe Callicott to the story of theBlues. Wilkins lived his adult life in Memphis and recorded 13 sides between 1928 and 1930 as well as an additional 4 sides in 1935.Wilkins had a real flair for composition and often invented new forms for his songs. Manyof his songs have become landmark performances in the story of the Country Blues. Wilkins' recordings show us a musician with a pronounced compositional talent and a gift for varying the blues structure in interesting ways. Hislyrics are equally original and profoundly poetic and his subtly powerful guitar-playing and soulful vocals combine for a sound that is unforgettable.Blues authority John Miller presents a detailed guide to the Wilkinsstyle with a host of songs in detailed transcription and a 48-page tablature booklet.